This exploration of Japan's fascination with girl bands and their music follows an aspiring pop singer and her fans, delving into the cultural obsession with young female sexuality and the growing disconnect between men and women in hypermodern societies.
In conversation, in her Paris apartment, Sidonie-Gabrielle Colette, mime, dancer, novelist, wonders whether she should give the green light to a proposed film about the houses in which she lived. “I’m no longer photogenic,” she insists; nearly 80, marriages, affair with a stepson and intermittent lesbianism behind her, refusing now even to mention the arthritis that confines and assaults her, Colette is vivacious. Yannick Bellon’s captivating postmodernist film, as much a study of evanescence as any poem by Dickinson, segues into the film that Colette, a few years before her end, has just said she doesn’t want to do. Giving voice(over) to her own commentary, she goes back, first, to the home in Saint-Sauveur-en-Puisaye, Yonne, where she was born.
Celebrating the power of music and community, Fanmade: ENHYPEN offers an intimate look at global K-Pop sensation ENHYPEN’s deep connection to their fans, culminating in a special Galaxy Fanmade collaborative concert at the end of their 2024 ‘FATE’ world tour. From the director of Blackpink: Light Up the Sky, and produced by Hello Sunshine and Good-People (Trainwreck: Woodstock '99), Fanmade: ENHYPEN follows the parallel journeys of the band and their fans, called ENGENEs. Get to know JUNGWON, HEESEUNG, JAY, JAKE, SUNGHOON, SUNOO, and NI-KI on a personal level as they reveal their hopes and ambitions, and uncover why ENGENEs, who had an instrumental role in the formation of the band, have remained central to their journey.
As climate change erases the Louisiana coast, the last two teenagers on Isle de Jean Charles fight to stay on an island that's been in their family home for generations. Feature film continuation of a short of the same name.
For 24 years East Timor's freedom fighter and Nobel Peace Prize winner José Ramos Horta campaigned to secure independence for his country, a Portuguese colony invaded by Indonesia in 1975. The Diplomat takes up Ramos Horta's story in the final dramatic stages of his long journey - the fall of Indonesia's President Suharto, the referendum to determine East Timor's future, the overwhelming vote for independence, the devastating carnage that ensued, the intervention of United Nations peacekeepers, and Ramos Horta's final triumphant return to his homeland.
Part 4 of the award-winning Wamego documentary series. It's a slice-of-life during the marketing of director Steve Balderson's feature films HELL TOWN and EL GANZO at film festivals worldwide during 2015. With cameos by scream queen Debbie Rochon, Eileen Dietz (The Exorcist), Italian movie star Marco Leonardi (Cinema Paradiso), Liam Neeson, Ewan McGregor, Cyndi Lauper, and more!
I Am is a 2011 Indian anthology film by Onir. It consists of four short films: "Omar", "Afia", "Abhimanyu", and "Megha". Each film shares the common theme of fear and each is also based on real life stories. The film was financed by donations from more than 400 different people around the world, many of whom donated through social networking sites like Facebook. There are four stories but the characters are interwoven with each story. "Abhimanyu" is based on child abuse, "Omar" on gay rights, "Megha" is about Kashmiri Pandits and "Afia" deals with sperm donation. I Am was released with subtitles in all regions as six different languages are spoken in the film: Hindi, English, Kannada, Marathi, Bengali and Kashmiri.
Since the 1980s, the video shop has been a desperately necessary space for film culture. In Videoheaven, Alex Ross Perry tells the story of the neighbourhood video shop to consider wider, changing social histories, using appropriated footage from the high and lowbrow.
The Pol Pot regime wanted to erase the 2000 year-old culture of Cambodia. Schools were destroyed, teachers and pupils kidnapped, tortured and killed. In September 1980, the School of Fine Arts reopens in Phnom Penh, in March 1981, there are 110 pupils, among them many orphans.
This feature-length big screen documentary tells the riotous inside story of the infamous sex, drugs and rock 'n' roll repertory cinema which inspired a generation during Britain's turbulent Thatcher years.
Former East Germany, punk music, the wall, betrayal, jail, exit for the West: a film confronting these things on the offensive – and seeing its view of them as a balancing act.
Best known as the inventor of the Moog synthesizer, Robert Moog was an American pioneer of electronic music, and shaped musical culture with some of the most inspiring electronic instruments ever created. This "compelling documentary portrait of a provocative, thoughtful and deeply sympathetic figure" (New York Times) peeks into the inventor's mind and the worldwide phenomenon he fomented.
Lost Boys tells the true, undisguised story of what happened ten years ago, after group of friends continued their eternal afterparty following the success of their movie premiere, Reindeerspotting: Escape From Santaland, which depicted group of drug users from Rovaniemi, Finland. The partying ends when friends of Joonas goes missing and Jani dies violently in Phnom Penh, Cambodia. Joonas takes his camera and sets out to find out what happened to his friend. Was it all about drugs, women and money or do the traces lead somewhere deeper?
In Croatia in 2005, a machine tools factory was occupied by its workers. Since then, they have operated collectively, becoming the only successful example of a worker occupation in post-socialist Europe. Today, as they seek a new model of collective ownership, the microcosmic world of the factory clashes with the forces of the globalized market economy, having an increasingly brutal impact on wages and the organization of the factory, causing rising disaffection among the workers. Filmmaker Srđan Kovačević returns regularly over a five year period to make a film that charts the evolution of this communal enterprise. Factory to the Workers tells the inside story of the workers who challenged the dominant economic narrative with their actions. After a decade, the same question remains: can a factory in the hands of workers survive at the periphery of capitalism, or do we need a bigger dream?
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