4 Parts 3 Countries 2 Directors 1 Star An unpopular UK Prime Minister must seek help from an unorthodox scientist, an Australian wood carver and a woman when a Kaiju emerges that threatens all of British patriarchy.
Post-Human is a scifi proof-of-concept short based on the award-winning and bestselling series of novels by David Simpson. Amazingly, filmed over just three hours by a crew of three, the short depicts the opening of Post-Human, drawing back the curtain on the Post-Human world and letting viewers see the world and characters they've only been able to imagine previously. You'll get a taste of a world where everyone is immortal, have onboard mental "mind's eye" computers, nanotechnology can make your every dream a reality, and thanks to the magnetic targeted fusion implants every post-human has, everyone can fly (and yep, there's flying in this short!) But there's a dark side to this brave new world, including the fact that every post-human is monitored from the inside out, and the one artificial superintelligence running the show might be about to make its first big mistake.
In the year 2310, a new sport, GENE-FUSION is all the rage! In this exciting game, specially-trainer athletes, called Fusers, design their own super-creature by combining three forms of animal DNA... Four teens, seemingly plucked from obscurity, are trained to be Fusers. They become instant celebrities they perform before sold out crowds. But what hey don't know is that each of them has a role to play in an alien conspiracy to take over the world. Only through learning to work together as a team can these four young heroes take on this alien threat and save the planet from destruction
An alien woman is running from a deadly enemy and tries to hide on Earth where she meets a young mechanic, who helps her to get back home and to fight for the freedom of her people.
Manifest: The Chryzinium Era is a 2017 American science fiction short film drama, written, directed and produced by Rick Lord, Phillip Wade and Tim Wade, in which Madison and her father are outcasts in a society ruled by an alien civilization. Survival is becoming more difficult, forcing Madison to make a decision that will change her life forever. The film stars Phoebe Jacobs, Rick Lord and Tim Wade.
After a nuclear holocaust, as the rest of society regresses to primitivism, a small, "elite" group that has managed to escape radioactive contamination takes it upon itself to exterminate those it sees as "unfit", including certain members of its own group.
Two strangers find their lives colliding in an impossible way. Alex is a methodical cargo thief working for a dangerous cartel. Sam is a determined paramedic trying to save the world while running from her past.
Thomas Jacobs invents a way to watch people's memories from the inside. Going against his morals, he accepts an offer to enter a heroin addict's memories to literally see if he committed a crime. However,a malfunction causes his consciousness to become trapped inside the criminal's mind. He remains a prisoner in the addict's memories for more than four years until he discovers the possibility of escape.
When the teenagers in a small Illinois town start getting murdered, the police chief makes a connection to the mysterious scientific experiments being done at the local university and must stop them before his own son is dragged into the deadly scheme.
First of a Trilogy: In a New York ravaged with acid rains, a man in his twenties meets a mysterious, yet familiar young woman who disrupts the banality of his day-to-day existence. Together, they will embark on a surreal journey with a devastating climax.
Now that Akari Mizunashi is a Prima Undine and head of the Aria Company with her own apprentice, Ai Aino, she can't help but reminisce about her time as a Single. She has new responsibilities and much less time on her hands, but these changes bring with them new forms of miracles that Neo Venezia can give. Growing up into new roles is hard, but Akari can always count on the friends she's made on Aqua in times of need.
Considering that Musakov’s Abdulladzhan (1991) was dedicated to Steven Spielberg, we might suggest that these four boys embody nothing more complicated than a conflict of youthful innocence with some ominous threat—the basic workings of E.T. (1982) or War of the Worlds (2005), say. That threat, however, is best understood not through vague nationalism or warmed-over socialism, but through the other reference-point of Abdulladzhan—Tarkovskii’s Stalker (1980). Musakov leaves his boys in a simplified radiance so bright and so overexposed that it no longer looks like the skies of sunny Tashkent, but a disturbing, borderless luminosity to match the flat tonal range of Stalker’s “Zone.” Our Uzbek boys are nowhere in particular; this is a broader domain than anything international.
After being thrown out of medical school for ethical violations, Dr. Peter Blood returns home to a small Cornish village, where he sets up a research laboratory in a secluded cave. There, he attempts to revive the dead, using kidnapped humans -- who he views as unworthy of life -- for their body parts, specifically, their hearts.
Martial law reigns over the city. On a routine check for terrorist activity in a high-rise apartment building, Hawkins, a capable police officer, and Argus, her heavily armoured android partner, stumble on a transaction they assume is the illegal narcotic fleck. But then, strange things begin to happen to the building and its residents.
Lorraine believes there's a lost portal to another world in Essex. As she explores time and space with her friends and family will she be proven wrong or be vindicated?
A cop on the track of a criminal finds himself in the midst of an unfinished subway tunnel, when his flashlight reveals a startling discovery: a three meter long scorpion-like Bug. With one slice of its massive tail the bug fells the man and devours him. FBI agent Matt Pollack is brought in to investigate, and when forensics reveal the source of the problem, he turns to his friend and entomologist Emily Foster for help.
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