New girl Cassie and outcast Maggie are easily the most awkward girls in high school. Together, they decide the way to win the hearts of the cute boys and popular girls is to come in first at the school talent show. But rivals Heather, Other Heather, and their popular boyfriends Brett and Dirk will stop at nothing to keep our heroes the laughing stock of the school. It's going to take makeovers, courage, and maybe even a little rapping to beat them in true 80s style.
Ariel, a middle-aged man full of regrets, gets another chance to rewrite his past when he meets a magical figure who gives him the life he has always dreamt of. But at what cost?
The Japanese emperor's son, Hanki Pan (Francis Carpenter) is in love with beautiful Fan Fan (Virginia Lee Corbin) and is determined to marry her, even though his father has decreed that he shall wed the Ancient and Honorable Lady Shoo, an ugly hag.
After Regina Lampert falls for the dashing Peter Joshua on a skiing holiday in the French Alps, she discovers upon her return to Paris that her husband has been murdered. Soon, she and Peter are giving chase to three of her late husband's World War II cronies, Tex, Scobie and Gideon, who are after a quarter of a million dollars the quartet stole while behind enemy lines.
Hero and Beatrice, cousins and best friends, have very different approaches to love. Beatrice, burned once, is fiercely avoiding her arrogant ex-boyfriend Benedick and has sworn off men in general. Hero, a true romantic, is deeply in love with Benedick's friend Claudio, but too shy to say it. When they get trapped in a house with the entire boys rugby team, they'll be forced to face the questions they'd been avoiding.
Čeda is a clerk, pushed around by everyone. He is "everybody's girl". He walks his poodle, makes coffee for a group of poker players and their wives. Čeda goes to sanatorium because his mother-in-law decided to go on vacation just then, and he is her obligatory companion. When he returns alone, because of his job, he finds big fuss in his house, many tempting, unknown girls, local bullies and other, funny creatures. He is wondering how to get out of it.
New York, 1980: airplanes have replaced cars, numbers have replaced names, pills have replaced food, government-arranged marriages have replaced love, and test tube babies have replaced ... well, you get the idea. Scientists revive a man struck by lightning in 1930; he is rechristened "Single O". He is befriended by J-21, who can't marry the girl of his dreams because he isn't "distinguished" enough -- until he is chosen for a 4-month expedition to Mars by a renegade scientist. The Mars J-21, his friend, and stowaway Single O visit is full of scantily clad women doing Busby Berkeley-style dance numbers and worshiping a fat middle-aged man.
A mid-age hipster in Stockholm is a training freak and trains for the 90 km ski race Vasaloppet. His sister is the opposite, no job, drinks but has a daughter. Suddenly secrets reveals and promises are made.
A romantic drama about three couples and their difficult relationships in different stages of life: Kristina and Philip are 16 years old, Line and Jens are 30 years old, Signe and Geir are 60 years old.
Thomas Winter crashes his sports plane into the sea off Corsica. His wife Julia is looking forward to four million marks in life insurance. During the settlement, an employee of the insurance company is remarkably helpful - too helpful for the taste of a detective and an inspector who don't really want to believe in an accident. And suddenly the man who was believed dead runs into his not-so-sad widow...
14 years after making a film about his journey across the USA, Borat risks life and limb when he returns to the United States with his young daughter, and reveals more about the culture, the COVID-19 pandemic, and the political elections.
A comedy about a screenwriter (Wuhl) whose old movie script is read by a producer (Landau) and the search for financial backers begins. But it seems that each money source (Aiello, DeNiro, Wallach) has his own mistress that he wants put into the film. Gradually, the screenwriter is forced to make changes to his script to accommodate these backers until he finally sees no semblance of his original ideas in the writing.
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