Geri Riordan is adopted, half-Vietnamese, eighteen, and a piano prodigy. She also feels as if she doesn't know who she really is, and when her adopted father dies, she begins to search for her biological father.
Ajay (Akkineni Nagarjuna) is an adman (director and actor) who has a definite idea about how his future wife should be like. He gets married to a village belle Kamakshi (Simran Bagga), handpicked by his mom from her native town Kovvuru. After marriage, Kamakshi meets with a hairline fracture. The entire family of Kamakshi lands up at Ajay's house to take care of Kamakshi. She has a beautiful and greedy sister called Lahari (Reema Sen).
Mallamma, a Shiva devotee, marries Dharanna. She is excited to start a new life with her husband, however her in-laws treat her horribly and she loses faith in Lord Shiva.
A young British woman is hired as a governess by a wealthy Argentine family. Through her position, she slowly sees how the upper class of society is slowly crumbling, and how a fascist movement is preparing to install itself in power.
For the “Dough Boys” every day is a struggle to survive. Determined to make something of their lives, these four friends work any hustle no matter how risky. But when they bite off more than they can chew, their loyal bond is tested as they fight to stay alive. Now, the rules of the street that they live by are the very rules that could destroy them.
Canibal Filmes and Bulhorgia Produções proudly present the most faithful and realistic version, released so far, about what goes on in the mind of the accursed filmmaker Petter Baiestorf. With direction and script by Baiestorf himself and editing by Gurcius Gewdner, the film shows in a clear and objective way the entire trajectory of life, ideology and passions experienced by Santa Catarina. With a soundtrack of impact and moments of joy and anguish, entirely taken from the incredible vinyl collection of Gurcius Gewdner, Palhaço Triste has already been considered the best film of the tireless Canibal Filmes, in 2005
Heaven is now happily married and ready to settle back in her hometown. But after a trip to Farthinggale Manor, Heaven is persuaded to stay. Lured by her grandfather to live amidst the wealthy and privileged Heaven seems to have it all until the ghosts of her past rise up once more, threatening her precious new life.
A child in school uniform picks up broken remnants from a wall clock. Today happens to be the first day of school for Madhyamik and he is already late. The house is in a state of disarray, reflecting the chaos and lovelessness of outside – where everyone is a victim and everyone a perpetrator in equal measure. Amidst all this, the family sits down for one last meal together.
Usha, a well-educated girl, is married to Kumar by her drunkard father. Being illiterate, Kumar gets jealous of Usha's education and her frank nature. He abuses her and she leaves their home and begins to battle for women's right. She gives birth to a son and starts to work in a factory, where male workers start to dominate her.
Hanna and Simon are in a 20 year marriage with an unexciting relationship. By chance, they both meet and start separate affairs with Adam. Adam has no idea that his two lovers are married, until they are all found out when Hanna becomes pregnant, with the natural doubts stemming from their situation.
Fei, a student, who was on duty in the old city of Batavia, was visited by a Dutch-Japanese girl named Sara, who lived at the beginning of the 17th century, precisely in 1628 when Governor General Jan Pieterzoon Coen took office. One day after returning from Shanghai, Fei continued his duties. It was at the Fatahi building that Sara appeared again and without realizing it, Fei was taken through a time tunnel back to the 17th century.
One evening, Dalva is suddenly taken away from her father’s house. Dumbfounded and outraged at first, she later meets Jayden, a social worker, and Samia, a teen with a temper. A new life seems to start for Dalva, that of a girl her age.
Mária, a retired teacher, one fine day decides she no longer wants to feel like a cow, and when not even the mayor helps her against the arrogant source of local evil, she obtains a gun and resolves to do what most of us occasionally think of but immediately banish from our minds. Very soon, however, she discovers that just as murder is morally complex, it is equally complex logistically, despite her former pupil, now on probation, offering her this priceless life advice: “Crime only looks simple, Mrs. Teacher, but then something always goes to shit.”
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