A young spitfire cowgirl, and her coolheaded Native American friend, race a gang of neighborhood bullies to find a mysterious treasure supposedly having mystical powers.
Produced by Jack Schwartz for low-budget company Screen Guild, this mild Western starring the veteran Richard Arlen was apparently the first entry in a proposed series. Arlen played the title role, here assigned by the army to quell an Indian attack on the powerless settlers. The Indians are accusing Tom Russell (John Dexter) of murdering a member of the tribe, an act, as Buffalo Bill discovers, actually committed by a gang of outlaws hired by investment company owner J.B. Jordon (Frank O'Connor). Buffalo Bill Rides Again was soundly defeated by a low budget and slipshod direction by the veteran Bernard B. Ray. Popular B-Western villain Ted Adams disappeared mysteriously halfway through the film, only to be replaced by Edmund Cobb. Jennifer Holt, the daughter of Arlen contemporary Jack Holt and by far the busiest B-Western heroine of the 1940s, had little to do other than letting herself be kidnapped by evil Gil Patric.
Jimmy Dixon, pursued by a band of Mexicans, changes clothes with a tramp, who takes off on his horse. Four miles later, Jimmy walks onto the Double-O Ranch, from which he had been thrown off four years before by his dad, who had blamed Jimmy for something that his twin brother Duke had done. Duke, home from college, took over the ranch when Mr. Dixon became ill, and has run it into the ground. When Duke goes to the bank to repay a debt to Jimmy, he rides onto Phoenix with all of the ranch money.
Miss Satterly, the new schoolteacher, is loved by all the cowboys of the "Flying U" ranch. Weary is shy and only makes the acquaintance of the pretty schoolteacher by main force on the part of his cowboy companions.
This silent action comedy features Tom Mix donning a suit of armor to battle an unscrupulous ranch foreman in a style that would appear familiar to King Arthur and his knights.
Jim Stewart comes to Mesa City and buys a ranch from publisher Matt Edwards, who is confined to a wheelchair. The area is terrorized by an outlaw gang known as The Phantoms. When Jim's cattle herd is rustled and his ranch foreman Pop Evans killed, he takes an active hand against the gang in his guise as the Durango Kid.
The Mormon pastor Mateo is obsessed by the murder of his father, which he witnessed as a child, but raises a church and preaches against violence. The gunman Gumaro helps the preacher when two outlaws show up and kills one of them. Four brothers of the dead outlaw attack the preacher's ranch and kill his pregnant wife, his son, a worker and leave the pastor for dead. He recovers, forgets his sermons and sets out to take vengeance on the murderers.
An inventive use of slow-motion filming helps hammer home the gag as an unconvincing 'Indian chief' hopes to dissolve some trapped wind with a popular brand of indigestion powder.
Billy, Fuzzy, and Jeff are on the run from the law again. This time they travel to a new town where Fuzzy is made Marshal. But Hardy and his outlaw gang control the town and none of the previous Marshals survived for very long.
It is 1889, New Mexico. The gold rush is over and most of the prospectors have moved on. In the middle of nowhere stands a crumbling Antebellum mansion - a bordello that has seen better days. Enoch, the inept pimp, owes a considerable amount of money to the town's psychopathic Sheriff. Money is tight: business is down and the five-woman in the house are tearing each other apart. The only thing they can agree on is their love for Angel, a seven-year-old child whose mother died in childbirth.
A murder takes place in a suburban high school. A mentally defective detective Delgado Rodriguez and his partner, the German ex-soldier-veteran Stilenacht, begin a wide-ranging investigation. The comically hapless duo go undercover, roaming the halls among the students, looking for clues. They have no idea what they're getting themselves into. Nothing is certain in this case. The film is full of pop-culture references and allusions, relentlessly peppered with corny puns that sometimes become an integral part of the plot and story. The film takes a similar approach to the mixing of genres; the crime film premise crosses into the realms of fantasy and horror in the course of a plot that is often self-contradictory.
A party of campers return to Tom Stewart's ranch resort to report they have been held up by bandits. Lawrence, their guide, explains that it is a staged stunt for their benefit; Stewart confirms this and refunds the losses but writes to his old pal Jeff Morgan, a former gunfighter, telling him of his predicament. Morgan sends his son, Jeff, Jr., a superb rider and dead shot but otherwise an awkward lout; at the insistence of Pauline, Stewart places Jeff in charge of a camping party. Laura Mayhew, a city girl in league with Lawrence, sends up a flare signal at night, and while Jeff chases some bears into the woods, Lawrence and his men hold up the camp.
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