A superstitious Chinese student locks herself into a lease at a luxurious New York apartment, only to realize that her bedroom was the site of a recent homicide.
Just before World War 1, the fifteen-year-old poverty-stricken Anne from a small Slovak town is sent to Prague to be a maid in a wealthy family. She meets Resi, the daughter of a noble family, who was born and raised to be an adornment and a trophy – of the house, of her family, of Austria-Hungary. Anne and Resi, two girls born in the same year, but at the other ends of the social ladder, find a soulmate in each other. They become best friends, lovers and the only light in a male-dominated world.
Three friends since childhood are trying to work out their complicated relationships. Jonny tries to be best friends with Magnus, Magnus tries to be married to Tuva, and Tuva tries to have sex with Jonny.
What if you lost everything? Where would you go? What would you do? Joe, a young architecture student, is forced to drop out of school after his parents die in a car accident, leaving only unpaid bills behind. Scrambling around trying to find a job, and a way to get his studies and life on track, he ends up on the edge of homeless, until he connects with a colorful bunch of characters squatting in a boarded up old house, where they "borrow" electricity. Each day in the house is an adventure in character, the good, the bad, the comedic, the heavy, and the chaos and insanity of life at the bottom of the barrel.
Amid the Mexican Revolution, a woman rises from the depths of poverty and becomes a courtesan who is much-sought-after by high-society men, but she cannot forget her love for a rebel leader.
Filumena has lived for years with a wealthy pastry chef. She forces him to marry her, but he soon asks to annul the marriage. She then reveals that one of her children is his, making him obsessed to know which one.
Himuro (Yasukaze Motomiya) is released from prison, seen off by Akimoto (Sho Aikawa). Shortly after his release, gang boss Mikami (Eiichi Furui) asks Himuro to join the crew of his sworn brother, Kawatani (Hitoshi Ozawa). However, Omiya (Kazuyoshi Ozawa), who values the old-school yakuza code and respects Mikami, grows increasingly displeased with Himuro’s casual shift of allegiance. Ignoring Mikami’s attempts to calm him, Omiya spirals out of control—raiding territories and even turning on his own men. Seeing Omiya become a living instrument of violence, Himuro steps in to stop him.
A sudden loss catalyzes an unlikely bond between two migrants in the Chinese community of Queens. Navigating lives far from home and the painstaking labor that supports them, they journey through grief together in hopes of finding family.
Passions reignite and hidden secrets revealed when a graphic designer in Los Angeles reconnects with an ex-lover he hasn’t seen or heard from in 15 years. Over the course of a weekend at a vacation house in the desert, they must determine whether or not they have a future together.
When Max, a troubled girl looking for a way out of her mundane life, meets the mysterious and seductive Lily, she instantly falls head over heels in love. But Max soon realizes Lily is not who she seems and she finds herself trapped in a dangerous world of drugs, deceit and murder.
Two college friends Asha and Sunita are on verge to complete their dreams and on right track .But Asha's marriage gets arranged she asks favor from Sunita to pretend to be herself in front of her fiance.Sunita decides to help Asha and meets her fiance but later things go out of control when Asha asks Sunita to marry her fiance.
Corporate billionaire Edward Cole and working class mechanic Carter Chambers are worlds apart. At a crossroads in their lives, they share a hospital room and discover they have two things in common: a desire to spend the time they have left doing everything they ever wanted to do and an unrealized need to come to terms with who they are. Together they embark on the road trip of a lifetime, becoming friends along the way and learning to live life to the fullest, with insight and humor.
Clara travels to the south of France to take care of all of the paperwork after the death of her long-lost twin sister Yvonne. There, she meets David, her deceased sister’s husband, at his country estate. Instead of just taking care of all the formalities and trying to put her sister’s suppressed life behind her, Clara develops a yearning attraction to this an unknown lifestyle. Sensing encouragement from David, she slips into Yvonne’s role and, together, they dream up a new everyday reality. But when Frank, a supposed business partner of David’s, shows up, the schizophrenic idyll turns into a merciless game of cat-and-mouse.
The basic content of this film is all about a revolutionary movement started by the victims of our stereotypical education system. A disheartened IT professor called Tariq Siddhiqi, (Anupam kher) who is basically disappointed with the orthodox education system and Devang Tripathi (Ashish Vidyarthi) an alcoholic professor who is thrown out from Mumbai University for his abstract methodology for teaching and Arjun Sheghal, (Ankur Khanna) an under achieving student who disenchants the traditional education system as he doesn't believe in grading system and Priyanka (Arshi) who wants to break through the typical parental pressure of our society to accomplish her passion as a super model. Finally as they all possess the same perception towards our stereotypical education system, they decide to go against to it and they form an abstract pattern of education system to encourage the failed students of our society.
William Douglas Street is bored with his life. Working for his father is getting to him, his wife wants more money, and he's had enough. His solution is to re-invent himself. He becomes a chameleon, taking on whatever role suits the situation. From reporter to doctor to lawyer, he impersonates anyone he feels a need to be and he can earn money being.
On the plane back to Rome, a well-known journalist indulges in an unbridled and somewhat melodramatic erotic fantasy involving his estranged wife and his stepdaughter.
A story of a man threatened by a fatal illness evaluating his life (the number 322 in the film title stands for the diagnosis of one kind of cancer). He understands his illness as a form of punishment for his cruel deeds in the 1950s. In the face of reality and his efforts to cleanse himself he hits a barrier of indifference, lack of interest, and individual and collective selfishness. He has to find his own reconciliation with his illness and his past and present life.
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