A bygone symbol of the luxury of yesteryear and a true institution in a provincial town, the "Grand Magasin" is living its last hours. Indeed, the management, which can no longer afford the establishment, is preparing to sell the store to a large distribution group. Agathe, a saleswoman in the men's department for more than 25 years, is shocked to discover that all the staff will be laid off. Feeling both betrayed and responsible for the future of the "Grand Magasin", she becomes a passionaria, leading her colleagues to revolt, a true leader. The operation finally seems to bear fruit when the sale is cancelled and a new director is appointed.
When photographer Abby is sent out of town on a job assignment by her editor, Charlotte, she thinks it is the perfect opportunity to escape her nightmarish ex-fiancé, Richard. However, Abby quickly discovers it is impossible to elude him.
Martin Ellis (Alan Dobie) is a blocked screenwriter who invites Helen, an actress (Kika Markham), to a hotel in central London to discuss an idea for a play he is writing with her in mind. As they discuss the play, Martin discovers that a businessman and an escort named Carol are sat at a nearby table and appear to be speaking lines from the as yet unwritten piece. Martin becomes anxious at what will eventually become of the girl, already knowing that the play will not have a happy resolution
The widow of a wealthy shipbuilder tries to hold onto his business and becomes involved with boardroom intrigue in her bitter struggle to maintain control of the company. Based on British TV series "The Foundation." Pilot to a prospective series.
The Stevens think that they've won an all-expenses-paid trip to an island that's halfway around the world. When their house is destroyed, their food stolen, and their bacon eaten, the Stevens family breaks apart in front of all their friends on live national television, while the island itself is only a short distance away from Sacramento!
1972, in the south of France, deep in the forest, a family with meager luggage discovers the new camp where they will live. Despite the camp leader's overt paternalism, the Harkis lead a difficult life without real freedom. A life of poverty and guardianship that Leila, the Benamars' eldest daughter, rejects. She is at the age of rebellion, and also of her first love. For her, her father, Saïd, scarred by war and exile, accustomed to giving in, owes nothing to the French who enlisted him in the French army, then failed to protect them in Algeria. Thanks to her, with the help of a peasant couple, he will raise his head and the Benamars will leave the camp for a nearby farm.
Parisian authorities clash with the Front de Libération Nationale (FLN) in director Alain Tasma’s recounting of one of the darkest moments of the Algerian War of Independence. As the war wound to a close and violence persisted in the streets of Paris, the FLN and its supporters adopted the tactic of murdering French policemen in hopes of forcing a withdrawal. When French law enforcement retaliated by brutalizing Algerians and imposing a strict curfew, the FLN organizes a peaceful demonstration that drew over 11,000 supporters, resulting in an order from the Paris police chief to take brutal countermeasures. Told through the eyes of both French policemen as well as Algerian protestors, Tasma’s film attempts to get to the root of the tragedy by presenting both sides of the story.
Tezuka Osamu crafts a love story in the time when humans are expanding into space at the end of the 21st century, employing an omnibus form similar to Bradbury's "Martian Chronicle." Leaving the earth after marriage, a woman is left behind in space when her husband suddenly dies of a cosmic disease. Her friends on the Earth head for space to save the woman who was once everyone's ideal lady. Tezuka Osamu emphasizes his concepts that "love can save the earth" and "only love can save humans."
Legend has it: once upon a time, in a tribe ruled by a wise vladyka, there lived two young men, Rastislav and Ctirad. Both of them loved the daughter of the vladyk, Milica. And she loved Rastislav. So the old vladyka decided to give her in marriage to the one of them who would bring him the skin of a white deer, which would guarantee him eternal youth. And so the young men set out to hunt. And indeed, they soon succeed in catching the deer, but it is protected by a miraculous falcon, which Ctirad slaughters. Only the falcon is actually Kovlad himself, the lord of the Copper Mountain, which hides immense treasures within itself. Because his leg is injured, he cannot return to his kingdom. Rastislav will help him, however, even at the cost of Ctibor returning to the tribe before he does and bidding for Milica's hand. Of course, Kovlad will repay him for his help with a gift of immense value. She gives him a steel sword that will make him the most valiant warrior.
Feature-length TV movie (with the title card "Rags and Riches") that served as the pilot to the series that ran from 1987-1988. A wealthy businessman decides to soften his "cutthroat" image by adopting some children. He winds up adopting six girls and isn't prepared for the problems that come with them.
After dropping out of University and moving back in with her parents, an amiable young woman reconnects with her former high school friends and spends time with her family—while she tries to figure out her place in the world.
Fall from Grace describes the war of the young English-French Catherine, her mother is killed in 1940 during the German campaign against France, Catherine escapes to England where she eventually volunteers to become a spy. The Movie is based on a book by Larry Collins.
In 1931, budding author Christopher Isherwood goes to Berlin at the invitation of his friend W. H. Auden for the gay sex that abounds in the city. He falls for street sweeper Heinz, paying medical bills for the boy's sickly mother, to the disapproval of her other son, Nazi Gerhardt.
A woman changes her personality according to a dating guide book to find a husband but realizes the man she wants is the one who loves her for who she is.
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