FBI agent Malcolm Turner and his 17-year-old son Trent go undercover at an all-girls performing arts school after Trent witnesses a murder. Posing as Big Momma and Charmaine, they must find the murderer before he finds them.
Unfortunately the movie Big Mommas: Like Father, Like Son is not yet available on Netflix. Follow us on Facebook to see when Big Mommas: Like Father, Like Son becomes available on Netflix!
| Directing | John Whitesell | Director |
| Crew | David Fletcher | Stunts |
| Costume & Make-Up | Camille Friend | Hair Department Head |
| Production | Ainslie Thomas | Production Coordinator |
| Sound | Dave Jordan | Music Supervisor |
| Directing | Gail Hunter | Script Supervisor |
| Writing | Don Rhymer | Story |
| Production | Martin Lawrence | Executive Producer |
| Production | Jeff Kwatinetz | Executive Producer |
| Production | Mark Fincannon | Casting |
| Costume & Make-Up | Beverly Jo Pryor | Makeup Department Head |
| Sound | David Newman | Original Music Composer |
| Writing | Matthew Fogel | Screenplay |
| Production | Jeremiah Samuels | Executive Producer |
| Sound | Nerses Gezalyan | Sound Mixer |
| Sound | Whit Norris | Production Sound Mixer |
| Production | William Paul Clark | Associate Producer |
| Camera | Anthony B. Richmond | Director of Photography |
| Sound | Jojo Villanueva | Music Supervisor |
| Production | Alexa L. Fogel | Casting |
| Sound | Kelly Oxford | Supervising Sound Editor |
| Camera | John Johnson | Still Photographer |
| Writing | Matthew Fogel | Story |
| Art | Meghan C. Rogers | Production Design |
| Production | Arnon Milchan | Executive Producer |
| Production | David T. Friendly | Producer |
| Editing | Priscilla Nedd-Friendly | Editor |
| Production | Michael Green | Producer |
| Art | Mark Garner | Art Direction |
| Production | Darice Rollins | Associate Producer |
| Art | Frank Galline | Set Decoration |
| Sound | Karen Vassar Triest | Sound Effects Editor |
| Costume & Make-Up | Leah Katznelson | Costume Design |
| Production | Kim Taylor-Coleman | Casting |
| Sound | Beau Borders | Sound Re-Recording Mixer |
| Sound | Kevin O'Connell | Sound Re-Recording Mixer |
| Production | Sean Lampkin | Executive Assistant |
| Production | Jeremiah Samuels | Unit Production Manager |
| Lighting | David Parker | Electrician |
| Crew | Michael L. Covington | Stand In |
| Sound | Tom Kramer | Music Editor |
| Writing | Darryl Quarles | Characters |
| Directing | William Paul Clark | Assistant Director |
| Crew | Cody Rowlett | Stand In |
| Art | Doug Fick | Set Designer |
| Art | Justin O'Neal Miller | Set Designer |
| Crew | Lonnie R. Smith Jr. | Stunt Coordinator |
| Camera | Jeffrey Greeley | Camera Operator |
| Crew | Stan Lee Rice | Stunts |
| Crew | Jamal Sims | Choreographer |
| Lighting | Russell Engels | Gaffer |
| Camera | Rick Drapkin | Steadicam Operator |
| Crew | Lena Fennema | Stunts |
| Art | Thomas A. Morris Jr. | Construction Coordinator |
| Camera | Art Bartels | Key Grip |
| Crew | Reece Fleetwood | Stunts |
| Art | Tracy Farrington | Property Master |
| Art | Patrick Fuhrman | Leadman |
| Editing | Anthony Rosc | Assistant Editor |
| Production | Mark Fincannon | Location Casting |
| Editing | Gary Burritt | Negative Cutter |
| Production | Carmen Matheny | Production Assistant |
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