A scientist from the failed Philadelphia Experiment leads a team of Navy SEALs back in time to the Cretaceous Period to rescue the first team he sent back during the 1940s. Things go wildly awry though, when on his return he accidentally brings a giant, man-eating dinosaur back through the portal and into modern-day, downtown Los Angeles.
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| Production | David Michael Latt | Producer |
| Writing | Paul Bales | Screenplay |
| Directing | Griff Furst | Director |
| Camera | Alexander Yellen | Director of Photography |
| Production | Jeff Cagle | Casting |
| Art | Brandon Kihl | Production Design |
| Sound | Ralph Rieckermann | Original Music Composer |
| Editing | Mark Atkins | Editor |
| Editing | Nick Everhart | Editor |
| Production | David Rimawi | Executive Producer |
| Costume & Make-Up | Mim Carroll | Costume Design |
| Crew | Robin Petgrave | Aerial Coordinator |
| Visual Effects | S. Kai Bovaird | Visual Effects Supervisor |
| Visual Effects | Ross Otterman | Visual Effects Producer |
| Costume & Make-Up | Tara Lang | Key Makeup Artist |
| Visual Effects | Allan Baxendale | Creature Design |
| Crew | Robin Petgrave | Pilot |
| Production | Erik Lynch | Production Assistant |
| Crew | Gustavo A. Giron Sr. | Pilot |
| Production | Jeff Cagle | Production Coordinator |
| Editing | Narbeh Tatoussian | Colorist |
| Editing | Bryan Snodgrass | EPK Editor |
| Editing | Kate Noonan | Assistant Editor |
| Editing | Ross H. Martin | Assistant Editor |
| Crew | Steve Goldenberg | Post Production Assistant |
| Camera | Scott Wheeler | First Assistant Camera |
| Lighting | Hinishi Tomonori | Best Boy Electric |
| Camera | Orlando Ordonez | Best Boy Grip |
| Camera | Glenn Miller | Dolly Grip |
| Camera | Trenton McRae | Key Grip |
| Camera | Nathaniel Magnuson | Still Photographer |
| Camera | Bryan Krass | Grip |
| Camera | Marcus Kellum | Steadicam Operator |
| Camera | Christina N. Jin | Grip |
| Camera | James Hammond | Additional First Assistant Camera |
| Lighting | Ben Demaree | Gaffer |
| Camera | Jihane Mrad Balaa | Second Assistant Camera |
| Camera | Bianca Bahena | First Assistant Camera |
| Camera | Mark Atkins | Director of Photography |
| Visual Effects | Scott Wheeler | Additional Visual Effects |
| Visual Effects | Elliot Rudmann | Visual Effects Production Assistant |
| Visual Effects | Andrew Lewitin | Visual Effects |
| Visual Effects | Ken Locsmandi | Visual Effects Supervisor |
| Crew | Yoshio Kohashi | Visual Effects Editor |
| Visual Effects | David Michael Latt | Additional Visual Effects |
| Visual Effects | Miki Jelicic | Visual Effects Production Assistant |
| Visual Effects | Julie Taylor | Creature Design |
| Visual Effects | Scott Mueller | Creature Design |
| Art | Robert Wesley Knight | Sculptor |
| Visual Effects | Neal Kennemore | Creature Design |
| Visual Effects | Robert Giddens | Creature Design |
| Visual Effects | Marcel Dejure | Creature Design |
| Visual Effects | Tony Buffa | Creature Design |
| Sound | Lisa Ries | Sound Mixer |
| Sound | Bali Bock | Sound Mixer |
| Sound | Brett Bach | Sound Supervisor |
| Sound | Lisa Ries | Dialogue Editor |
| Sound | Brett Bach | Sound Designer |
| Sound | Bali Bock | Boom Operator |
| Sound | Brett Bach | ADR Recordist |
| Sound | Brett Bach | ADR Mixer |
| Art | Nino Zagaroli | Property Master |
| Art | James Vieira | Props |
| Art | Joy Shulman | Set Dresser |
| Directing | Xavier S. Puslowski | First Assistant Director |
| Directing | Nick Day | Second Assistant Director |
| Crew | Danny Maldonado | Post Production Supervisor |
| Crew | Karine Grigorian | Post Production Supervisor |
| Production | Jeff Cagle | Unit Production Manager |
| Production | Anthony Fankhauser | Line Producer |
| Production | Paul Bales | Associate Producer |
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