To keep up with his public guise, Tư Chung considers marriage with his "girlfriend" and tries to flatter some trust out of the CIA advisors who've been eyeing the pair, all the while following new orders to plan and launch an important offensive. The second part of a series based on a real-life organization involved in intelligence activities in South Vietnam before 1975.
For 70 years, the Red Army was one of the pillars of the USSR, an object of both fear and admiration, a symbol of both liberation and coercion. This documentary explores its history, combining epic storytelling with the deconstruction of myth. While everyone knows that Trotsky's name is attached to his creation, contrary to popular belief, the bulk of his story is made up of defeats and military failures. Thanks to an all-archival montage, this film is a veritable immersion in the heart of...
This is the adventure of two men, John and his sergeant Karl, through a hostile and generous forest. It is also the evolution of their relations, of their respective choices in front of the events which face them.
A married couple living in a remote farm find themselves in the midst of war, where many different sides walk through the area. They attempt to save their lives and stay neutral despite accusations of being traitors that every army brings upon them.
A poor village in Herzegovina suffers from constant flooding and different armies that periodically plunder the countryside. One woman is convinced that the solution to the problems lies in making a tunnel that should take the water to the sea.
The camera of Janet Petrosi a christian girl who studies photography is stolen when she is in the flower market trying to take a photo. Amir a young guy who sells flower with his father ...
HUNTERS IN THE SKY is the most comprehensive film documentary series ever produced on the fighter aces of World War Two. Surviving fighter aces from all sides in the conflict -- British, American, German, Russian, Japanese and many other nationalities -- now share their experiences -- and provide their own, exclusive, vivid and graphic first hand accounts of what it was really like to be a fighter pilot in some of the greatest air battles the world has ever known. This extraordinary series is fully illustrated with the pick of air combat footage shot at the height of raging dogfights, or as fighter interceptors attack bomber formations. You'll relive aeriel combat as the Aces themselves experienced it -- through the gun-sights of their Spitfires, Mustangs, Me 109s and Zeros.
An exploration of how the U.S. military employs video game technology to train troops for war. In A Sun With No Shadow, Farocki calls attention to the subtle differences between the simulations for combat training and PTSD. With the former, the sun can be programmed to cast shadows in the virtual combat zones, while the latter, less expensive technology does not offer this feature.
A Yazidi refugee camp in Iraqi Kurdistan is home tomore than 20,000 refugees, many of whom are victims of terrorist attacks by ISIS. Shilan is a young Kurdish nurse who volunteered to take care of them. Every tent in the camp has a story, and Shilan takes the responsibility of hearing the refugees out, empathising with the pain they are suffering. One day Shilan hears about a tent where a woman is refusing to eat her food or have any sort of contact with the outside. She decides to take action.
Set in apartheid South Africa 1984, this is the story of a young man whose Afrikaner values are tested as he accepts the compulsory draft into the military and befriends a rebellious Englishman. He must decide to either stand up for what is right or answer the Call to the Republic and his family.
Sarajevo in the twentieth month of its besiegement. The situation is critical, but the city chooses to organise an international film festival. Dutch filmmakers Johan van der Keuken and Frank Vellenga present Van der Keuken's documentaries Face Value and Brass Unbound there, and one of the festival organisers asks a festival visitor: "What is the significance of film in war?" In Sarajevo Film Festival Film, a reflection on film, war and daily life, fictional images are juxtaposed in a disconcerting way with the gruesome reality of the life of a festival visitor.
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