The story evolves around a radio panel game show "Twenty Questions." The panel is challenged with an anonymous question. The answer leads to a series of murders in which the killer uses the programme to name his victims in advance. Two reporters spot a link between them and enlist the aid of the panel in trapping the guilty party.
Bangkok-based Tara Mishra and Nikhil Singh meet at a wedding ceremony and fall instantly in love with love with each other. Tara and Nikhil have been together for a long time, and Tara's ready to tie the knot. But workaholic Nikhil thinks their relationship is fine the way it is, believing he has no time for marriage. Bit by bit, their romance begins to unravel … until a little magic enters their lives.
Sherlock Holmes (Kristopher Bowman) and John Watson (Kristian Bruun) continue the adventures of the famous duo in this captivating locked-room mystery based on a short story by Stephen King.
Paris, at war. 2026. Night after night, Lucia, a young nurse, cares for the wounded and the dying. One evening, she sees a strange man walking on the water of the Seine river. At that moment, a hope and a troubling desire take hold of her.
This final Carter film is a lot of fun, with Nick (unwillingly, at first) taking on a ring of Fifth Columnists (since this was filmed before the US entered the war, we're not told the villains are Nazis, but it's pretty clear anyway). Of course, the helpful and persistent Bartholomew is at his side--much to Nick's irritation. To further complicate things--and to make them still funnier--Joyce Compton is along for the ride too, as a delightfully brainless "detective" named Christine Cross.
Henry Stephenson stars as a retired Scotland Yard detective. He is regarded as an icon because he has written volumes of books on the art of detection. While Stephenson is being honoured for his past successes, he senses modern detectives, particularly the current District Attorney, look at him and his methods as outdated. This spurs the old man out of retirement to prove himself to the know-it-all modern detectives.
Having heard tales of Bigfoot wreaking havoc in the swamps of Louisiana, a zoology professor sets out to investigate these strange occurrences for himself, aided by a ragtag team. Hitting the road in their camper, the group encounter person after person who relay their strange and often frightening encounters with the beast, while the creature itself remains elusive...
THE MAN WHO WAS THURSDAY is inspired by the existentialist novel of the same name by G.K. Chesterton (1908). The novel is considered a metaphysical thriller, and our film could be considered the same, though it also can be thought of in more classical cinematic terms a psychological and supernatural thriller.
Lazowski, an expelled university student, investigates the supposed suicide of the famous artist Witkacy and tries to prove that the artist is in fact still alive.
Mukhtar comes to live and work at the police kennels through rather unusual circumstances. Together with his handler, Glazychev, Mukhtar helps to solve large and small crimes.
A respected police commissioner has a reputation as a opera lover, but by night he also enjoys plunging into the transvestite scene. In addition, he harbors a longing for his very own sister. When he learns that his wife has been murdered, he tries to implicate the set designer who has designs on his sister.
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