Infatuated with the idea of becoming rich, college student Jonathan Corliss secretly dates Dorothy Carlsson to gain the approval of her wealthy father. When Dorothy tells Jonathan that she is pregnant and that her father will deny her inheritance if he finds out, Jonathan murders her, but he stages her death as a suicide. As Jonathan works his way onto Mr. Carlsson's payroll, Dorothy's twin sister, Ellen, investigates the apparent suicide.
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Production | Suzanne Smith Crowley | Casting |
Sound | Howard Shore | Original Music Composer |
Sound | Howard Shore | Conductor |
Art | Jim Clay | Production Design |
Production | Eric Fellner | Executive Producer |
Production | Billy Hopkins | Casting |
Art | Stephenie McMillan | Set Dresser |
Crew | Greg Powell | Stunts |
Sound | John Hayward | Sound Mixer |
Directing | Tim Lewis | Second Assistant Director |
Costume & Make-Up | Marit Allen | Costume Design |
Writing | Ira Levin | Novel |
Art | Catherine Davis | Set Decoration |
Editing | Michael Bradsell | Editor |
Camera | Mike Southon | Director of Photography |
Costume & Make-Up | Peter Frampton | Makeup Supervisor |
Art | Chris Seagers | Art Direction |
Writing | James Dearden | Screenplay |
Directing | James Dearden | Director |
Production | Mary Richards | Production Manager |
Production | Paul Raphael | Associate Producer |
Crew | Martin Grace | Stunts |
Production | Tarn Harper | Assistant Accountant |
Crew | Helen Caldwell | Stunts |
Sound | Robert Gavin | Assistant Dialogue Editor |
Production | Chris Thompson | Associate Producer |
Sound | Kevin Brazier | Dialogue Editor |
Crew | Donna Evans | Stunts |
Production | Guy Tannahill | Location Manager |
Production | Bill Darby | Assistant Location Manager |
Crew | G. A. Aguilar | Stunts |
Crew | Eddie Powell | Stunts |
Crew | Jery Hewitt | Stunts |
Costume & Make-Up | Ken Crouch | Wardrobe Supervisor |
Sound | Graham Sutton | Music Editor |
Sound | Gerard McCann | Assistant Sound Editor |
Directing | Diana Dill | Continuity |
Production | Suzanne Smith | Casting Associate |
Crew | Graeme Crowther | Stunts |
Costume & Make-Up | Sue Love | Hairdresser |
Camera | Mark Milsome | Clapper Loader |
Costume & Make-Up | Jo Korer | Wardrobe Master |
Camera | Philip Sindall | Camera Operator |
Crew | Cliff Cudney | Stunts |
Production | Robert Lawrence | Producer |
Costume & Make-Up | Martin Samuel | Hairdresser |
Directing | Julie Robinson | Script Supervisor |
Crew | Susan d'Arcy | Unit Publicist |
Camera | Malcolm Sheehan | Grip |
Art | Jo Graysmark | Art Department Assistant |
Camera | David Appleby | Still Photographer |
Lighting | Micky Brown | Gaffer |
Sound | Ian Voigt | Sound Recordist |
Sound | Homer Denison | Orchestrator |
Sound | Campbell Askew | Sound Editor |
Directing | Patrick Clayton | First Assistant Director |
Crew | Hugh Aodh O'Brien | Stunts |
Art | Tessa Harrison | Assistant Art Director |
Crew | Tracey Eddon | Stunts |
Camera | Ian Jackson | Focus Puller |
Art | Rod McClean | Art Direction |
Lighting | Bill Thornhill | Best Boy Electric |
Editing | Natalie Baker | Assistant Editor |
Crew | Mike Potter | Stunts |
Costume & Make-Up | John Dods | Makeup Artist |
Art | Roy Evans | Construction Manager |
Production | Bobbie Johnson | Production Accountant |
Costume & Make-Up | Hilary Watson | Assistant Costume Designer |
Production | Tania Windsor | Production Coordinator |
Directing | Julia Waye | Third Assistant Director |
Art | Dave Reilly | Property Master |
Production | Melissa Wyn Griffith | Production Secretary |
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