The beautiful 500-year-old vampire who lived a quiet life running a dressing room in a secluded alley. There has come a fatal crisis to her. The smell of the boy who likes her constantly stimulates her vampire instinct which has been suppressed for a while
Replacing body parts is dangerous. Frankenstein loved it. Olga hates it. Being gender-agnostic means they get to wear whatever they want, but human parts come infused with emotions. Painful memories stuck inside a boy’s left eye set Olga off on a hunt and puts a target on their back.
At the cusp of the founding of Joseon Dynasty, an envoy from China is delivering Emperor’s Ming’s Royal Seal. But nature in the form of a giant whale intervenes and swallows the royal seal. When a generous reward is offered to whomever can retrieve the royal seal from the belly of the whale, the race is on. A group of mountain bandits led by Jang Sa Jung and a group of pirates led by Yeo Wol go after the lost treasure, but who will get to to it first?
Yelena, a Russian woman, is dragged off to her in-laws' vacation home for Christmas for the umpteenth time. This time, a surprise awaits: a new Flemish sister-in-law, Valerie. Her rapid integration leads Yelena to suspect there's more to the family dynamic than she thought.
During the times of King Arthur, Kayley is a brave girl who dreams of following her late father as a Knight of the Round Table. The evil Ruber wants to invade Camelot and take the throne of King Arthur, and Kayley has to stop him.
In one village, there lives a girl named Žofinka, who loves playing the clarinet, which makes her father a little angry, as he would rather see her working at home at the cottage. And in that country, in the royal castle, lives Prince Vendelín, who also loves playing the clarinet, and plays all day long, until the queen mother gets a headache. And as expected, these two find each other in a fairy tale and fall in love. And how does it happen that they finally unite their destinies despite the adversity of their surroundings? Two magical creatures help them in this – Strawberry and Blackberry.
Barry Prima plays Jaka Sembung, a Robin Hood figure who possesses mystical powers. Captured, tortured and left for dead, he returns even more powerful than before. In desperation the invaders resurrect an evil wizard and set him against Jaka Sembung in a fierce fight to the death.
During the days of the Vijayanagara Empire there was a system to bring willing women to the royal palace and render them official residents. This was called 'Rani Vasam'. According to this royal tradition, they sent palanquins to their houses, after they presented the family with gifts and jewelry. These Rani Vasam women should never have any contact with any man or let any man see them without permission. If any one violated the law, they were beheaded. Malleswari (Bhanumathi) was taken to this Rani Vasam. She was forced to accept this, for lure of money and jewelry by her parents. But she was already in love with her 'Bava' Nagaraju (N.T. Rama Rao), a sculptor. He stealthily got into the garden of the palace to meet his beloved and was caught. He was to get the death penalty. Krishnadevaraya for once pardoned the hero and allowed Malleswari to go with him.
In a soon to be demolished block of apartments, the residents resist the criminal methods used to force them to leave so a greedy tycoon can build his new skyscraper. When tiny mechanical aliens land for a recharge, they decide to stay and help out.
Dar, is the son of a king, who's hunted by a priest after his birth and grows up in another family. When he becomes a grown man, his new father is murdered by savages and he discovers that he's the ability to communicate with the animals, which leads him on his quest for revenge against his father's killers.
A young boy whose parents are going through a bitter divorce, is given hope and courage through the powerful stories embellished by his grandfather. The stories give the boy the inner strength and resolve to confront the inevitable challenges which lie ahead.
In Provence, a Summer evening. Malo is 26, heartbroken, and still feeling the euphoria of three days on a motorcycle from Brest. On the top of a hill where the view goes on and on and the fragrances of plants cast a spell, he meets a septuagenarian with an irresistible charm. A strong mistral is forecast, but first there is an invitation.
In a corner of the world rarely mentioned, Princess Sophia is the sole heir to the kingdom of Preanna. After the death of her mother she seeks freedom from her father, an insidious King driven mad by grief. A war brews in the neighboring nation of Nantio as violent revolutionaries stand against Preanna and the royal guard. Sophia endeavors to break the chain of tyranny rooted in her home country and her father's dictatorship.
Audrey is so annoyed by the rain, she wishes strongly it wouldn't rain again. She dreams that drought hits the continent hard that she seeks the Rainmaker for help.
Once upon a time there was a beautiful but haughty princess who mocked all the princes and kings who asked for her hand in marriage. She also mocked King Thrushbeard. Her father was so angry that he ordered her to marry the first beggar who knocked on the castle gate.
Final Fantasy XV: Episode Ardyn depicts the story of Ardyn Izunia, the main nemesis in Final Fantasy XV. The story of suffering, death, and resurrection leading up to the main story in FFXV. This animation reveals the story two millennia ago…
The apparent vertical scratch in celluloid that opens Presents literally opens into a film within the film. When its figure awakens into a woman in a 'real' unreal set, the slapstick satire of structural film begins. It is not the camera that moves, but the whole set, in this first of three material 'investigations' of camera movement. In the second, the camera literally invades the set; a plexiglass sheet in front of the dolly crushes everything in its sight as it zooms through space. Finally, this monster of formalism pushes through the wall of the set and the film cuts to a series of rapidly edited shots as the camera zigzags over lines of force and moving fields of vision in an approximation of the eye in nature. Snow pushes us into acceptance of present moments of vision, but the single drum beat that coincides with each edit in this elegaic section announces each moment of life's irreversible disappearance.
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