In the Depression, Pete and Sidney are good kids, working hard, giving money to their parents, and engaged for three years while they save to get married. Each has a selfish mother: Sydney's is cold, Pete's is clingy. Sidney's mother is looking for her own happiness, no matter how much that search harms her daughter and long-suffering husband; and, the longer the engagement lingers, the more pressure Pete's mom puts on Sidney to break it off and set her son free. "After Tomorrow" is Pete and Sidney's favorite song, but with illness, poverty, and temptation: will that good day ever come?
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| Directing | Frank Borzage | Director |
| Writing | John Golden | Theatre Play |
| Camera | James Wong Howe | Director of Photography |
| Sound | Hugo Friedhofer | Original Music Composer |
| Editing | Margaret Clancey | Editor |
| Costume & Make-Up | Guy S. Duty | Costume Design |
| Art | William S. Darling | Art Direction |
| Writing | Hugh Stanislaus Stange | Theatre Play |
| Directing | Lew Borzage | Assistant Director |
| Camera | Dave Ragin | Camera Operator |
| Writing | Sonya Levien | Screenplay |
| Camera | Bert Lynch | Still Photographer |
| Camera | Paul Lockwood | Assistant Camera |
| Camera | H.C. Smith | Assistant Camera |
| Sound | George Leverett | Sound Recordist |
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