Beyond the Last Frontier was the first entry in Republic's "John Paul Revere" western series. Journeyman actor Eddie Dew stars as Revere, a Texas Ranger who goes undercover to smash an outlaw gang. Meanwhile, the villains install an informer amongst the Rangers, meaning that Revere will have to take care of this guy before he can complete his assignment. While Eddie Dew was OK in the lead, his thunder was stolen by the young actor cast as "Trigger Dolan"-future superstar Robert Mitchum. The plot was a bit too complicated for a film of this nature, thus future John Paul Revere installments were a bit easier to follow.
The cattle on the Langton Ranch are mysteriously dying and cowhands are disappearing or being shot. Two Langton riders bring a wounded rider they found wounded and hung up in a barbed-wire fence to Sally Langton and report that her father is missing. A lone rider, Jess Ryder, tops a rise and sees a band of men working on some calves in a secluded corral, and he frowns as he sees what Bat Murchinson is doing.
Two ex-friends are drawn together by fate and return to the place that tore them apart years prior. Seer is a short film that draws on the ancient Scottish practice of ‘seeing,’ where visions of the future are revealed through a Seer’s Stone—a mysterious stone pierced by nature.
Judge Curry is selling Austin's land to nesters and his men are rustling his cattle to provide beef. When the Sheriff accuses butcher Gore of possessing stolen beef, Gore kills him. Curry then holds a quick election to change the county seat so he can preside at the trial. But Brill gets the Governor to change it back and this leads to the big shootout between Curry's men and Brill and the ranchers.
Sheep raisers, resentful of old injuries from the cattlemen, bar the way to water when dry ranges force the cattle ranchers to drive their herds into the lowlands.
Originally a pilot for a series called "Gallaway House" that was never picked up. The patrons of a late-19th Century America theater flock to see the latest production, a Western tale of redemption. Johnny Laredo, a middle-aged gunfighter fleeing his many enemies by traveling at night, stops briefly at the campfire of Tim Dawson's team of cattle drivers for a cup of coffee and a bit of human companionship. Dawson offers Laredo a job, but Laredo is afraid to return to Wyoming where he killed a number of men. Stopping in a small Texas town for supplies before heading across the Mexican border, the gunfighter is forced to fight a inexperienced youngster trying to make a reputation and kills him. Even though he is acquitted, the gunfighter has had enough and returns to Dawson, accepts the job, and hopefully, the opportunity for redemption.
Bart Morgan controls the town of Cactus City and is keeping all men away from Jane Rankin. When Johnny Day arrives and takes an interest in Jane, Morgan tries to kick him out. Johnny refuses to go and the stage is set for a showdown.
Mexican families are being forced off their land by the Saxon's who come to colonize this underpopulated state. Two Mexican families, the Iturraldes and the Villareals, find their peaceful existence shattered when they refuse to sell their ranches to the Mackenzies, an Irish family who will stop at nothing to get what they want. And what they want, lies deep in this extensive and fertile land... oil.
More a romantic melodrama than a true Western, this Buck Jones vehicle from Columbia starred Jones as Buck Randall, a carefree cowboy whose popularity with the local saloon girls becomes the talk of the town.
Santa Fe Stuart, leading a relief train bringing food to the peasants, gets caught up in the Commandante and his brother the Mayor's effort to starve out the peasants. Thrown in jail and about to be hung, he escapes and joins the peasants in their fight against the brothers and their troops...
Ken Armstrong (Ken Maynard) finds himself a mine owner and a daddy simultaneously when a friend dies and wills him his mine and his baby. The outlaws eying the mine try to frame the hero for the death.
"Rosa", with a libretto by Peter Greenaway and score by Louis Andriessen, is the first in a projected series of 10 operas, each dealing with the death of a famous composer - some real, others fictional. "Rosa" falls into the latter category; it tells the story of Juan Manuel de Rosa, a Brazilian who went to study music in America but spent most of his time in the cinema instead, becoming particularly entranced by Westerns. Now 32 years old and residing in an abandoned Uruguayan slaughterhouse, Rosa has become one of Hollywood's foremost composers, specialising in Westerns. He also has a beautiful 19-year-old fiancee, Esmeralda, but he pays her little heed, instead lavishing his attentions on a black mare named Bola. One day, a group of men attired as cowboys arrive at the abattoir and kill both Rosa and Bola; an investigation is conducted, with particular suspicion!
Suspected of theft, the Indian was discharged on the ranch-hand's accusation, but the foreman's suspicions against the hand were confirmed in time to reinstate the Indian. In gratitude the Indian captured the thief with the ranchero's money and saved the girl as well.
Bank employee assigned to tell Arizona rancher her property is no good gets suspicious when her foreman agrees. Turns out his banker boss and the foreman know there's silver on that property.
A rancher is murdered after discovering that 40 head of his cattle have been rustled. A neighboring family is accused of the crime and flees across the border, then tries to find the real killers to clear their name.
Against the backdrop of 1884, a young doctor becomes entangled in a deadly conflict between a brewing empire and a radical temperance movement, forcing him to confront his morals in a world where survival and loyalty are at odds.
A government agent goes undercover in a traveling medicine show to infiltrate a gang of counterfeiters. A John Wayne classic in Vibrant Color! *Colorized and re-titled version of "Paradise Canyon" by Legend Films in 2007.
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