In 1948, the Trouths are facing no income and the hottest summer on record. When their estranged son inexplicably returns, the apartment is full again - but is it big enough for the gambling, trauma, and substantial life insurance policy that comes in his wake?
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| Writing | Gavin Fields | Writer |
| Directing | Gavin Fields | Director |
| Production | Shelby Grady | Producer |
| Production | Roger M. Mayer | Producer |
| Production | Gavin Fields | Co-Producer |
| Sound | Andrew Burke | Music |
| Camera | Steven Carmona | Director of Photography |
| Editing | James T. Cernero | Editor |
| Costume & Make-Up | Annie Johnson | Makeup & Hair |
| Production | Peyton Bristol | Production Manager |
| Directing | Davis Woodall | First Assistant Director |
| Art | David Russell | Property Master |
| Sound | Christian Avalos-Munoz | Foley Artist |
| Sound | Levi Carter | Production Sound Mixer |
| Sound | Joseph R. De Guzman | Dialogue Editor |
| Sound | Jason Milversted | Dialogue Editor |
| Sound | Thatcher Moses | Boom Operator |
| Sound | Josh Murphy | Foley Artist |
| Sound | Daniel Navajas | Sound Editor |
| Sound | Ray Quintana | Dialogue Editor |
| Sound | Bill Sloyer | Sound Editor |
| Sound | Brad Whitcanack | Sound Effects Editor |
| Camera | Fin Boyson | Second Assistant Camera |
| Camera | Joseph Cruz | Dolly Grip |
| Camera | Nathan DeWild | Camera Operator |
| Lighting | Tom Festo | Gaffer |
| Camera | Brady Griffin | Key Grip |
| Camera | Cameron Gustman | Best Boy Grip |
| Camera | Garrett Henderson-Black | Camera Operator |
| Lighting | Sid Ramirez | Best Boy Electric |
| Camera | Collin Schepers | First Assistant Camera |
| Camera | Ryan Whitsett | Camera Production Assistant |
| Camera | Tyler Whitsett | First Assistant Camera |
| Directing | Brittany Danese | Script Supervisor |
| Crew | Spencer Nessel | Catering |
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