Millionaire Larry Prentiss inherits a ranch. He decides to visit his new property incognito and gets a job as a ranch-hand. He falls in love with the ranch foreman's daughter and complications ensue.
John Ford both directed and wrote the story (based on his published work The Hostage), a typical western romance in which Mix falls for the daughter of an imperiled rancher. This above-average Tom Mix western contains one of the star's more spectacular stunts -- a jump on horseback across the 20-foot Beale's Cut. Truth be told, the star, who frequently did his own stunt work, was forced to use a double this time
White Elk, a light-skinned Indian chief, incurs the enmity of Chief Black Panther, whom he prevents from looting a westbound wagon train. Although White Elk is betrothed to an Indian princess, he falls in love with Lucille Cavanagh, a white woman from the East. After her father, John Cavanagh, tricks White Elk into signing away the lands of his tribe, the young chief is condemned to be burned alive by Black Panther.
Arizona Gang Busters is another pre-WWII saber-rattler that finds a band of renegade gunmen, under the pretense of developing an irrigation project for the reclamation of arid desert land, using airplanes and parachute jumpers to gather valuable military information for a European power.
Born into an impoverished family in a Southern community of tobacco growers, Nadine Bolton tries to escape from the only life she knows. But her abundance of persistent and shiftless boyfriends makes that endeavor difficult. When an escaped convict arrives on the scene, however, everything changes. Singing cowboy Tex Ritter plays Nadine's father, Preacher Bolton. Ron and June Ormond produced this drive-in staple.
In perhaps the most tranquil B-Western of the 1930s, Buck Jones, who also produced, plays the tough but goodhearted proprietor of the Bonanza, the only gambling establishment in otherwise God-fearing Silver Creek. Noel Francis, who used to play blonde schemers in Warner Bros. gangster films, earns second billing as the casino's equally goodhearted chanteuse.
Ellen Williams' father has a valuable collection of furs and an outlaw gang is after them. Before he is killed, Williams hides a note revealing their location. The Texas Rangers are on the job and to get more information, they have Panhandle pose as an Indian chief.
The Goddess, the prettiest and best-natured girl that ever graced that little mining town, meets the tenderfoot prospector and leaves him another worshiper of her. His chances, however, are slim for Blue-grass Pete has won her affections, he having at an opportune moment saved her from the fangs of a snake which was about to attack her. Pete's affections turn to the Goddess's sister, while Pete's friends plot to rob.
A couple of drifters seeking shelter from a blizzard. In a mountain cabin, they find the body of an old friend and a note that blames his death on the Border Blackbirds, a notorious gang operating on the border of Canada.
Outlaws of the Pandhandle was the last of Charles Starrett's "formula" westerns for Columbia: hereafter, Starrett would be seen only in the guise of frontier medico Steven Monroe or masked do-gooder The Durango Kid. For the moment, however, the star is cast as Jim Endicott, bound and determined to put an end to the underhanded activities of gin-mill operator Faro Jack Vaughn (Norman Willis). The villain's strategy is to get the local cowpunchers tanked up on rotgut that they'll prove to be easy pickings for a gang of rustlers-and will be unable to complete work on a railroad spur which will bypass the outlaws' hideaway.
Clarence, an eastern college youth masquerading as a mild, inoffensive dandy, joins a Wild West show where he clashes with the leading lady, "Calamity" Jane, a man-hater.
Jake Reid's father died in a bloody massacre 15 years ago in Covelo, California, after participating in a botched robbery-the loot from which was never found. Jake comes to this small western town to dig up the past and to dig up the money-he digs too deep. As he uncovers the circumstances of his father's death, Jake enlists the help of the daughter of a man his father killed, and fends off the town's brutal sheriff. But Jake isn't the only one looking to haul away the money. Escaped from prison, and on the run, Jake's father's surviving partner in crime shows up in town to finally collect his ill-gotten gains. The sheriff, the outlaw, the locals and the girl go straight to what they know-the gun-and Jake, caught in the crossfire, must decide who's side he is on.
To retaliate for Bill Warned's vigilante activity, Captain Sunlight, a notorious outlaw, kidnaps Warned's sister Janet, an Eastern society girl, from her train and holds her in the hills. Janet is rescued by Jack Conway, a rancher, but faints before getting a good look at him. Because he bears a resemblance to Sunlight, Janet turns Jack over to the posse the next time they meet.
All-American singing cowboy Jimmy Wakely went below the border in this musical Western from the assembly line at Monogram, performing such ditties as Adios Mariquita Linda, Rose of the Rancho, the inevitable La Cucaracha, and his own title tune. As always, Jimmy Wakely plays himself, this time heading for Don Roberto Lopez's (Julian Rivero) ranch to track down a missing gold shipment.
Ranch owner Tex Wilson supplies horses to the government. While on his way to Los Angeles to take care of business, Tex sees a girl, Roberta Stephens, on a runaway horse. He rescues her and they strike up an acquaintanceship.
An aspiring Hollywood actress working on her first feature--a no-budget horror flick oddly crewed by enthusiastic teenagers--and a cowboy on a mysterious job arrive in the small border town of Del Rio, Texas, each with their own very clear agenda. When the starlet's film director and the cowboy's associate both fail to appear, however, there's nothing to do but wait and see. Dusty Del Rio quickly becomes a strange way station where time seems to stand still and things are not what they seem.
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