An elderly widow (Joan Benac) starts to wonder what happened to a would-be lover from her past who appeared with her in a live televised drama in the 1950s. After discovering the show in CBC’s archive, her granddaughter Audrey (Deragh Campbell) attempts to try and track the man down.
Mummi, a sixteen year old farmers son falls in love with Sigrún, but when it comes to love, Mummi has no experience and thus must figure it out for himself.
The chance to shine in a singing competition offers much-needed hope for a Southern middle-schooler who's drowning in worries, from bullies in the halls to turmoil at home -- and the news that his reservist father has been called back to Afghanistan.
In a series of juxtaposed images and sounds, Jaromil Jireš comments on the tragic premature death of thousands as well as their posterity due to the atomic bomb.
When a raiding party from the city of Atlantis kidnaps a man and his two daughters for slavery, he contrives to bring about the destruction of the ruling class utilizing the powers of the mysterious crystal child.
Lal Baadshah is a 1999 Bollywood film directed by K.C. Bokadia and starring Amitabh Bachchan in a dual role, Raghuvaran, Manisha Koirala, Shilpa Shetty and Amrish Puri. Nirupa Roy also appears in her last film playing Bachchan's foster mother. This was Bachchan's third film since his comeback after a five-year hiatus; it failed at the box office but hit in Uttar Pradesh and Bihar.
An idealistic, want-to-be fashionista lands the dream job with her favorite designer in New York City. Swept away by the glamorous facade of the fashion world, Grindy gets sewn within the seams of the garb underworld while climbing to success. Shot on 35mm.
After losing his son in a traffic accident and his wife to mental illness, Harry moves to a gloomy Stockholm suburb. A local youth gang is harassing the neighborhood and Harry comes up with the idea of hiring the gang to kill the bureaucrats who are responsible for the construction of the suburb. The film is a fierce critique of the political project of building suburbs designed only for workers to sleep in and also wants to have a say in the debate over nature vs nurture.
Based on the Hammett novel, this ultra-rare film—is nominally taken from the author's classic gang-war novel Red Harvest, which proved too brutal and cynical even for pre-Code Hollywood.
Acquitted of a fatal on-duty incident but tormented by its harrowing personal repercussions, a police officer and impending father struggles to piece his uprooted life back together while sent on leave to a holiday resort in Greece.
Dog days of summer in a Kurdish city in Turkey, two unruly bright twins from a poor neighborhood are distracted by their daily routine and school duties, having an only goal in life: to dive into a proper swimming pool, one in particular, in the luxury site on their way to school. Between them and their dream, a boundary wall and behind it the stubborn and irreproachable watchmen who‘s everyday their laughing stock. They will start their little own class warfare.
Fariyad is a Bengali movie released on 05 November, 1971. The movie is directed by Bijoy Bose and featured Utpal Dutt and Suchitra Sen as lead characters.
Burdened by a family secret, Adam White lands a job as a newspaper advice columnist. Little does he realize that it's all part of a nasty desire by cynical editor William Shrike to crush the souls of his underlings. Adam feels his readers' pain, and eventually, he takes an assignment to meet with Faye Doyle, who is exasperated by her crippled husband. When Faye tries to seduce Adam, he must choose between his job and his girl.
When a doctor decides to carry out an AIDS prevention program inside Latin America’s largest prison: the Casa de Detenção de São Paulo - Carandiru, he meets the future victims of one of the darkest days in Brazilian History when the State of São Paulo’s Military Police, with the excuse for law enforcement, shot to death 111 people. Based on real facts and on the book written by Dráuzio Varella.
At a bar table, old samba singer and composer Adoniran Barbosa tells a young waiter stories about a São Paulo that no longer exists. He fondly remembers the maloca where he lived with Joca and Mato Grosso, their passion for Iracema and other characters eternalized in his sambas, chronicles of a metropolis swallowed up by the voracious appetite of progress.
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