The Grand Budapest Hotel tells of a legendary concierge at a famous European hotel between the wars and his friendship with a young employee who becomes his trusted protégé. The story involves the theft and recovery of a priceless Renaissance painting, the battle for an enormous family fortune and the slow and then sudden upheavals that transformed Europe during the first half of the 20th century.
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Production | Wes Anderson | Producer |
Production | Steven M. Rales | Producer |
Production | Jeremy Dawson | Producer |
Directing | Wes Anderson | Director |
Writing | Wes Anderson | Screenplay |
Sound | Alexandre Desplat | Original Music Composer |
Production | Scott Rudin | Producer |
Writing | Wes Anderson | Story |
Art | Anna Pinnock | Set Decoration |
Costume & Make-Up | Milena Canonero | Costume Design |
Editing | Barney Pilling | Editor |
Camera | Robert D. Yeoman | Director of Photography |
Art | Stephan O. Gessler | Art Direction |
Art | Adam Stockhausen | Production Design |
Writing | Hugo Guinness | Story |
Costume & Make-Up | Julie Dartnell | Hairstylist |
Production | Simone Bär | Casting |
Directing | Alexandra Torterotot | Script Supervisor |
Production | Jina Jay | Casting |
Crew | Mark Coulier | Animatronic and Prosthetic Effects |
Costume & Make-Up | Norma Webb | Makeup Artist |
Costume & Make-Up | Heike Merker | Makeup Artist |
Crew | Duncan Jarman | Animatronic and Prosthetic Effects |
Production | Douglas Aibel | Casting |
Production | Antoinette Boulat | Casting |
Costume & Make-Up | Patricia Colin | Costume Supervisor |
Production | Alexandra Montag | Casting |
Costume & Make-Up | Heike Merker | Hairstylist |
Costume & Make-Up | Norma Webb | Hairstylist |
Production | Jane Frazer | Co-Producer |
Production | Octavia Peissel | Associate Producer |
Production | Molly Cooper | Executive Producer |
Production | Charlie Woebcken | Executive Producer |
Production | Christoph Fisser | Executive Producer |
Production | Henning Molfenter | Executive Producer |
Art | Roman Berger | Standby Painter |
Crew | Gisela Evert | Post Production Supervisor |
Production | Miki Emmrich | Unit Production Manager |
Crew | Mark Edward Wright | Visual Effects Editor |
Sound | Simon Rhodes | Music |
Crew | Nils Konrad | Driver |
Camera | Jan Brun | Grip |
Visual Effects | Thorsten Rienth | Digital Compositors |
Crew | Katharina Hingst | Other |
Sound | Wayne Lemmer | Supervising Sound Editor |
Sound | Pawel Wdowczak | Sound Mixer |
Sound | Chris Scarabosio | Supervising Sound Editor |
Costume & Make-Up | Frances Hannon | Makeup & Hair |
Art | Michael Schlingmann | Storyboard Artist |
Sound | Yann McCullough | Music Editor |
Art | Josef Brandl | Set Designer |
Art | Roxy Konrad | Art Department Coordinator |
Art | Fergus Clegg | Assistant Set Decoration |
Art | Katharina Birkenfeld | Assistant Set Decoration |
Art | Carolin Langenbahn | Set Decorating Coordinator |
Crew | Volkhart Buff | Stunt Coordinator |
Sound | Randall Poster | Music Supervisor |
Directing | Josh Robertson | First Assistant Director |
Directing | Ben Howard | Second Assistant Director |
Directing | Candy Marlowe | Crowd Assistant Director |
Camera | Sanjay Sami | Key Grip |
Lighting | Helmut Prein | Gaffer |
Camera | Christian Almesberger | First Assistant Camera |
Art | Gerald Sullivan | Supervising Art Director |
Art | Robin L. Miller | Property Master |
Art | Annie Atkins | Graphic Designer |
Directing | Martin Scali | Second Unit Director |
Production | John Peet | Associate Producer |
Production | Klaus Große Darrelmann | Location Manager |
Production | Dan Hillsdon | Finance |
Writing | Stefan Zweig | Original Story |
Art | Jeff Kryvicky | Title Designer |
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