In 1958, in the state of Virginia, the idea of interracial marriage was not only considered to be immoral to many, it was also illegal. When Richard and Mildred fall in love, they are aware of the eyes staring at them and the words said behind their backs. It's when they get married, however, that words and looks become actions, and the two are arrested. The couple decide to take their case all of the way to the Supreme Court in order to fight for their love. Based on a true story.
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| Costume & Make-Up | Gary Archer | Prosthetics |
| Writing | Jeff Nichols | Writer |
| Directing | Jeff Nichols | Director |
| Writing | Nancy Buirski | Storyboard |
| Editing | Julie Monroe | Editor |
| Production | Marc Turtletaub | Producer |
| Production | Jared Ian Goldman | Executive Producer |
| Production | Will Greenfield | Co-Producer |
| Art | Jonathan Guggenheim | Art Direction |
| Art | Chad Keith | Production Design |
| Production | Peter Saraf | Producer |
| Production | Brian Kavanaugh-Jones | Executive Producer |
| Production | Oge Egbuono | Associate Producer |
| Production | Francine Maisler | Casting |
| Costume & Make-Up | Erin Benach | Costume Design |
| Production | Sarah Green | Producer |
| Art | Adam Willis | Set Decoration |
| Production | Nancy Buirski | Producer |
| Production | Ged Doherty | Producer |
| Production | Colin Firth | Producer |
| Production | Jack Turner | Executive Producer |
| Sound | Lauren Mikus | Music Supervisor |
| Camera | Adam Stone | Director of Photography |
| Camera | Ben Rothstein | Still Photographer |
| Sound | David Wingo | Original Music Composer |
| Directing | Jean-Paul Chreky | Script Supervisor |
| Crew | Gary Pilkinton | Special Effects Coordinator |
| Crew | Trevor Smithson | Special Effects Technician |
| Art | A. Patrick Storey | Property Master |
| Production | Sarah Green | Unit Production Manager |
| Costume & Make-Up | Travis Corprew | Hairstylist |
| Crew | Susan E. Novick | Post Production Supervisor |
| Costume & Make-Up | Lee Mason | Hairstylist |
| Costume & Make-Up | Julia Lallas | Makeup Department Head |
| Costume & Make-Up | Kenneth Walker | Hair Department Head |
| Directing | Ben LeDoux | Second Second Assistant Director |
| Costume & Make-Up | Samantha M. Capps | Makeup Artist |
| Costume & Make-Up | Brian Morton | Hairstylist |
| Directing | Cas Donovan | First Assistant Director |
| Costume & Make-Up | Elizabeth Paschall | Key Hair Stylist |
| Costume & Make-Up | Katie Middleton | Key Makeup Artist |
| Production | Will Greenfield | Unit Production Manager |
| Lighting | Rachel Landis | Lighting Technician |
| Sound | Will Files | Supervising Sound Editor |
| Sound | P.K. Hooker | Sound Effects Editor |
| Sound | Bob Kellough | Sound Effects Editor |
| Sound | Chris Navarro | ADR Mixer |
| Sound | Brandon Proctor | Dialogue Editor |
| Crew | Jason Gupton | Stunts |
| Crew | Chad Hessler | Stunt Coordinator |
| Crew | Alexander Schuler | Stunts |
| Camera | Max Fischer | Steadicam Operator |
| Lighting | Maxwel Fisher | Genetator Operator |
| Crew | Dean Mumford | Stunt Driver |
| Sound | Joel Dougherty | Sound Effects Editor |
| Sound | Andrea Gard | Foley Editor |
| Art | Stephen G. Shifflette | Leadman |
| Sound | Richard Bullock Jr. | Boom Operator |
| Camera | Dylan Conrad | First Assistant "B" Camera |
| Art | Ronald Alexander | Construction Foreman |
| Crew | Aaron Vexler | Stunts |
| Art | Roslyn Blankenship | Construction Buyer |
| Art | Hannah Ross | Assistant Property Master |
| Camera | Kenneth Neil Moore | Second Unit Director of Photography |
| Sound | Pud Cusack | Sound Mixer |
| Lighting | Sean Engel | Electrician |
| Lighting | Kevin Mucha | Best Boy Electric |
| Sound | Shayna Brown | ADR Mixer |
| Sound | Proctor Trivette | Boom Operator |
| Crew | Kevin Dyer | Stunt Driver |
| Camera | Stephen McBride | Second Assistant "A" Camera |
| Directing | Tommy Martin | Second Assistant Director |
| Art | Susan Sutphin | Art Department Coordinator |
| Art | Richard Blankenship | Construction Coordinator |
| Sound | David Grimaldi | Sound Effects Editor |
| Art | David Keith Broome | Greensman |
| Crew | Henry Walton | Propmaker |
| Crew | Miles Brew | Stunts |
| Camera | Tonja Greenfield | Second Assistant "B" Camera |
| Lighting | Adunbi Kazembe | Lighting Technician |
| Art | Eric Gruber | Construction Foreman |
| Camera | Rocky Ford | Key Grip |
| Sound | Judy Kirschner | Foley Mixer |
| Lighting | Kevin Gallagher | Electrician |
| Camera | David Regan | First Assistant "A" Camera |
| Lighting | Timothy P. Reilly | Lighting Technician |
| Production | Emily Kacere | Production Coordinator |
| Camera | Lou Rubsamen | Best Boy Grip |
| Costume & Make-Up | Jonny Pray | Costume Supervisor |
| Sound | Jay B. Richardson | Music Editor |
| Crew | Christine Conway | Studio Teacher |
| Production | Theresa Marsh | Production Accountant |
| Lighting | Michael Piekutowski | Lighting Technician |
| Editing | Jamal McLemore | Assistant Editor |
| Production | Jonathan D. Ortiz | Production Secretary |
| Editing | Warren Hickman | First Assistant Editor |
| Editing | Tony Costello | First Assistant Editor |
| Lighting | Michael Roy | Gaffer |
| Camera | Christopher Smitty Smith | Dolly Grip |
| Costume & Make-Up | Karen Wolfe | Key Costumer |
| Camera | Sean Piper | Dolly Grip |
| Production | Kendall Cooper | Extras Casting |
| Editing | Christopher McDonald | Dailies Operator |
| Sound | Jay Weigel | Orchestrator |
| Production | Colleen Gibbons | Location Manager |
| Lighting | Robert Spencer | Rigging Gaffer |
| Production | Taylor Morgan | Assistant Production Coordinator |
| Costume & Make-Up | Lindsay Austria | Seamstress |
| Sound | Satoshi Mark Noguchi | Scoring Mixer |
| Crew | Samara Bay | Dialect Coach |
| Crew | Maï Boiron | Translator |
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