During an assignment, foreign correspondent Steve Martin spends a layover in Tokyo and is caught amid the rampage of an unstoppable prehistoric monster the Japanese call 'Godzilla'. The only hope for both Japan and the world lies on a secret weapon, which may prove more destructive than the monster itself.
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Production | Joseph E. Levine | Executive Producer |
Writing | Ishirō Honda | Screenplay |
Directing | Ishirō Honda | Director |
Camera | Masao Tamai | Director of Photography |
Crew | Eiji Tsuburaya | Special Effects |
Visual Effects | Eiji Tsuburaya | Visual Effects |
Writing | Eiji Tsuburaya | Story |
Writing | Takeo Murata | Screenplay |
Production | Tomoyuki Tanaka | Producer |
Writing | Tomoyuki Tanaka | Story |
Directing | Terry O. Morse | Director |
Writing | Terry O. Morse | Story |
Editing | Terry O. Morse | Supervising Editor |
Art | Takeo Kita | Production Design |
Art | Takeo Kita | Art Direction |
Camera | Guy Roe | Director of Photography |
Writing | Al C. Ward | Screenplay |
Sound | Akira Ifukube | Music |
Writing | Shigeru Kayama | Novel |
Writing | Shigeru Kayama | Original Story |
Writing | Shigeru Kayama | Lyricist |
Directing | Ira Webb | Assistant Director |
Production | Richard Kay | Producer |
Production | Iwao Mori | Executive Producer |
Art | Satoru Chûko | Production Design |
Art | Satoru Chûko | Art Direction |
Sound | George R. Rohrs | Sound Effects |
Production | Harry Rybnick | Producer |
Sound | Hisashi Shimonaga | Sound |
Crew | Kuichirô Kishida | Special Effects |
Visual Effects | Kuichirô Kishida | Visual Effects |
Crew | Akira Watanabe | Special Effects |
Visual Effects | Akira Watanabe | Visual Effects |
Crew | Hiroshi Mukoyama | Special Effects |
Visual Effects | Hiroshi Mukoyama | Visual Effects |
Sound | Arthur B. Smith | Sound |
Costume & Make-Up | Teizô Toshimitsu | Costume Designer |
Production | Edward B. Barison | Producer |
Visual Effects | Sadao Iizuka | Visual Effects |
Production | Terry Turner | Producer |
Visual Effects | Kaimai Eizo | Visual Effects |
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