Via the New York Times: "...a dialogue between found objects... the remarkably calm, somewhat banal wartime journals of Ernst Junger, a German writer and army officer living in occupied Paris in World War II, and newsreel footage of Paris as it really was."
Six months after the events of the first film, Aida is on a peacetime journey to discover the fates of her husband and sons. Joining with other women who organize protests and conduct their own private investigations in search of truth and justice, they overcome corruption, political inertia and other obstacles while recognizing that the peace process is harder than the war itself.
Witnessed is inspired from the dance piece Courtyard choreographed by Allen Kaeja. Allen delves into the times his family lived through during the Holocaust of WW II, by exploring the relationships of five individuals after months of forced confinement inside the Ghetto walls. The story of Witnessed is one of displacement, unrelenting fear and community support in a time of crisis.
The plot revolves around a pair of hunters, Moonil Lee and Sun-deok Kim, who wage an armed struggle to defend their homeland during the war on the Korean Peninsula (1950-1953).
This documentary from Brave New Foundation and director Robert Greenwald, investigates the impact of U.S. drone strikes at home and abroad through more than 70 separate interviews, including a former American drone operator who shares what he has witnessed in his own words, Pakistani families mourning loved ones and seeking legal redress, investigative journalists pursuing the truth, and top military officials warning against blowback from the loss of innocent life.
Set in Manipur, a conflict region on the remote India- Burma border, this film journeys across a century to paint a portrait of a cinema and its citizens. The encounters - real, fake and surreal, are not for the fainthearted but there is good food and chatter on the go.
An Iraqi soldier escaping from Kuwait as the army retreats in 1991 is captured and cast into Saddam’s infamous prisons, accused of being a traitor. Outside, an Iraqi uprising instills hope for those held captive in the killing fields of Babylon.
A World War II romantic comedy, following a nosy army postman who secretly rewrites the letters between a soldier and his wife in an effort to save their crumbling marriage.
This cinematic travelogue consists of three parts. In the first part, texts and small maps are our guides through Madrid in 1936. We see pictures of daily life against the background of the fascist shillings. A sad portrait of destroyed houses, the search for survivors under the rubble, and children's corpses in small wooden coffins. Central to the second part is the defence of liberty. Images from the front alternate with fragments of the besieged city. The last part deals with the aid given to and still needed by the town; an appeal is made to give money for medicines. This film breathes an unfaltering belief in a favourable close: unconditional victory. At the time, the film was a great success and yielded a lot of money for medical aid to Spain.
Documentary describing events leading up to the February 1996 shoot down by Cuban Air Force Migs of 2 U.S. registered Cessna 337 aircraft operated by the Cuban exile organization Brothers To The Rescue based in Miami, USA.
This short,produced by the United States Civil Defense Department, while shot in the style of Edward R. Murrow's CBS "See it Now" series and with Murrow as the commentator, was produced for theaters and was not a television program...and WAS NOT part of the Murrow television series. This "Iron Curtain/Atomic Age" preparedness film is a plea for needed civilian volunteers to act as aircraft spotters all around the United States. An air attack on New York City is simulated by B-29 bombers flying from London, England, and they fly practically undetected to their target area due to a shortage of civilian-volunteers at spotting points around the country. Murrow's dooms-day narration didn't calm the nerves of the theatre-audiences that saw this, either.
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