On his first day as a hitman, Keith is confronted with the reality of his job - killing for the greater good.
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| Production | Asha Haji | Producer |
| Directing | Conor Flint | Director |
| Crew | Kashan Hafeez | Cinematography |
| Sound | Audrey Pike | Sound Designer |
| Art | Cameron Coulding | Production Design |
| Editing | Sebastian Bailey | Editor |
| Writing | Hannah Roxby | Writer |
| Camera | Joe Van Nierop | Assistant Camera |
| Art | Robbie McAullay | Assistant Production Design |
| Directing | Ben Weber | Assistant Director |
| Production | Sam Eaton | Production Manager |
| Sound | Caitlin Hannen-Williams | Boom Operator |
| Directing | Shane Miller | Continuity |
| Production | David Holroyd | Executive Producer |
| Directing | Clare Toonen | Script Supervisor |
| Lighting | Kashan Hafeez | Gaffer |
| Sound | Audrey Pike | Sound Recordist |
| Visual Effects | Sebastian Bailey | Visual Effects |
| Editing | Kashan Hafeez | Color Grading |
| Sound | Sebastian Bailey | Boom Operator |
| Sound | Asha Haji | Boom Operator |
| Sound | Alan Kay | Boom Operator |
| Crew | Sam Eaton | Catering |
| Crew | Asha Haji | Catering |
| Crew | Robbie McAullay | Catering |
| Camera | Luke Rechichi | Camera Department Production Assistant |
| Camera | Joe Van Nierop | Camera Department Production Assistant |
| Camera | Sebastian Bailey | Camera Department Production Assistant |
| Camera | Nina Smith | Camera Department Production Assistant |
| Camera | Coco Stacey | Camera Department Production Assistant |
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