Two intrepid Nairobi women decide to transform what used to be a whites-only library until 1958 into a vibrant cultural hub. Along the way, they must navigate local politics, raise millions for the rebuild, and confront the lingering ghosts of Kenya’s colonial past.
A raw and telling portrait of a people left behind by the modern world, inspired by the work of photographer Martin Martinček - whose pictures of the inhabitants of the Liptov region in central Slovakia, encompassed by the Tatra mountains, distilled entire lifetimes into luminous and intransient images. Dušan Hanák's continuation of these photographs takes the shape of a poetic visual essay, capturing more comprehensive vignettes of their isolated human experiences.
Over 35 years after Bob Lazar's revelations, this documentary exposes secrets of a facility the government still denies. Featuring Lazar's testimony, recreations, and new evidence, it reopens a case that continues to spark global curiosity
One of the first film noir documentaries, made for British Channel Four, and including interviews with Paul Schrader, Robert Wise, John Dahl, Bryan Singer, Edward Dmytryk, Dennis Hopper, John Alton.
In the second part of the trilogy on anxiety (in continuation of White Epilepsy), the only light source that reflects on the screen is the naked human body. Its surface, full of bones and muscles, flexes and vibrates in a frantic rhythm. The livelier the reflection, the deeper a viewer feels his/her mortality, as he recognizes between the convulsions the forces he/she cannot control.
A retrospective "making of" documentary for John Carl Buechler's "Troll" (1986), featuring production crew interviews, behind-the-scenes images, and significant focus on the visual effects artists involved.
Girlhood follows the story of three seventeen-year-old girls in a neighborhood in the center of Athens as they go through the difficult period of transition to adulthood while in quarantine isolation. Christina, Nefeli and Vera experiencing sexism, dream of their independence and try to learn to love themselves. With their faces glued to a screen, they take refuge in each other and await to finish school.
The Cure are pop outsiders. Over a fifty year career, the English band have released 14 studio albums to great acclaim but it was their 1989 album Disintegration, released during a pivotal year in Europe and the world, which would capture the imagination of so many fans. This documentary tells the story of this landmark work of art in the history of popular music.
Drawing on a wealth of unseen archival material and unpublished notebooks, the film weaves a complex and personal portrait of Margaret’s life, from the perspective of a fellow artist sensitive to the potential Margaret envisaged for film as a poetic medium.
Inspired by shock-documentaries like Mondo Cane, this film looks at the wilder side of life in America. Starting off with the bloodier side of the American car culture by showing a series of crashes at race events, the film then goes on to lesser-known sexual practices. Included among these is a porno movie award show, a nude beauty contest, a sex therapy session, and a detailed explanation of where dildos come from.
Big Wave is a documentary directed by Walt Mulconery and published on May 25, 1984 that presents the types of outdoor and risky sports present on the west coast of the United States such as paragliding, surfing, skydiving, bmx or the BASE jumping together with others, going from Hawaii to Texas through California to present them.
The documentary film Remembrance is an outline of the past century taking as a motif the life of Luis Frank, a Lithuanian emigrant. It is a journey through a time wich the world was made by war, that of wich we have so many times heard of and by wich we live constantly under menace. Emigration, war, freedom, childhood, the quest for something, a country -Mexico- kept in memories, are some of the subjects dealt within this film. Remembrance is the story of people who have traveled the world in search of a place where to belong, people whose lives were punctuated by ruptures.
Jan Troell portrays the friend and photographer Georg Oddner. For more than half a century, from 1950 arriving in New York, Georg Oddner has lived with his camera.
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