“The Forgotten Faces (1961), a film reconstruction of the Hungarian revolution of 1956, won Watkins another amateur Oscar, and to this day, the film is praised in England as "one of the most memorable amateur films ever made".
In this sequel to "Home of the Brave," Noah makes the decision to join the stoic Lieutenant McCluskey and battle-fatigued Sergeant Roberts' squad, venturing into war-torn Virginia once more. However, upon facing combat, Noah and the squad are quickly beset by doubt, fear, and distrust, forcing some to question their true allies.
Somewhat autobiographical, the film opens right after the 6 day war, when Israelis euphoric with victory and the kids dress up as the captured Western Wall in Jerusalem. Now it is 1972. The film centers on a young boy, who is failing in school, and grounded from going on Passover trips with his classmates. Instead he must visit private academies (including military school) with his parents, who want him to do better in school. Foreshadowing to the coming war in 1973 and the defeat of euphoria.
Story of Azem Bejta (1889–1924), commonly known as Azem Galica, who was an Albanian nationalist and rebel who fought for the unification of Kosovo with Albania.
Captain Alexis Komninos manages to escape from the Germans, with the help of the abbot Prudence arrives in Middle East headquarters in Cairo. Assumes office and connected to the beautiful Maria, from which does not hide that he is married. Meanwhile, his wife Anna and Synesios captured by the Germans on charges that reported in Cairo information for the departure of a German convoy. Komninos, along with a team of commandos, landed in occupied Greece and liberate the imprisoned patriots apart from the Synesius already performed. But while trying to escape, Anna was fatally injured. After the war, Komninos apologizes by Governor Raidis whom he considers lover of his wife, and with Mary, visited the grave of Anna.
"The photonovel FIASKO is based on and named after Kertész’ novel. He describes his absurd attempt of a new beginning – after Auschwitz and Buchenwald – in the Budapest of the Stalin area. Our photonovel transfers Kertész’ literary method into a visual language: the joining of fragmentary elements of the past and of the present, finding a trace that links experience and remembrance. From 2008 to 2010 approximately 800 colored medium-format photos were taken. The sequential photos have been taken on the original locations. The remainders of the past systems are rendered via multiple exposures, pictures shown in their ambivalence, mirroring etc. The literary text and the photographies remain independent from one another, however they enter into a dialog and open up space for associations. The course of movement caused by the juxtaposition of multiple still images is continued when one turns the pages (see chronophotography)."
Sandekala is like a slender man who turns into wewe gombel. "Kasareupnakeun" is proof that child sacrifice is real. According to experts, the slender man is a very famous child kidnapper ghost in Germany. This MV does not describe a slender man, but Wewe Gombel's subordinates who are ready to face the threat of a shaman. Once again, he transformed into wewe gombel in the land of Padjadjaran.
The year is 1658 and the King of Sweden has seized large parts of Denmark. A tenant farmer and his family on Falster are forced to look on while enemy soldiers loot and wreck their home. Only the wounded and febrile soldier Lasse Månsson does not take part in the atrocities, and when the regiment moves on, he stays in the care of the farmer. Soon, Lasse falls in love with Anna, the farmer’s daughter, and they plan a life together. But can love blossom in such dark times? (stumfilm.dk)
A persecuted child finds shelter in the house of the enemy. The host faces an awestruck choice: to save the child's life and his own integrity - or risk losing his family to a group of armed kinsmen.
Set in the 15th century after the collapse of Genghis Khan's empire, and follows Mandoukhai from her youth when she's forced to marry the new ruler to her violent death after unifying the vast Mongolian empire.
Two mirror situations: telephone conversation of a Russian soldier with his mother, and a soldier of the Armed Forces of Ukraine, who also communicates with his own, during the Russian military aggression. Why is there such a huge gulf between our people and their people? Perhaps the answer to this question lies in the difference in relationship with mothers.
Ukraine, 1919. Bolshevik counter-intelligence agents work to stop an uprising by White Russian nationalist-monarchist counterrevolutionaries. A young countess finds herself caught between her family and class allegiance and burgeoning Communist sympathies inflamed by a chance meeting with a handsome young Ukrainian chekist. The movie was filmed in Soviet Ukraine at the Alexander Dovzhenko Film Studio in 1982.
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