The story of the last months of the 20-year war in Afghanistan through the intimate relationship between American Green Berets and the Afghan officers they trained.
Ralph Staub zooms his Screen Snapshots camera in on many of the most famous newspaper comic-strip cartoonists and creators of the era. Notable in that all of the comic-strip characters referenced, with the exception of "Our Debbie" and "Smoky Stover", appeared in films or cartoons at some point or another, ranging from the silent years past 1950. Gus Edson's "Dondi" while not mentioned in this short, was also made into a feature film.
An exploration of the world of songwriters in Nashville. It features performances by Dean Dillon, Frank Dycus, Harlan Howard, 'Cowboy' Jack Clement, and Whitey Schafer, as well as the lesser known Junior Lee Farrell and Danny Jackson.
“Double, double, toil and trouble,” indeed! Shakespeare’s punchiest tragedy gets a makeover in a way that only the prodigious Filipino multi-hyphenate Khavn De La Cruz could deliver. Unfolding in the Municipality of Marcos, Ilocos Norte and Khavn’s own Burroughsian Interzone of Mondomanila – also the title of the director’s crazed horror-comedy-crime drama, which premiered at IFFR 2012 – this mash-up of styles, genres, moods and atmospheres features a cast of over 100 performers and defies any easy description, even with so familiar a text. But as Khavn says of his source material, "Usually, word is king. Here, text is just one of the many cogs. It’s a column, a roof shingle, an ornament."
A BAFTA award nominated documentary demonstrating the ways in which the oceans and seas are vital to man's survival on Earth, and the dangers which threaten their ecological systems
The documentary talks about the origins, development and achievements of the Polish film school. People from the environment of the "Filmówka" in Łódź, among others. Wanda Jakubowska, Jerzy Kawalerowicz, Antoni Bohdziewicz, Janusz Morgenstern or Kazimierz Kutz. The film is richly illustrated with archival materials and the first films of the school. The beginnings of the Łódź Film Festival begin in Krakow with the Young Film Workshop; On May 6, 1945, at Józefitów 16 production facility of the Polish Film Production Company, an inaugural meeting is held. After numerous transformations, in July 1946 the Young Film Workshop and the Film Training Course began activities, which can be considered as the beginning of state film education in post-war Poland. The later fate of the school is already connected with Łódź; July 16, 1948, the act of establishing the Film School was signed.
The dramatic story of a Gitmo detainee released from the controversial U.S. prison after 14 years. With NPR, a report on the struggle over freeing prisoners once deemed international terrorists. Also, the untold history of the Guantanamo Bay prison.
Anne Bean, John McKeon, Stuart Brisley, Rita Donagh, Jamie Reid and Jimmy Boyle are interviewed about their artistic practice and the legacy of Surrealism on their work.
Documentary following some stoner friends over the course of roughly a day. Featured here is Bill, a guy who got kicked out of the Marines for doing dope steadily for six years (I'm not gonna do it forever--or maybe I will, who knows?) and Barry, a forklift-driving doper who wins the Employee of the Month plaque while stoned (Live for yourself--live today and then worry about tomorrow when it gets here--that's the way I go).
Filmmaker Cam Archer examines and explores his ordinary, suburban neighborhood in search of hidden truths, new narratives and a better understanding of his fading, creative self. Combining heavily degraded video with personal photographs and real life neighbors, Archer re-imagines the concept of 'home video'. In an attempt to distance himself from his subjects, actress Jena Malone narrates the piece as Archer in the first person.
Filmed over a 22 year period, No Ifs or Buts delivers a portrait of Soho barbershop, Cuts, an iconic London hub for street fashion and pop innovators. Guided by freewheeling founders James Lebon and Steve Brooks, who met when one was a rockabilly and the other a New Romantic, the salon moved from early ’80s postpunk roots to become a hip-hop club and communal hub for DJs, photographers and style icons. But the film "is not just about the haircut", delivering an intimate portrait of Steve struggling with a traumatic past that threatens to derail the Cuts universe. The film traces profound and often tragic change in the hairdressers' lives within the wider context of the UK's political and cultural landscape- an anthem to the promise of youth and the friendships that endure over a lifetime.
Two Danish-Korean adoptees return for the first time to the country they of their birth. Confronted with the spirit of their Motherland and the personal stories of the fellow adoptees they meet in the city of Seoul, Karoline and Thomas are hurled into an emotionally disorienting journey that forces both of them to question and face their own destiny and identity.
The queen, or mother, bee, drones and workers. Industriousness, togetherness, and selflessness in the name of a functional community that leaves no room for egocentrism. This poetic essay depicts the fascinating world of beehives, the layouts of which are an example to human society. Through observations of insects and conversations with beekeepers, as well as references from Radomil Hradil's book Bees and Their World, we learn that the bee, objectively the most important creature on Earth, has become an endangered species due to the actions of mankind, whose greed and selfishness may lead to its destruction. It’s clear, however, that all will turn out well for Earth, with or without humanity…
A retrospective of Al Pacino's remarkable, lengthy, and well-rounded career in his own words. Follows Pacino through his years as an actor and director.
"This film features the people of Puerto Rico and the revival of the ancient culture of that island. The story is told through the eyes and work of Dr. Ricardo Alegria — head of Puerto Rico's Office of Cultural Affairs and the first executive director of the Institute of Puerto Rican Culture. The film was produced by Paul R. Gurian, executive produced by David Boyer, and directed by Jack Sholder" (US National Archives).
We have detected that you are using an ad blocker. In order to view this page please disable your ad blocker or whitelist this site from your ad blocker. Thanks!
