"Swift Arrow, a lithe and willowy Indian, leaving the encampment of his fellow braves, is well on his journey when he is thrown from his horse and receives a broken leg and injuries from which he is disabled and lies helpless and alone." -Moving Picture World Synopsis excerpt
A lone survivor is the only hope saving humanity after a deadly infection spreads apon the world his goal is to destroy all infected soon he will have his vengeance
Lucy Raven's Demolition of a Wall (Album 1) is the second film in her trilogy of "Westerns." In American cinema, the Western has traditionally celebrated the expansionist myth that the region is somehow primal or untouched. Raven, by contrast, engages with a West that–while still dramatic in its natural beauty–has been industrialized, militarized, and colonized. She filmed this work at an explosives range in New Mexico that is typically employed as a test site by the US Departments of Defense and Energy and private munitions companies. Notably, it is close to Los Alamos, a national laboratory known for its role in the development of the nuclear bomb. Using a variety of cameras and imaging techniques, Raven captures the trajectory of the pressure-blast shockwaves that move through the atmosphere in the wake of an explosion. [Overview courtesy of the Whitney Museum of American Art]
Jake Willis, a timber-cutter, is felling trees with a gang of men one morning when an Indian applies for work and food, Willis hires him and tells him to do a day's work first, then eat. Stolidly the Indian agrees and leaves with an ax for the forest. Now, little Flo Willis, Jake's little girl, pities the poor man and, when her father leaves, butters a piece of bread, spreads it with jelly and takes it out to the Indian, who, although surprised, thanks her as best he can and sits down to eat.
When Bill Hinchley is wrongfully imprisoned his wife, Mary, becomes a schoolteacher out of necessity concealing from the school trustees that she is the wife of a convict. Sneaky Pete, Bill's cellmate, steals a letter from Mary to Bill, and, his term expired, follows Mary and extorts her, by threatening to cause her to lose her job by revealing her secret. Attempting to escape Bill gives up his chance at freedom to rescue the warden's children - and is later pardoned, coming home to wreak vengeance on Sneaky Pete, and justify Mary's faith in him.
A delinquent from the suburbs of Montevideo, fond of the guitar and singing, plans, thanks to the help of a journalist, to appear at a rock festival. The police, who have found out about his plans, hope to catch him.
Frank Wendell, a ranchman, also the sheriff of his county, is about to leave home on the rounds of duty one morning when a buckboard drives up to the house, and a gentleman, whose careful grooming and style of dress signifies a man from back east, alights and presents Wendell with a note from a former friend of the ranchman, introducing Mr. Frederick Church, who desires to spend a few weeks on Wendell's ranch for the purpose of bettering his health. Unsuspecting the true character of the stalwart Easterner. Wendell welcomes him and, with the big hospitality of the Western householder, tells him to make himself at home. A month goes by and with its passing a tragedy. Wendell returns home one evening to find the Easterner and his wife and child gone.
We have detected that you are using an ad blocker. In order to view this page please disable your ad blocker or whitelist this site from your ad blocker. Thanks!
