Susan Morrow receives a book manuscript from her ex-husband – a man she left 20 years earlier – asking for her opinion of his writing. As she reads, she is drawn into the fictional life of Tony Hastings, a mathematics professor whose family vacation turns violent.
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| Directing | Tom Ford | Director |
| Writing | Tom Ford | Screenplay |
| Writing | Austin Wright | Novel |
| Camera | Hans Bjerno | Helicopter Camera |
| Production | Stephenson Crossley | Location Manager |
| Art | Scott Trimble | Location Scout |
| Crew | Randy Fitzgerald | Special Effects Coordinator |
| Visual Effects | Darina Johns Ivanova | Visual Effects Producer |
| Visual Effects | Casey Schatz | Visual Effects Supervisor |
| Crew | Michael Buster | Dialect Coach |
| Crew | Kit Conners | Set Production Assistant |
| Art | Alanna Levy | Art Department Coordinator |
| Sound | Kris Fenske | Sound Designer |
| Sound | Scott Harber | Sound Mixer |
| Sound | Ando Johnson | Sound Effects Editor |
| Sound | Gilbert Lake | Sound Re-Recording Mixer |
| Visual Effects | Eric Frazier | Special Effects Supervisor |
| Visual Effects | Ivailo Marinov | Digital Compositors |
| Lighting | Brennan Price | Lighting Technician |
| Crew | Chuck Martinez | Driver |
| Production | Francine Maisler | Casting |
| Art | Meg Everist | Set Decoration |
| Crew | Jack Gill | Stunt Coordinator |
| Crew | Jared Gibson | Stand In |
| Crew | Ronnie Rodriguez | Stand In |
| Art | Christopher Brown | Art Direction |
| Costume & Make-Up | Donald Mowat | Makeup Department Head |
| Costume & Make-Up | Elaine L. Offers | Makeup Artist |
| Sound | Lon Bender | Supervising Sound Editor |
| Lighting | Michael J. Schwartz | Lighting Technician |
| Production | Sande Alessi | Casting Associate |
| Crew | Geoff Foster | Score Engineer |
| Crew | Gary Thomas Williams | Driver |
| Crew | Melissa Bender | Stand In |
| Directing | Scott Peterson | Script Supervisor |
| Sound | Thomas Pinney | Sound Engineer |
| Sound | Matthew Wilson | Sound Effects Editor |
| Camera | Dustin Evans | Camera Technician |
| Production | Mike Passine | Casting Associate |
| Crew | Michael Menapace | Transportation Coordinator |
| Production | Marjorie Chodorov | Production Accountant |
| Production | Diane L. Sabatini | Co-Producer |
| Crew | Richard Morrison | Title Graphics |
| Crew | Melissa McSorley | Prop Maker |
| Sound | Lori Dovi | Production Sound Mixer |
| Sound | Mike Prestwood Smith | Sound Re-Recording Mixer |
| Sound | Chris Quilty | Boom Operator |
| Visual Effects | Klaudija Cermak | Digital Compositors |
| Visual Effects | Eloi G. Martorell | Digital Compositors |
| Camera | Kelly Diehl | Camera Technician |
| Camera | Merrick Morton | Still Photographer |
| Production | Tom Ford | Producer |
| Art | Chris Samp | Standby Painter |
| Camera | David Emmerichs | Camera Operator |
| Costume & Make-Up | Kelly Porter (costumer) | Set Costumer |
| Editing | Ofe Yi | First Assistant Editor |
| Crew | Mark Webb | Driver |
| Crew | Dean Wares | Title Graphics |
| Costume & Make-Up | Keith Sayer | Makeup Artist |
| Sound | Stuart Morton | Music Editor |
| Costume & Make-Up | Arianne Phillips | Costume Design |
| Art | R. Scott Doran | Leadman |
| Sound | Vincent Cosson | Sound Re-Recording Mixer |
| Sound | Tim Song Jones | Boom Operator |
| Lighting | Robert B. Dechellis | Rigging Gaffer |
| Crew | Renee Treyball | Loader |
| Editing | Joan Sobel | Editor |
| Costume & Make-Up | Jules Holdren | Hair Department Head |
| Camera | Ryan Busscher | Grip |
| Crew | Spooky Stevens | Unit Publicist |
| Production | Robert Salerno | Producer |
| Art | Richard W. Jones | Greensman |
| Art | Mike Villarino | Construction Coordinator |
| Costume & Make-Up | Robert Wilson | Hairstylist |
| Art | Kevin Mahoney | Lead Painter |
| Visual Effects | Ivan Grozev | Digital Compositors |
| Lighting | Dhamarata Dhiensuwana | Rigging Grip |
| Camera | Krystina Figg | Grip |
| Lighting | Chris Napolitano | Lighting Technician |
| Lighting | Theodore Rysz III | Electrician |
| Art | Shane Valentino | Production Design |
| Art | Bryan Lane | Set Designer |
| Crew | Jesse Olivares | Video Assist Operator |
| Costume & Make-Up | Donna O'Neal | Costume Supervisor |
| Art | Justin Allen | Set Decoration Buyer |
| Sound | Paul Cotterell | Sound Re-Recording Mixer |
| Crew | Stephen Boucher | Visual Effects Editor |
| Production | Nick Rufca | Production Coordinator |
| Sound | Abel Korzeniowski | Original Music Composer |
| Crew | Kirsten Tobey | Production Office Assistant |
| Camera | Seamus McGarvey | Director of Photography |
| Crew | Sean Yopchick | Set Production Assistant |
| Crew | Ben Hall | Set Production Assistant |
| Directing | Jason Blumenfeld | First Assistant Director |
| Directing | Christophe Le Chanu | Second Assistant Director |
| Costume & Make-Up | Malanie J. Romero | Key Makeup Artist |
| Camera | Harry Zimmerman | First Assistant Camera |
| Costume & Make-Up | Yolanda Toussieng | Hair Department Head |
| Sound | Shane Hayes | Dialogue Editor |
| Costume & Make-Up | Grant McCord | Costume Assistant |
| Costume & Make-Up | Jason Collins | Makeup Effects Designer |
| Art | Josh Kanan | Set Dresser |
| Camera | Dale Robinette | Still Photographer |
| Costume & Make-Up | Chris Allegro | Costumer |
| Sound | Chris Navarro | ADR Mixer |
| Sound | Michael Miller | ADR Mixer |
| Sound | Ryan Wassil | Foley Mixer |
| Sound | Tara Blume | Foley Artist |
| Sound | Robert D. Caballero | Foley Editor |
| Sound | Rick Owens | Foley Artist |
| Editing | Paul Ensby | Digital Intermediate Colorist |
| Editing | Siggy Ferstl | Digital Intermediate Colorist |
| Art | Andrew Hull | Assistant Art Director |
| Visual Effects | Richard Stretch Russell | VFX Artist |
| Crew | Steve Kelso | Stunt Double |
| Crew | Geoff Pilkington | Stunt Double |
| Crew | Daniel Leavitt | Stunt Double |
| Crew | Mandy Kowalski | Stunt Double |
| Crew | Ryan Happy | Stunt Double |
| Crew | Nikki Brower | Stunts |
| Crew | Marc Scizak | Stunt Double |
| Crew | Tarah Paige | Stunt Double |
| Crew | Liv Banks | Production Office Assistant |
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