In 1950s New York, a department-store clerk who dreams of a better life falls for an older, married woman.
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| Crew | Kelly Reichardt | Thanks |
| Production | Stephen Woolley | Producer |
| Art | Judy Becker | Production Design |
| Directing | Todd Haynes | Director |
| Art | Heather Loeffler | Set Decoration |
| Production | Christine Vachon | Producer |
| Costume & Make-Up | Sandy Powell | Costume Design |
| Production | Dorothy Berwin | Executive Producer |
| Production | Elizabeth Karlsen | Producer |
| Art | Leyna Haller | Set Dresser |
| Visual Effects | Allison Paul | Visual Effects Producer |
| Art | Jon Griffith | Set Dresser |
| Visual Effects | Erik Werlin | Visual Effects |
| Costume & Make-Up | Gina Nalli | Set Costumer |
| Art | Amy Cluxton | Set Dresser |
| Costume & Make-Up | Karen Young | Set Costumer |
| Visual Effects | Edson Williams | Visual Effects Supervisor |
| Writing | Patricia Highsmith | Novel |
| Writing | Phyllis Nagy | Screenplay |
| Camera | Edward Lachman | Director of Photography |
| Editing | Affonso Gonçalves | Editor |
| Art | Jesse Rosenthal | Art Direction |
| Sound | Carter Burwell | Original Music Composer |
| Production | Bob Weinstein | Executive Producer |
| Production | Thorsten Schumacher | Executive Producer |
| Sound | Randall Poster | Music Supervisor |
| Production | Laura Rosenthal | Casting |
| Production | Andrew Upton | Executive Producer |
| Production | Cate Blanchett | Executive Producer |
| Production | Harvey Weinstein | Executive Producer |
| Production | Danny Perkins | Executive Producer |
| Sound | Leslie Shatz | Sound Re-Recording Mixer |
| Directing | Belle Francisco | Script Supervisor |
| Sound | Todd Kasow | Music Editor |
| Camera | Wilson Webb | Still Photographer |
| Costume & Make-Up | Jerry DeCarlo | Hair Department Head |
| Costume & Make-Up | Patricia Regan | Makeup Department Head |
| Costume & Make-Up | David Davenport | Costume Supervisor |
| Crew | Mark Friedberg | Thanks |
| Art | Sarah Young | Set Decoration Buyer |
| Art | Francis Link Boysie | Construction Foreman |
| Lighting | John W. DeBlau | Gaffer |
| Production | Alan Forbes | Location Manager |
| Crew | Carla Meyer | Dialect Coach |
| Costume & Make-Up | Anne Taylor | Makeup Artist |
| Crew | Gretchen McGowan | Post Production Supervisor |
| Art | Paul Peabody | Construction Coordinator |
| Sound | James David Redding III | Supervising Sound Effects Editor |
| Production | Deirdre Costa | Location Manager |
| Costume & Make-Up | John Jack Curtin | Key Hair Stylist |
| Camera | James McMillan | Key Grip |
| Camera | Adam N. White | Steadicam Operator |
| Lighting | Thomas William Vincent | Rigging Grip |
| Camera | Kirk R. Gardner | Steadicam Operator |
| Costume & Make-Up | Susan Bakula | Tailor |
| Art | Marlene McCarty | Title Designer |
| Art | Joel Weaver | Property Master |
| Crew | Kenneth Coulman | Special Effects Coordinator |
| Lighting | Mike Dickman | Rigging Grip |
| Crew | Kate Wilson | Dialect Coach |
| Art | Eric Johns | Greensman |
| Sound | Lidia Tamplenizza | Foley Editor |
| Camera | Chris Salamone | Dolly Grip |
| Lighting | John Zanardelli | Rigging Grip |
| Costume & Make-Up | Jenn McLaren | Costume Coordinator |
| Production | Meredith Nunnikhoven | Production Coordinator |
| Sound | Nigel Maxwell | Boom Operator |
| Art | Christopher Walters | Leadman |
| Crew | Kelly Laufenberg | Special Effects Coordinator |
| Lighting | Jeff Fisher | Rigging Grip |
| Costume & Make-Up | Christine Lee | Seamstress |
| Crew | Luke Nye | Prop Maker |
| Visual Effects | Chris Haney | Visual Effects Producer |
| Lighting | Scott Lipez | Rigging Gaffer |
| Lighting | Lucas Staley | Rigging Grip |
| Costume & Make-Up | Jeni Lee Dinkel | Makeup Artist |
| Art | Daniel Fisher | Property Master |
| Lighting | Russ Faust | Best Boy Electric |
| Directing | Jesse Nye | First Assistant Director |
| Art | Bob Smith | Leadman |
| Visual Effects | Chris Haney | Visual Effects Supervisor |
| Costume & Make-Up | Megan McGilvery | Seamstress |
| Sound | Tony Martinez | ADR Editor |
| Sound | Eliza Paley | Supervising ADR Editor |
| Sound | Tony Martinez | Dialogue Editor |
| Sound | Eliza Paley | Supervising Dialogue Editor |
| Directing | Kyle LeMire | Second Assistant Director |
| Costume & Make-Up | Morag Ross | Makeup Artist |
| Production | Tessa Ross | Executive Producer |
| Production | Gwen Bialic | Co-Producer |
| Production | Robert Jolliffe | Executive Producer |
| Production | Karri O'Reilly | Unit Production Manager |
| Costume & Make-Up | Martha Smith | Key Set Costumer |
| Costume & Make-Up | Kay Georgiou | Hairstylist |
| Camera | Craig Haagensen | "A" Camera Operator |
| Sound | Geoff Maxwell | Production Sound Mixer |
| Production | Shellie Gillespie | Production Accountant |
| Production | D. Lynn Meyers | Location Casting |
| Production | Chenney Chen | Extras Casting |
| Editing | Perri Pivovar | Assistant Editor |
| Editing | John Dowdell | Colorist |
| Sound | Leslie Shatz | Sound Designer |
| Art | Hal Carlton-Ford | Set Dresser |
| Art | Thomas Hunt | Set Dresser |
| Art | Timothy Johnson | Set Dresser |
| Art | Vanessa O'Kelley | Set Dresser |
| Art | Christopher Pappas | Set Dresser |
| Art | Gregory Puchalski | Set Dresser |
| Costume & Make-Up | Kelleigh Miller | On Set Dresser |
| Art | Debbie Stratis | Art Department Coordinator |
| Camera | Richard S. Crumrine Jr. | First Assistant "A" Camera |
| Camera | Tom Cherry | First Assistant "A" Camera |
| Camera | Christopher Ratledge | Second Assistant "A" Camera |
| Camera | Jeff Barklage | "B" Camera Operator |
| Camera | Amy Faust | First Assistant "B" Camera |
| Camera | Alex Esber | First Assistant "B" Camera |
| Crew | Matthew Stratton | Special Effects Technician |
| Costume & Make-Up | Meghan Corea | Assistant Costume Designer |
| Costume & Make-Up | Christopher Peterson | Assistant Costume Designer |
| Production | Gwen Bialic | Unit Production Manager |
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