Colonel Robert Sikes is on a mission to rid his city of crime. As a stealthy, one-man assault team, he will take on street gangs, mobsters, and politicians with extreme prejudice until his mission is complete. His former protégé, William Porter, teams up with the local police department to bring his former commander to justice and prevent him from further vigilantism.
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| Lighting | Douglas Arnold | Best Boy Electric |
| Directing | Sazzy Lee Calhoun | First Assistant Director |
| Art | Kurt Knight | Assistant Property Master |
| Art | Stefani Batson | Set Dresser |
| Art | Shane Feulner | Construction Foreman |
| Directing | Mercedes Williamson | Second Second Assistant Director |
| Art | Zachary Paraskeva | Set Dresser |
| Sound | Joe Adamic | Sound Mixer |
| Sound | Bryce Bishop | Boom Operator |
| Art | Eric Pearce | Construction Coordinator |
| Lighting | Travis Alexander Wilker | Lighting Technician |
| Sound | Ashu Boni | Sound Editor |
| Camera | Stuart Kirkby | Best Boy Grip |
| Camera | Jason Mandel | Digital Imaging Technician |
| Costume & Make-Up | Ambria Powell | Makeup & Hair Assistant |
| Camera | Charles Unice | Grip |
| Camera | Sean Klindt | Grip |
| Camera | MarSchelle Walker | Grip |
| Lighting | Kory Mills | Lighting Technician |
| Sound | Ashu Boni | Foley Recordist |
| Camera | Kyle Raney | Grip |
| Sound | Steve Walter | Foley Artist |
| Production | Dallin Bassett | Production Manager |
| Sound | Martin Quiñones | Foley Recordist |
| Production | Elias Axume | Co-Producer |
| Camera | Peter Weiland | Grip |
| Lighting | Michael P. Blevins | Chief Lighting Technician |
| Camera | Craig Sullivan | Key Grip |
| Sound | Martin Quiñones | ADR Recordist |
| Sound | Eric Romero | Dialogue Editor |
| Visual Effects | Anthony J. Rickert-Epstein | Visual Effects Supervisor |
| Directing | Michael Winnick | Director |
| Production | Ryan Noto | Producer |
| Production | Mary Jo Slater | Casting |
| Production | Robert Milo Andrus | Casting Associate |
| Camera | Hayden Smith | First Assistant Camera |
| Sound | Michael John Mollo | Music |
| Writing | Michael Winnick | Writer |
| Editing | Robert A. Ferretti | Editor |
| Camera | Anthony J. Rickert-Epstein | Director of Photography |
| Production | Jeff Johnson | Casting |
| Costume & Make-Up | Jamie Libby | Key Hair Stylist |
| Art | Diane Millett | Production Design |
| Camera | Christina Napier | Still Photographer |
| Art | Kolten Anderson | Art Direction |
| Lighting | Michael Blevins | Gaffer |
| Costume & Make-Up | Abigail Steele | Makeup Department Head |
| Sound | Ashu Boni | Sound Effects Editor |
| Camera | Mary Boregino | First Assistant Camera |
| Sound | Rusty Dunn | Sound Designer |
| Camera | Jared Black | Camera Operator |
| Sound | Rusty Dunn | Supervising Sound Editor |
| Sound | Erick Jolley | Sound Effects Editor |
| Directing | Emma Anne Black | Script Supervisor |
| Editing | Eric M. Klein | Digital Intermediate |
| Camera | Giordano Salvatori | First Assistant Camera |
| Crew | Nils Allen Stewart | Stunt Coordinator |
| Crew | Chris Romrell | Stunt Double |
| Sound | Youssef Guezoum | Music |
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