Director Chris Smith (American Movie) continues his exploration of all things quirky by affectionately invading several unique homes. Linda Beech is a former Japanese sitcom star who resides in a tree house in Hawaii. Diana and Ed Peden are hippies who have converted an abandoned missile silo into an underground retreat. And Bob Walker and Francis Mooney have reconstructed their home to cater to their dozen cats.
We’re invited on a journey across 25 different countries, with people embracing both abundance and loss, to feel a sense of togetherness with our fellow dwellers on earth, human and non-human. Celebrating all we have and reflecting on all we have to lose, Super Nature proposes a new way of seeing.
The story of famed performance artist Andy Kaufman's bizarre quest to find a woman who could defeat him in the wrestling ring. Footage taken from Kaufman's personal archives highlight his reign as the "World's Inter-Gender Wrestling Champion," a title that earned him the wrath of liberated females all across America.
Is our life a story? And if so, can we re-write it? In Drama Girl, director Vincent Boy Kars gets a young woman to act out a number of key scenes from her recent past. Perhaps, Kars thinks, this could help her come to terms with certain events. In the meantime, he also gains something: a film that probes how fiction and documentary can learn from one another.
The Midnight Sun Film Festival is held every June in the Finnish village of Sodankylä beyond the arctic circle — where the sun never sets. Founded by Aki and Mika Kaurismäki along with Anssi Mänttäri and Peter von Bagh in 1985, the festival has played host to an international who’s who of directors and each day begins with a two-hour discussion. To mark the festival’s silver anniversary, festival director Peter von Bagh edited together highlights from these dialogues to create an epic four-part choral history of cinema drawn from the anecdotes, insights, and wisdom of his all-star cast: Coppola, Fuller, Forman, Chabrol, Corman, Demy, Kieslowski, Kiarostami, Varda, Oliveira, Erice, Rouch, Gilliam, Jancso — and 64 more. Ranging across innumerable topics (war, censorship, movie stars, formative influences, America, neorealism) these voices, many now passed away, engage in a personal dialogue across the years that’s by turns charming, profound, hilarious and moving.
The horn sledges were used throughout the Alps in forestry and agriculture for material transports on steep terrain. In the Muota valley, in the heart of Switzerland, a group of idealists is continuing to preserve the old tradition of «Mänere».
After 13 years in prison, former drug dealer Marius Eriksen needs to reintegrate into society, and gives unique insights into his past as the biggest drug dealer from Hamburg.
The most famous murder scene in movie history comprises 78 camera settings and 52 cuts: the shower scene in Alfred Hitchcock's Psycho. 78/52 tells the story of the man behind the curtain and his greatest obsession.
A brief tribute to the great director, spanning through some insights about his character, his works, his life, through the words of critics, relatives, colleagues, with a collage technique of interviews, archive footage, and brief excerpts and pictures from some of his works.
The story of the HOIST, London's first and only Gay Fetish Bar, coincides with the political struggle to decriminalize homosexual activity within the United Kingdom.
An experimental four-part 2002 Franco-Chilean digital video series written and directed by Raúl Ruiz. The first part won a FIPRESCI Award at the Montreal World Film Festival in 2002 "for the director's personal exploration into his homeland, using DV in a rigorous yet playful manner".
A poetic drama, spoken in the Breton language and set in a Breton fishing community, telling of the impossible love between a waifish fisherman and a highborn lady-of-the-manor.
In suburban Buenos Aires, thirty unemployed ceramics workers walk into their idle factory, roll out sleeping mats and refuse to leave. All they want is to re-start the silent machines. But this simple act - the take - has the power to turn the globalization debate on its head. Armed only with slingshots and an abiding faith in shop-floor democracy, the workers face off against the bosses, bankers and a whole system that sees their beloved factories as nothing more than scrap metal for sale.
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