Composed by ten stories that focus on an eclectic variety of individuals, for whom music is a way of life. The stories are directed by ten young filmmakers and explore the lives of these 10 different musicians, discovering other places, habitats, fusions, rhythms, landscapes, and lifestyles. All of these real-life characters live IN the realm of music, but not necessarily make a living OFF music.
In March and April of 1966, Markopoulos created this filmic portrait of writers and artists from his New York circle, including Parker Tyler, W. H. Auden, Jasper Johns, Susan Sontag, Storm De Hirsch, Jonas Mekas, Allen Ginsberg, and George and Mike Kuchar, most observed in their homes or studios. Filmed in vibrant color, Galaxie pulses with life. It is a masterpiece of in-camera composition and editing, and stands as a vibrant response to Andy Warhol's contemporary Screen Tests. Preserved by the Academy Film Archive in 2001.
Louis Theroux sets out on a personal quest to meet the ultimate pop idol - Michael Jackson - and examine the often bizarre world that surrounded him and those that worshipped at his altar. The journey began in the summer of 2002 with a simple phone call to Uri Geller - a personal friend of Jackson's - to fix a meeting for Louis. What happened next resulted in a fantastical trek into a weird world of characters who orbited around the 'King of Pop'. Majestic Magnificent, Michael's personal magician, could be the gatekeeper to a meeting or just a fraud. Would Louis, a lifelong fan of Jackson, eventually meet his hero?
Mahler's 8th is one of the greatest orchestral and choral works in the classical repertoire and is rarely performed. The work has been called the 'Symphony of a Thousand', and requires eight soloists and several choirs, in addition to the orchestra. Edward Gardner's last concert in the role of Chief Conductor of the Bergen Philharmonic Orchestra was during the Bergen International Festival, with the monumental Mahler's 8th Symphony in E-flat major on the programme. The concert won the Critics' Prize for Music 2023–2024, and what has been described as a "heavenly finale" has been captured for the big screen. 'Try to imagine the whole universe beginning to ring and resound. There are no longer human voices, but planets and suns revolving.' the composer said of his eighth symphony. When the work was premiered in 1910, with Mahler conducting, it broke all the rules and boundaries of what symphonies could and should be.
Chronicles Nick Schuyler's dramatic rescue by the US Coast Guard 43 hours after a boating accident in the Gulf of Mexico that took the lives of NFL players Marquis Cooper, Corey Smith, and Schulyer's best friend, Will Bleakley.
In this informative 1938 film, we explore the fundamental types of car suspension prevalent during that era. As a wheel glides along a road, it encounters bumps caused by uneven surfaces. To prevent incessant jolting, the wheels are securely attached to the car using a system that allows for flexibility.
The region of Lake Turkana, located in Kenya and Ethiopia, is considered to be “the Cradle of Humankind”. Among other finds, primate fossils from millions of years ago have been discovered in the region. But what about the region’s modern inhabitants and their relationship to their environment? Iiris Härmä, whose previous work includes the award-winning Leaving Africa, had the chance of joining Helsinki University’s researchers, Álvaro Fernández-Llamazares and Mar Cabeza, on their pre-pandemic trip to study the Daasanach people’s relationship to their environment through traditional animal tales. The researchers hope that storytelling would help to bridge the gap between people’s everyday lives and conservation efforts.
Courant registered Garrel’s dialogues in order to produce his first urgent film, the first of his essays inquiring the state of current cinema. As a synthesis for the 20th century, Garrel invoked his relationship with Freud, Henri Langlois, Orson Welles, Marx, The Rolling Stones, Godard, Warhol, Picasso and Bergman and draw a territory in that different kind of cinema also inhabited by Courant’s art. Four years later –as a sequel, and a first example of Courant’s series– there was another meeting with Garrel, where again the filmmaker adds names related to his sensitivity, such as Murnau, Von Stroheim, the Lumière brothers, Abel Gance, Polanski, Rivette; the writers André Breton and Gabriele d’Annunzio; and the actresses Anna Karina, Nico, Zouzou and Maria Schneider –three stars of his films. (Diego Trerotola)
McQueen lies in bed in a Paris hotel, watching a dubbed TV programme about American special forces being trained for combat in Afghanistan. Shot using a domestic digital camera, the artist's body is illuminated by the flickering glow of the TV screen.
A film crew trails Philbert Powell through his morning, from the supermarket to his job at a video store. Along the way, he crosses paths with several individuals all named “Slater.” His interactions with them raise the central question: who, among those Slaters, is his friend? The narrative unfolds across a single morning, blending encounters and identity as Philbert’s journey reveals the shifting dynamics of connection.
This 90-minute documentary brings to life Gavin Pretor-Pinney’s international bestseller, “The Cloudspotter’s Guide”, which draws on science, meteorology and mythology for a magical journey through the world of clouds. It is no dry treatise on the science of nephology but a playful trip through the varied beauty and distinctive personalities of the ten principal cloud types From the ethereal cirrus to the terrifying cumulonimbus, the film tells the story of the short but eventful life of clouds and their importance to our planet. Find out how immense quantities of water can stay up in the sky for so long and how lightning and thunder are created.
Expeditions to parts of North and South America, India and Burma (Myanmar). Record of a journey to illustrate the life of countries in which allied servicemen are stationed.
The libretto is by Mussorgsky himself and takes the eponymous “romantic tragedy” by the celebrated Russian poet Alexander Pushkin as its starting point. Boris Godunov is Mussorgsky’s masterpiece and his only complete opera. It’s a vast sprawling tapestry of Russian life, which centres on the Russian people – represented in the opera by a large and powerful chorus – rather than on the title figure. The staging was produced at the Gran Teatre del Liceu in Barcelona and is based on the original version of the score.
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