Lt. Dave Robicheaux, a detective in New Iberia, Louisiana, is trying to link the murder of a local hooker to New Orleans mobster Julie (Baby Feet) Balboni, who is co-producer of a Civil War film. At the same time, after Elrod Sykes, the star of the film, reports finding another corpse in the Atchafalaya Swamp near the movie set, Robicheaux starts another investigation, believing the corpse to be the remains of a black man who he saw being murdered 35 years before.
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| Writing | Mary Olson-Kromolowski | Screenplay |
| Production | Deborah Dobson Bach | Producer |
| Production | Frédéric Bourboulon | Producer |
| Editing | Larry Madaras | Editor |
| Art | Merideth Boswell | Production Design |
| Production | Lisa Mae Fincannon | Casting |
| Production | Michael Fitzgerald | Producer |
| Writing | James Lee Burke | Novel |
| Production | Gulnara Sarsenova | Executive Producer |
| Sound | Marco Beltrami | Original Music Composer |
| Production | Penelope Glass | Executive Producer |
| Editing | Thierry Derocles | Editor |
| Production | Jeanne McCarthy | Casting |
| Editing | Roberto Silvi | Editor |
| Directing | Bertrand Tavernier | Director |
| Camera | Bruno de Keyzer | Director of Photography |
| Writing | Jerzy Kromolowski | Screenplay |
| Production | Nicole Abellara Hallman | Casting Associate |
| Visual Effects | Alicia Johnson | Visual Effects Coordinator |
| Sound | Tim LeBlanc | Sound Re-Recording Mixer |
| Production | Shannon DeAntonio | Casting Associate |
| Camera | Henry Tirl | Steadicam Operator |
| Sound | Bridget O'Driscoll | Supervising Sound Editor |
| Costume & Make-Up | Remi Savva | Makeup Artist |
| Sound | Olivier Dô Hùu | Sound Re-Recording Mixer |
| Sound | Jacqueline Simms | Music Supervisor |
| Sound | Mark Allen | Sound Effects Editor |
| Costume & Make-Up | Allison Gordin | Makeup Artist |
| Sound | Johnny Caruso | Music Editor |
| Lighting | James Trapper McEvoy | Rigging Grip |
| Crew | David K. Nami | Special Effects Coordinator |
| Sound | Heather Gross | Sound Effects Editor |
| Costume & Make-Up | Yolanda Mercadel | Key Hair Stylist |
| Editing | Alicia Johnson | Digital Intermediate |
| Costume & Make-Up | Kathy Kiatta | Costume Design |
| Editing | Florent Danny Retz | First Assistant Editor |
| Sound | Jason Ruder | Music Editor |
| Camera | Chris Squires | Steadicam Operator |
| Costume & Make-Up | Leeann Radeka | Costume Supervisor |
| Directing | Samuel W. Sullivan | Script Supervisor |
| Sound | Trevor Ward | Dolby Consultant |
| Sound | David Bach | Sound Re-Recording Mixer |
| Art | John Patterson | Construction Coordinator |
| Crew | Neil Stockstill | Special Effects Coordinator |
| Lighting | Ferdinand Duplantier Jr. | Rigging Gaffer |
| Costume & Make-Up | Tarra D. Day | Makeup Department Head |
| Visual Effects | Ladd Lanford | Visual Effects Producer |
| Visual Effects | David Sosalla | Visual Effects Supervisor |
| Costume & Make-Up | Donna Spahn | Hair Department Head |
| Art | Sara L. Holman | Art Department Coordinator |
| Costume & Make-Up | Caryn Frankenfield | Set Costumer |
| Lighting | Wells A. Smith | Rigging Grip |
| Crew | Stephen Bourgeois | Special Effects Coordinator |
| Art | Kelly Curley | Art Direction |
| Art | Elizabeth Keenan | Set Decoration |
| Costume & Make-Up | Marcia Evers | Seamstress |
| Costume & Make-Up | Kellie Robinson | Makeup Artist |
| Editing | Jesse Wagler | Digital Intermediate |
| Sound | Catherine Harper | Foley Artist |
| Sound | Christopher Moriana | Foley Artist |
| Art | Keith Walters | Property Master |
| Sound | Manuel Vidal | Dialogue Editor |
| Sound | Kira Roessler | Dialogue Editor |
| Editing | Cindy Bond | Digital Intermediate Producer |
| Sound | Paul Ledford | Sound Mixer |
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