Irina Evteeva’s debut quickly became a kind of manifesto for the one-room experimental studio: it defines classification by interweaving animation, appropriated footage, feature and documentary to form a unique whole, a film that rushes backwards into the future, thereby re-inventing Futurism. Mayakovskiy is the star; his occasional presence holds together a film driven by the sound, the beat, of his poetry. Evteeva develops a dramatic structure of flaring, fading, being from light: violin strings become rays, quivering dull yellow spots, pictures. The plot assails the material from which it derives energy from material. History, growling and roaring, finds its form.
Van, the brave son of a tooth fairy leader, meets the goblins girl Gemma on his first mission. Despite the myths about ancient disputes between fairies and goblins, they share common values. When the greedy Spider Queen threatens both tribes, they must work together.
In prehistoric times, the muscular Yor saves his cave-babe from a dinosaur just before they get zapped into the future to battle bad guys in the familiar desolate wasteland.
Santa Company is an original work brought to life by Kenji Itoso. A short animation was released in 2014 after a successful crowdfunding campaign, followed by a feature-length version released in Japan in 2019. This work is a spin-off featuring some of the same characters. Upon their visit to a tropical island just below the equator, Mint and co. from Santa Company find themselves confronted with a mountain of ocean debris. Small acts of carelessness upon carelessness have, quite literally, piled up into a big problem—just what have Mint and the others gotten themselves into...? A splendid, yet strange, secret Christmas story.
On Christmas Eve, an old miser named Ebenezer Scrooge is visited by the spirit of his former partner, Jacob Marley. The deceased partner was in his lifetime as mean and miserly as Scrooge is now and he warns him to change his ways or face the consequences in the afterlife.
Klonoa, a cat-like creature and his spirit friend Huepow travel through 12 levels of action to save the dream world of Phantomile from an evil spirit intent on turning it into a world of nightmares.
Hans Christian Andersen's fairy tale is told here as a digital theater piece. The visual point of departure is fashioned by découpages created by Queen Margrethe II of Denmark, who is also the narrator. The découpages serve to establish the mood around the story of the children, Kaj and Gerda. They consist of a countless number of clippings, which are subsequently subjected to the processes of computer animation and mixed with graphics, live actors and music into an unique fairy tale universe.
In the wake of his wife’s death, Simon tries to make a fresh start by moving with his son Camille to Dubai. In that extraordinary city, Camille manages to forget, let go, and begin a new life. But for Simon, it’s not so easy. He begins to feel an alarming presence in their home - someone quietly, patiently lurking in the shadows. Could it really be his double? Simon slowly succumbs to anxiety and thinks he is going mad. But he’s not the only one to feel threatened this way. It seems to be happening to all people in Dubai who refuse to cut off all ties to their past.
While chasing a serial killer inspired by the god of sleep, a cop's life is overturned by the death of her lover. Looming monsters and the need for revenge cloud the border between her nightmares and reality. A cosmic horror, weird tale.
A trumpet player in a radio orchestra falls asleep during a commercial and dreams he's Athanael, an angel deputized to blow the Last Trumpet at exactly midnight on Earth, thus marking the end of the world.
Two women unconditionally in love face a dynasty of misogynistic men. All wrapped up in a mysterious conspiracy, fantasy, and detective story featuring heinous crimes, black magic, a diabolical council, and the courage of a group of women struggling to survive.
Pororo and his friends visit the stronghold of the Red Hunters, the guardians of the ocean, filled with admiration in their hearts. They face consecutive attacks from sea garbage, nasty sharks, and the terrifying sea monster Situs. Though Pororo and Crong are rescued by Murrok, their attempt to hunt Situs fails, and the creature escapes with their friends swallowed. Refusing to give up on their friends, Pororo and Crong decide to help Murrok capture Situs. However, Murrok’s revealed plan to sacrifice their friends shocks Pororo deeply. Can Pororo and Crong stop Murrok and save their friends?
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