A pseudo-documentary focusing on the daily work and routine of women police officers built around three different storylines.
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| Writing | Muriel Box | Screenplay |
| Writing | Sydney Box | Screenplay |
| Directing | Muriel Box | Director |
| Writing | Jan Read | Story |
| Directing | John Oldknow | Second Assistant Director |
| Sound | Temple Abady | Original Music Composer |
| Directing | Douglas Hickox | Third Assistant Director |
| Production | Alfred W. Marcus | Production Manager |
| Sound | Maurice Askew | Sound |
| Production | Elsa Hatchett | Production Manager |
| Production | William MacQuitty | Producer |
| Costume & Make-Up | Pearl Tipaldi | Hairdresser |
| Art | Jack Stephens | Assistant Art Director |
| Directing | Phyllis Crocker | Continuity |
| Art | Cedric Dawe | Art Direction |
| Costume & Make-Up | Nell Taylor | Makeup Artist |
| Production | Nora Roberts | Casting |
| Directing | Gerry O'Hara | Assistant Director |
| Sound | J. Kensley | Sound |
| Sound | Stanley Willis | Sound |
| Camera | Frank Ellis | Camera Operator |
| Camera | Kenneth Talbot | Camera Operator |
| Crew | Horri Taylor | Stunt Double |
| Camera | Ken Hodges | Camera Operator |
| Sound | B. Childs | Sound |
| Crew | Charles Staffell | Special Effects |
| Camera | Peter Hennessy | Camera Operator |
| Camera | Laurie Ridley | Still Photographer |
| Sound | Trevor Pyke | Boom Operator |
| Camera | Jim Goding | Focus Puller |
| Sound | Gerry Turner | Sound |
| Crew | Edna Mathieson | Stunt Double |
| Camera | Ken Clarke | Clapper Loader |
| Sound | Muir Mathieson | Conductor |
| Editing | John Beaton | Assistant Editor |
| Editing | David Deutsch | Assistant Editor |
| Production | Sydney Box | Producer |
| Costume & Make-Up | Irma Birch | Wardrobe Master |
| Camera | Reginald H. Wyer | Director of Photography |
| Editing | Jean Barker | Editor |
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