Eastern millionaire's son Bard finds his father murdered and flies west to see rancher Drew who may know something about it. En route he crashes his plane into Jerry's bathroom; she falls in love with him which makes her suitor Steve jealous.
Johnny Mack Brown comes to the aid of a beleaguered female freight line operator in this standard Monogram oater directed by veteran Lambert Hillyer. Having saved his old friend Faro Jenkins and young Dave Porter from marauding outlaws, Ranger Johnny Hudson learns that the attack may be part of a concerted effort by bandits to drive Dave's sister Peggy out of the freight business. Unbeknownst to Johnny and the Porters, the crimes are committed on behalf of local banker Gordon Gregg who wants to bankrupt the freight business in order to take over the valuable Porter ranch.
World War II is raging and the manpower shortage has hit the range since every able-bodied cowboy of military age is off fighting for Uncle Sam. Dad Mathews, a rancher with a huge government contract order for beef, has trouble with the cattle rustlers, led by Henry Judson and Lefty Lewis, who are taking advantage of the situation to steal his herds. John Paul Revere, Special State Investigator, arrives, and upon meeting Mathews' daughter, Betty, gets the idea of recruiting the hard-riding daughters of the district into the WAPS, an organization which will be to the cattle country what the WACS and WAVES are to the Army and Navy. He trains them in military procedure and provides them with radio sending-and-receiving sets. Johnny's sidekick, Frog Millhouse, finds himself the possessor of a "walkie-talkie" which he considers just a "doo-dad" at first, but which is instrumental in the end, in helping Johnny and the WAPS trap the gang of rustlers in their hideout.
In the alien-western world of Oblivion, a suave, yet lethal bounty hunter named Sweeney arrives to arrest the seductive outlaw Lash on multiple charges, including murder. Lash, who just "inherited" a mine of Derconium (the most valuable mineral in the universe) from Crowley in a game of cards, meets up with Redeye's brother, Jaggar, who wants the mine for himself to rule the galaxy. It's a fight over Lash between the sheriff of Oblivion, Jaggar, and Sweeney. But who will emerge victorious?
Around the classic 1800's Western campfire, Slope and Tar tangle about what's been, what will be, and who may or may not survive the first New Age chat in the Old West.
Real life rodeo champion Hoot Gibson plays Dan Molloy, an expert rider who wins the big one, the Calgary Stampede. When the father of his new French-Canadian girlfriend turns up dead, Molloy is the only suspect!
Roy is a government man assigned to a case of cattle rustling in the part of the country where he grew up, unaware that the leader of the gang is a woman, in fact an old flame.
Violet Barton, a femme-fatale goal-setter, fascinates men and readily returns their affection to obtain the wealth she desires, even to the point of bigamy. She has an affair with gambler Gregg Delaney but marries his best friend, Johnny Hale, when she discovers Hale is the richest man in Texas. This loses her the respect of her sister, Janet, who loves Hale, and Delaney, who loves Violet. Meanwhile, town sheriff Bill Howard is working hard to get Delaney to confess to a murder.
A young orphan rejects his foster parents and instead turns to a German shepherd whose master was recently murdered. Stumbling on some evidence, the boy is rescued from the killer by his dog.
Nebraska in the 1880's: bleak, lonely, and far from what you'd expect The Wild West to be. But for a naive Swedish immigrant, the frontier parlor of THE BLUE HOTEL represents the quintessential western fantasy. No one can convince The Swede that his dime-store notions about The West are foolish. He sees murderous intentions all around him and in his terror he turns everybody against him. Inevitably, the Swede attracts tragedy. However, who is responsible? The negative Swede? Or the cliquish hotel guests? Jan Kadar directs this timely story of how society punishes outsiders for being different.
Framed for embezzlement, an English nobleman flees to America, eventually finding romance in Wyoming with a young Native-American. This is the 1918 remake of the 1913 original, the first feature length Hollywood film. It is considered to be a lost film with only one reel still extant.
A cowboy advertises for a wife. A shop girl in Chicago responds, and he travels there to see her. Once he gets there, however, she changes her mind. Ashamed to return home empty-handled, the cowboy uses a mannequin in a woman's dress to fool his friends into thinking he has a wife.
Rancher Autry takes a job singing on the radio to aid farmers and ranchers whose lands were destroyed by raging floods. Blaming crooked politicians, he goes to Washington and tries to put through a food control bill and finds he has a lot to learn. In this classic release, Gene introduces his immortal theme song, "Back in the Saddle Again," which has gone on to become a piece of American History.
Chasing a gambler that stole money, Tom Larkin gets his horse shot out from under him. Meeting an outlaw with a horse, after a fight Tom rides away on that horse. Arriving in town he is mistaken for the outlaw and offered a job of killing a man. But the man is the father of the girl that Tom's money was to go to but was stolen by the gambler.
In this western, the hero fights the bad guys by impersonating the son of a rancher. The outlaws have been making the good landowners pay fake taxes. Not only does the good guy succeed in catching the bad guys, he also catches himself the postmistress.
In a world where elegance flirts with violence, crime aesthetes clash over cryptograms hidden within their accessories. But a necklace, coveted for its rarity and beauty, becomes the central prize. When the obsession with aesthetics turns into a brutal struggle, beauty slips into a western.
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