Director Spencer Bogaert immerses us in a nostalgic reverie about table tennis, inviting us to an impromptu game of ping-pong in various public spaces. Drawing on his memories, For Mouna openly explores different cinematographic forms and styles to rediscover the joys of play and of childhood.
Our story begins in 1979, with a chance meeting in a Salt Lake City parking lot where filmmaker Trent Harris is approached by an earnest small-town dreamer from Beaver, Utah. Harris jumps at the chance when the young man invites him to come to the small town to film a talent show. At the show, the man dons a blond wig and performs in drag as Olivia Newton John. Harris captures it all on tape: A portrait of a true outsider. Harris shot a dramatic piece, "Beaver Kid 2" based on the documentary; This interpretation of the story, made in 1981 on a home video camera with a budget of $100, features a young Sean Penn as "the Beaver Kid". Still possessed, Harris then rewrote the script, cast up-and-comer Crispin Glover in the lead, and created the final segment, "The Orkly Kid", with funding from the American Film Institute. The trilogy unveils the inner world of a fantastic character in three incarnations.
Future NBA players rise to prominence at Dunbar High, located in a troubled Baltimore neighborhood in the 1980s. Despite that environment, David Wingate, Reggie Williams, Tyrone "Muggsy" Bogues and Reggie Lewis all persevere and reach the NBA.
A personal documentary shot on a mobile phone during lockdown, in which the director reflects on her own illness and isolation, and on how storytelling can be a way of overcoming one's own fears.
"A refined film essay about the loneliness, wisdom and humility of old women. The film, most valued by Jan Špáta, was awarded the Grand Prize at the International Short Film Festival in Oberhausen, the Trilobit Award and Special Mention at the IFF in Karlovy Vary."
A behind-the-scenes look at the eleven-year process it took to make The Painted Bird. The narratives of director Václav Marhoul and actor Petr Kotlár weave their way through the various stages of the film's creation, offering their subjective views from the beginning to the last flap of a year-and-a-half long shoot.
Zombie Land Saga LIVE ~Franchouchou, let's all join together!~ was a concert held on March 17, 2019, at the Shinagawa Interurban Hall, being Franchouchou's first live event. Franchouchou concert where various songs from the anime were performed, including the OP and ED from the first season. After the event, the date of the next live event was announced.
How does the vision of the brilliant Spanish filmmaker Luis García Berlanga (1921-2010) remain relevant in a time whose popular culture has little to do with his own? Since to understand the secrets of an artist it is essential to know the person behind, his family, his friends, his collaborators, as well as prestigious filmmakers and actors trace a collective portrait of a creator as singular as he is universal.
A chronicle of the long career of American filmmaker Roger Corman, the most tenacious and ingenious low-budget producer and director in the US film industry, a pioneer of independent filmmaking and discoverer of new talent.
From his prison cell in Texas, Mabry, sentenced to death, imagines the final journey that will one day take him to Walls Unit, the place of his execution, 60 kilometres away.
Nalujuk Night is an up close look at an exhilarating, and sometimes terrifying, Labrador Inuit tradition. Every January 6th from the dark of the Nunatsiavut night, the Nalujuit appear on the sea ice. They walk on two legs, yet their faces are animalistic, skeletal, and otherworldly. Snow crunches underfoot as they approach their destination: the Inuit community of Nain. Despite the frights, Nalujuk Night is a beloved annual event, showing that sometimes it can be fun to be scared. Rarely witnessed outside of Nunatsiavut, this annual event is an exciting chance for Inuit, young and old, to prove their courage and come together as a community to celebrate culture and tradition. Inuk filmmaker Jennie Williams brings audiences directly into the action in this bone-chilling black and white short documentary about a winter night like no other.
Owen Hart was a hugely popular WWE (then WWF) wrestling superstar when he tragically fell to his death during a televised ring stunt. Now, discover the inside story of a champion who was destined to become a legend…
The first definitive feature documentary to lend new and compelling perspectives on the partnership, both professional and personal, of director James Ivory, producer Ismail Merchant, and their primary associates, writer Ruth Prawer Jhabvala and composer Richard Robbins. Footage from more than fifty interviews, clips, and archival material gives voice to the family of actors and technicians who helped define Merchant Ivory’s Academy Award-winning work of consummate quality and intelligence. With six Oscar winners among the notable artists participating, these close and often long-term collaborators intimately detail the transformational cinematic creativity and personal and professional drama of the wandering company that left an indelible impact on film culture.
Newsreels from the '30s constitute the bulk of this fascinating documentary, clearly illustrating that the public was fed an extremely biased view of events: straight propaganda, the stricture to provide entertainment, and the attempt to be objective all contributing to this. Lewis and producer Elizabeth Taylor-Mead have constructed their argument well, but it is Jonathan Dimbleby's brief comments towards the end that contain the crucial lesson: forty years on, the same forces work to distort our view of Northern Ireland. The film only indicates this to be the case, but it is precise and coherent enough to make the point with considerable force.
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