In 1950s New York, a department-store clerk who dreams of a better life falls for an older, married woman.
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Production | Tessa Ross | Producer |
Sound | Carter Burwell | Original Music Composer |
Production | Bob Weinstein | Executive Producer |
Production | Harvey Weinstein | Executive Producer |
Production | Cate Blanchett | Executive Producer |
Production | Christine Vachon | Producer |
Art | Judy Becker | Production Design |
Art | Heather Loeffler | Set Decoration |
Camera | Edward Lachman | Director of Photography |
Production | Stephen Woolley | Producer |
Costume & Make-Up | Sandy Powell | Costume Design |
Writing | Patricia Highsmith | Novel |
Production | Laura Rosenthal | Casting |
Sound | Tony Martinez | Dialogue Editor |
Sound | Tony Martinez | ADR Editor |
Art | Jesse Rosenthal | Art Direction |
Directing | Todd Haynes | Director |
Sound | Todd Kasow | Music Editor |
Sound | Leslie Shatz | Sound Re-Recording Mixer |
Sound | Randall Poster | Music Supervisor |
Editing | Affonso Gonçalves | Editor |
Production | Andrew Upton | Executive Producer |
Crew | Carla Meyer | Dialect Coach |
Production | Elizabeth Karlsen | Producer |
Production | Dorothy Berwin | Executive Producer |
Camera | Craig Haagensen | Camera Operator |
Writing | Phyllis Nagy | Screenplay |
Production | Gwen Bialic | Line Producer |
Costume & Make-Up | Jeni Lee Dinkel | Makeup Artist |
Camera | Jeff Barklage | Camera Operator |
Camera | Alex Esber | First Assistant Camera |
Art | Daniel Fisher | Property Master |
Costume & Make-Up | David Davenport | Costume Supervisor |
Costume & Make-Up | Morag Ross | Makeup Artist |
Art | Joel Weaver | Property Master |
Crew | Gretchen McGowan | Post Production Supervisor |
Costume & Make-Up | Patricia Regan | Makeup Department Head |
Sound | James David Redding III | Supervising Sound Effects Editor |
Costume & Make-Up | Anne Taylor | Makeup Artist |
Production | Danny Perkins | Executive Producer |
Costume & Make-Up | Jerry DeCarlo | Hair Department Head |
Camera | Kirk R. Gardner | Steadicam Operator |
Costume & Make-Up | John Jack Curtin | Key Hair Stylist |
Art | Paul Peabody | Construction Coordinator |
Camera | Wilson Webb | Still Photographer |
Camera | Chris Salamone | Dolly Grip |
Sound | Eliza Paley | Supervising ADR Editor |
Sound | Eliza Paley | Supervising Dialogue Editor |
Production | Thorsten Schumacher | Executive Producer |
Lighting | John W. DeBlau | Gaffer |
Directing | Belle Francisco | Script Supervisor |
Sound | Geoff Maxwell | Sound Mixer |
Camera | Tom Cherry | First Assistant Camera |
Camera | Amy Faust | First Assistant Camera |
Visual Effects | Chris Haney | Visual Effects Supervisor |
Visual Effects | Chris Haney | Visual Effects Producer |
Camera | James McMillan | Key Grip |
Costume & Make-Up | Megan McGilvery | Seamstress |
Camera | Adam N. White | Steadicam Operator |
Lighting | Russ Faust | Best Boy Electric |
Art | Francis Link Boysie | Construction Foreman |
Lighting | Scott Lipez | Rigging Gaffer |
Lighting | Lucas Staley | Rigging Grip |
Sound | Lidia Tamplenizza | Foley Editor |
Production | Alan Forbes | Location Manager |
Directing | Jesse Nye | First Assistant Director |
Art | Eric Johns | Greensman |
Crew | Luke Nye | Prop Maker |
Art | Bob Smith | Leadman |
Art | Christopher Walters | Leadman |
Sound | Nigel Maxwell | Boom Operator |
Crew | Kenneth Coulman | Special Effects Coordinator |
Crew | Kelly Laufenberg | Special Effects Coordinator |
Lighting | Mike Dickman | Rigging Grip |
Lighting | Jeff Fisher | Rigging Grip |
Lighting | Thomas William Vincent | Rigging Grip |
Lighting | John Zanardelli | Rigging Grip |
Costume & Make-Up | Susan Bakula | Tailor |
Costume & Make-Up | Christine Lee | Seamstress |
Costume & Make-Up | Jenn McLaren | Costume Coordinator |
Costume & Make-Up | Martha Smith | Key Costumer |
Production | Deirdre Costa | Location Manager |
Art | Marlene McCarty | Title Designer |
Production | Meredith Nunnikhoven | Production Coordinator |
Crew | Kate Wilson | Dialect Coach |
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