Turkish western centered around a variation of the Tomas Milian character "Cuchillo" from the Spaghetti Western classics THE BIG GUNDOWN and RUN MAN RUN.
A Tom Mix classic! Tom is a devil-may-care aristocrat whose father has mysteriously concealed all info about his deceased mother. One day, an old man shows up and shoots Tom's father dead! The only clue Tom has is a picture of a far-away ranch in Idaho that was hidden away for years in a secret locked room in their mansion.
Gene takes care of three tough kids sent west from Chicago after their father died and left them a cattle ranch. They help him catch a bunch of rustlers.
This short animation set to Lenny Bruce's live monologue tells how the Lone Ranger hooks up with Tonto. With Bruce doing all the voices, this animation begins with local folks upset at the Lone Ranger because he won't stay around to be thanked after a good deed. So, he stays and finds he likes hearing "Thank you mask man." When their attention starts to shift elsewhere, he shocks and disgusts the townspeople with a final request. According to the cartoon’s producer John Magnuson, at early showings of this, gay audiences were upset by its apparent “fag-bashing”. And it’s true, part of the fun of the piece is just crying out “Masked man’s a fag”, scandalising and defacing the image of this all-American hero. But it’s within the larger context of Bruce’s analysis of heroism, and that the towns people reject the Masked Man is because of their prejudices, not because Bruce is asking us to endorse them. (from: http://ukjarry.blogspot.de/2010/01/352-lenny-bruce-thank-
Henry Martin receives a letter from Buck Lessen, a convict about to be released from prison, telling him that his time is up and he is going to get him for sending him to prison and marrying his sweetheart, Jane. The Martins and their young daughter move away but Buck learns where they went. Buck is hiding on the porch, planning to ambush Henry when he comes out. Two drunken cowboys ride by firing their pistols. When Henry comes outside he sees Buck's body lying in the grass, shot to death by a stray bullet.
A Italian western parody, of Sergio Leone's THE GOOD, THE BAD and the UGLY...but with Star Wars characters. With respect to Ennio Morricone's unforgettable and entirely iconic film score.
This entry in Universal's series of "Musical Westerns" shorts has Tex Williams, assisted by Deuce Spriggins and Smokey Rogers, bringing his six guns, fists and singing abilities against a gang of stage-robbing bandits. This film was combined with another Tex Williams short, Coyote Canyon, and reissued as the feature-length "Tales of the West No.2.)
On the rim of the desert The Brute runs a saloon with an iron hand which he also uses on The Woman. When The Man wanders in and wins at poker The Brute tries to fleece him of his winnings but loses everything when suddenly The Man catches sight of The Woman. He offers to stake his all on her and they play. The Man has four of a kind. The Brute has a gun. But The Man is a quicker draw and the pair escape across the desert. The Brute follows but when he is defeated in a showdown he wanders off into the desert to perish. The Man and The Woman embark on a new life.
When old rancher Mark Ridgeway passes away, his property goes to relatives in the East instead of to trusted foreman Tom Taylor as promised. The relatives, Reginald (Taylor Graves) and his sister Marion, arrive to take over the ranch, and Tom quickly falls for the lovely Marion. The weak Reginald, on the other hand, sells his part of the property to evil Indian Joe Deerfoot, who then kidnaps Marion to get her share as well.
Heralded as a "Universal Thrill Feature," this minor outdoor melodrama starred Dynamite, one of canine phenomenon Rin Tin Tin's legion of imitators. Veteran actor Edmund Cobb headed the human cast as Captain Tom Grant, a Texas ranger impersonating an outlaw in order to infiltrate a gang of smugglers.
13 yrs after the American Civil War, in a strange town in New Mexico, a gunfighter and his gambler woman search for the lost Confederate fortune. Things turn deadly when they cross paths with a demented preacher who has other plans.
US marshals Ken, Hoot and Bob stop a gang dressed as Indians from robbing the stage. After getting repairs at the relay station, but before they get to town, another trap is set, but they get away. In town, they search the stage and find nothing. But hidden in the axle grease can are diamonds. Polini wants them cut into smaller diamonds so that he can easily dispose of them. Throughout this Western, the courageous trio faces off against cunning opponents, including the gang's merciless leader (Ian Keith) and an unsuspecting banker (Karl Hackett).
Bill, who is with a bunch of cowboys on their way to town, picks up from the wreckage of a prairie schooner a little baby girl. Five years later the little girl, while running after butterflies, gets lost. Bill, waking up from his siesta, goes in search of her, but she cannot be found. The little girl, in the meantime, has climbed into a freighter's wagon. For twelve years she lives with him. One evening, while gambling with Mexican Pete, the freighter loses his money, and the girl, whom he had staked against the Mexican's winnings. But before the Mexican can take the girl away, Bill wins her from the Mexican, places her in the care of a woman neighbor and eventually marries her.
When beautiful Salomy Jane resists the romantic advances of a young ruffian, she is rescued by Jack Dart, who has his own additional reasons for tangling with the man. Jack fights the ruffian and kills him. He escapes with the law on his trail, for it is (wrongly) presumed that he is also the man who held up the stagecoach. Salomy Jane comes to his rescue when he is captured and about to be lynched.
We have detected that you are using an ad blocker. In order to view this page please disable your ad blocker or whitelist this site from your ad blocker. Thanks!
