An architect's desire to speak with his wife from beyond the grave using EVP (Electronic Voice Phenomenon), becomes an obsession with supernatural repercussions.
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| Crew | Erika Espinosa | Chef |
| Editing | Nick Arthurs | Editor |
| Production | Paul Brooks | Producer |
| Directing | Geoffrey Sax | Director |
| Camera | Chris Seager | Director of Photography |
| Production | Simon Brooks | Executive Producer |
| Writing | Niall Johnson | Screenplay |
| Art | Gregory G. Venturi | Art Direction |
| Production | Maureen Webb | Casting |
| Costume & Make-Up | Shelly Shaw | Costume Supervisor |
| Art | Michael S. Bolton | Production Design |
| Costume & Make-Up | Karen L. Matthews | Costume Design |
| Art | Penny A. Chalmers | Set Decoration |
| Production | Stephen Hegyes | Executive Producer |
| Production | Shawn Williamson | Producer |
| Production | Jonathan Shore | Associate Producer |
| Production | Scott Niemeyer | Executive Producer |
| Production | Norm Waitt | Executive Producer |
| Sound | Claude Foisy | Original Music Composer |
| Camera | Michael Taschereau | Key Grip |
| Crew | David R. Anderson | Transportation Coordinator |
| Directing | Jessica Clothier | Script Supervisor |
| Production | Anne Jacobsen | Production Accountant |
| Costume & Make-Up | Linda Leduc | Assistant Costume Designer |
| Crew | Reg Advocaot | Driver |
| Directing | Natalie Allan | Script Coordinator |
| Production | Pascal Verschooris | Production Manager |
| Sound | Deni King | ADR Supervisor |
| Sound | Owen Bleasdale | Foley Editor |
| Sound | Randy Gerston | Music Supervisor |
| Camera | Marty McInally | Steadicam Operator |
| Costume & Make-Up | Gene McCormick | Makeup Artist |
| Crew | Richard Barrett | Carpenter |
| Visual Effects | Sarah Cloutier | Visual Effects Coordinator |
| Art | Dave Conway | Construction Coordinator |
| Camera | Rick Jermakowicz | Grip |
| Costume & Make-Up | Elaine Arsens | Set Costumer |
| Crew | Judi Varga | Scenic Artist |
| Crew | Tim Storvick | Special Effects Coordinator |
| Lighting | Dave Klassen | Best Boy Electric |
| Production | Greg Jackson | Location Manager |
| Sound | Mark Noda | Boom Operator |
| Sound | Miha Jaramaz | Sound Editor |
| Crew | Susan Kearney | Security |
| Camera | Dave Roman | First Assistant Camera |
| Costume & Make-Up | Tony Beck | Set Dressing Artist |
| Crew | Chris Doss | Executive in Charge of Finance |
| Art | Kimberley Regent | Property Master |
| Crew | Donald James Davey | Transportation Co-Captain |
| Editing | Lalit Goyal | First Assistant Editor |
| Sound | Lee Kerr | Music Editor |
| Visual Effects | Sharon Lark | Visual Effects Producer |
| Art | Frank Haddad | Greensman |
| Camera | Chris Helcermanas-Benge | Still Photographer |
| Costume & Make-Up | Mary L. Mastro | Hairstylist |
| Crew | Rob Court | Stand In |
| Lighting | John Dekker | Gaffer |
| Visual Effects | Simon Giles | Visual Effects Supervisor |
| Art | Kimberly Lozinski | Location Scout |
| Crew | Lisa Sweet | Post Production Supervisor |
| Crew | Jill Allanson | Telecine Colorist |
| Crew | Barry Kaiser | Video Assist Operator |
| Production | Michele O'Flanagan | Production Coordinator |
| Sound | Bernard O'Reilly | Supervising Sound Editor |
| Art | Iesza Jessica Jordan | Sculptor |
| Crew | Graham Cristie | CGI Supervisor |
| Visual Effects | George Barbour | 3D Artist |
| Costume & Make-Up | Adina Shore | Key Hair Stylist |
| Sound | Mark Kenna | Dolby Consultant |
| Directing | Richard Coleman | First Assistant Director |
| Lighting | Rod Newby | Rigging Gaffer |
| Art | Richard Dobbin | Construction Foreman |
| Crew | Dean Capstick | Transportation Captain |
| Crew | Simon Allmark | Visual Effects Editor |
| Sound | Mike Grimes | Sound Effects Editor |
| Sound | William Skinner | Sound Mixer |
| Crew | Jamie Humphrey | Craft Service |
| Crew | Randy Lee | Stunt Coordinator |
| Sound | Stewart Henderson | Dialogue Editor |
| Crew | Ross Kulak | Cast Driver |
| Sound | Adam Sharpe | ADR Mixer |
| Production | Randy Kennedy | Location Production Assistant |
| Costume & Make-Up | Emanuela Daus | Assistant Makeup Artist |
| Directing | Glenn Bottomley | Second Assistant Director |
| Art | Shelly Shaw | Set Supervisor |
| Production | Nicola Instone | Post Production Coordinator |
| Production | Shane Lennox | Assistant Location Manager |
| Production | Raimey Casiro | Key Production Assistant |
| Production | John MacCulloch | Production Assistant |
| Directing | Karin Behrenz | Third Assistant Director |
| Art | Robin Thomas | Paint Coordinator |
| Camera | Clif Kosterman | Camera Truck |
| Editing | Chris Andrews | Negative Cutter |
| Camera | Dave Dibdin | Dolly Grip |
| Editing | Jet Omoshebi | Digital Intermediate Colorist |
| Production | Abigail Barbier | ADR Voice Casting |
| Sound | Brian Leff | Music Coordinator |
| Production | Alan Homma | Assistant Accountant |
| Production | Alan Martin | Production Executive |
| Sound | Dan Green | ADR Recordist |
| Crew | Carolyn Anderson | Stunt Double |
| Editing | Sarah Carefoot | Colorist |
| Sound | Michele Woods | ADR Editor |
| Visual Effects | Gavain Browne | 2D Artist |
| Camera | Lionel Hebert | Best Boy Grip |
| Camera | Jesse Sannerud | Camera Trainee |
| Sound | Hilary Wyatt | Supervising Dialogue Editor |
| Crew | Ed Anders | Stunt Driver |
| Visual Effects | Valeri Pfahning | Compositing Supervisor |
| Art | David Allcock | Storyboard Artist |
| Camera | Scott Cozens | Second Assistant Camera |
| Production | Adam R. Mehr | Attorney |
| Lighting | Johnny Walker | Key Rigging Grip |
| Costume & Make-Up | Michelle Lambert | Costumer |
| Costume & Make-Up | Deborah Slonowski | First Assistant Makeup Artist |
| Costume & Make-Up | Andy Koessler | On Set Dresser |
| Sound | Melissa Lake | Foley Artist |
| Sound | Gianluca Buttari | Foley Mixer |
| Crew | Don Leask | Special Effects Best Boy |
| Crew | Luz Gabriela Rosas Rojas | Assistant Chef |
| Crew | Loralee Wilson | Security Coordinator |
| Art | Doris Deutschmann | Graphic Designer |
| Crew | Ron Kozier | Special Effects Assistant |
| Crew | Brian Knox McGugan | Playback Coordinator |
| Sound | Ben Meechan | Sound Effects Editor |
| Lighting | Robert Little | Rigging Grip |
| Sound | Hugh Johnson | Sound Designer |
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