A romantic drifter gets caught between a corrupt tycoon and his voluptuous wife.
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Directing | Orson Welles | Director |
Writing | Orson Welles | Screenplay |
Production | Orson Welles | Producer |
Camera | Charles Lawton Jr. | Director of Photography |
Writing | Sherwood King | Novel |
Sound | Heinz Roemheld | Original Music Composer |
Art | Sturges Carne | Art Direction |
Art | Stephen Goosson | Art Direction |
Art | Wilbur Menefee | Set Decoration |
Art | Herman N. Schoenbrun | Set Decoration |
Costume & Make-Up | Jean Louis | Costume Design |
Directing | Sam Nelson | Assistant Director |
Editing | Viola Lawrence | Editor |
Sound | Morris Stoloff | Music Director |
Production | William Castle | Associate Producer |
Production | Richard Wilson | Associate Producer |
Sound | Lodge Cunningham | Sound Recordist |
Writing | Charles Lederer | Co-Writer |
Writing | William Castle | Co-Writer |
Writing | Fletcher Markle | Co-Writer |
Production | Harry Cohn | Executive Producer |
Crew | Rudolph Maté | Cinematography |
Crew | Joseph Walker | Cinematography |
Costume & Make-Up | Clay Campbell | Makeup Artist |
Costume & Make-Up | Robert J. Schiffer | Makeup Artist |
Production | Virginia Van Upp | Producer |
Crew | John Daheim | Stunts |
Crew | Terry Wilson | Stunts |
Crew | Paul Baxley | Stunts |
Crew | Nancy Saunders | Stand In |
Directing | Virginia Van Upp | Continuity |
Directing | Dorothy B. Cormack | Script Supervisor |
Sound | Herschel Burke Gilbert | Orchestrator |
Sound | Arthur Morton | Orchestrator |
Camera | Donald Ray Cory | Assistant Camera |
Camera | Edward Cronenweth | Still Photographer |
Camera | Irving Klein | Camera Operator |
Camera | Richard H. Kline | Assistant Camera |
Camera | Don Murphy | Grip |
Camera | Ned Scott | Still Photographer |
Crew | Lawrence W. Butler | Special Effects |
Directing | William Castle | Second Unit Director |
Directing | Arthur Marks | Assistant Director |
Costume & Make-Up | Helen Hunt | Hairstylist |
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