Innocenzo is a 39 years old cistercenses monk, ceramist and singer for the abbey he lives in, but new obligations arise as the parson of the village is transfered. He finds himself face to face with the complexity of community life and starts to question his identity as a person and man of faith.
A notorious counterfeiter passes himself off as a Secret Service agent to Steve and gets him to unwittingly help him bilk the racetrack out of tens of thousands.
Partly paralysed by polio, Vlado is stuck in his flat and unable to take care of himself. His younger wife, Alma, helps Vlado with love and tenderness in all his daily life activities, never giving up hope that he will get better. But Vlado feels weak and humiliated, losing the motivation to exercise or take medicine. In spite of the love and intimacy between the couple, Vlado’s self-loathing causes him to reject Alma. Haunted by visions of a half-man/half-horse, Alma considers alternative ways to solve their situation. The Centaur appears in a dream and gets closer and closer to their reality, pushing events towards an extreme conclusion. Vlado decides to end his misery, to bury the dead part of his body and wait for a miracle. Alma’s love is challenged but she executes the simple ceremony with dedication. By dawn, the magic happens.
Collaborating with Australian circus company Gravity & Other Myths, 2020 BAFTA Newcomer and Berlinale Talent Campus alumna Alies Sluiter crafts a disquieting, quasi-surrealist tale of bravery and grief.
El Chagra is a short film that is constructed with two main concepts. The Alzheimer's disease and the Tibetan Book of the Dead. Creating an analogy between the two, we assemble a cinematographic journey through Don Genaros disturbed mind. Recollecting, relapsing and reviving his last memories we try to give the audience a hint of the whole background, and story about his life by creating the divergent freedom, a glimpse of interpretation of the world as the main character sees it.
The daughter of a foreign diplomat in Paris is courted by two men. One of them entrusts her with a harmless commission for Poland, as she has a diplomatic passport. But it's a trap, and the girl is forced to work for Eastern spies.
A man and a boy, traveling to an unknown destination, find respite in a motel swimming pool. On the surface all seems normal, but nothing is what it seems to be. Short film not to be confused with the 2017 feature film with the same name.
A young girl who was frustrated in her desire to become an actress starts to work for a telephone-sex company. There she meets a fascinating man who has an obsession for music related with crime.
Finding new cinematic language to express the desire for physical contact in our increasingly isolated, mediated, and highly consumer-driven environments, Remote follows the daily routines of a quarantined woman in her sealed-off, ultra-modern apartment, where she falls down a rabbit hole playing an inexplicable interactive game with a community of women from around the world.
In the midst of a spat, film critic Terry Thorpe accidentally kills his lover. Though Thorpe covers his tracks, he raises the suspicions of a private investigator, who then tries to blackmail him. Thorpe also falls under the watchful eye of Detective Fred Stapelli, a cop who is intent on becoming a screenwriter. Before long, Thorpe's girlfriend, Kit, and Stapelli's wife, Patricia, are roped into the case.
In acclaimed filmmaker Mario O'Hara's depiction of unabashed sexuality, Sarsi Emmanuelle plays Carla, a woman going through a traumatic experience that completely changed her life.
Inspector Beck and his team get involved in a large-scale smuggling of cesium 133. A gang from the east uses refugees who with a promise to stay in Sweden and with danger to their own life take in the dangerous explosive chemical substance.
A houswife, tired of her everyday routine, makes changes in her hair, her wardrobe and her makeup, and begins to take on the personality of a woman who had died five years earlier.
Summer of 1870. Two writers, Eça de Queiroz and Ramalho Ortigão, decide to write a four-handed whodunit for the daily "Diário de Notícias". Could it be that the story they wrote as fiction is based on a real case? This question fuels the conflict between the two writers and drives them to a nearly fatal duel. Lisbon is in commotion. One crime follows another in a story in which love is stronger than tradition. Everything happens at frenzied pace, as in a game.
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