It is 5 May 1945 and the uprising against the hated German occupiers has broken out in Prague. The Czech guards open the gate of the Pankrác prison to allow the prisoners to escape en masse. Many of them are shot dead by the German guards but young Ruda (Jaromír Hanzlík) manages to run away. He is taken care of by one of the Prague fighters, concierge Kytka. Kytka hides him in the flat of the house's owner where only the young maid Karla (Jana Brejchová) is left, ordering her to take care of Ruda.
Based on events from the Balkan Wars. 1991: Amidst the cruel battle of Vukovar, a brave squad of Croatian soldiers fights its way through the besieged country to deliver a truck full of weapons to the Serbian border.
Students Jaan and Heiki in 1972, inexplicably, cross the river of time and arrive in 1944, the year of the German occupation of Estonia. The film depicts the painful and conflicting contact between the two ages and mentality.
Girlfriends Zoya, Natasha and Asya live in Petrograd. Before the Civil War, young heroines are aware of the social injustice of life. When the war begins, the girls are recorded by the orderlies of the working group to protect the Bolshevik Petrograd from the advance of the whites.
Hussein kills Suha, who prefers to marry Raouf despite his love for her, Rauf adopts the orphan girl loyalty to raise her to distract him from his sorrows, the years pass and admire the son of the family friend Adel, while linking love between her and Safwat Ibn Hussein, but Rauf refuses their marriage Adel, the war of October 1973, in which Adel and Safwat are engaged and linked by friendship, Adel discovers Safwat's love of loyalty, return after victory to withdraw Adel from the life of loyalty and convince Raouf to marry Safwat
The film depicts the first month of 1945 when the Russian Red Army broke into the eastern part of Germany and forced millions of civilians to flee in the coldest of winter. While the Russians invaded Ostpreussen hundred of thousands of civilians were evacuated by ships. Gotenhafen was the last open port and ships left the town almost by the minute, overloaded by refugees. One of the last ships to leave Gotenhafen was the 'Wilhelm Gustloff', a former 'Kraft durch Freude' pleasure cruiser designed for 1000 passengers. Until today it is unknown how many people were on board but it is said to be around 10.000. The ship sunk without a trace and only a handful of people survived this hellish nightmare.
A visit to the famed aircraft carrier USS Midway and interviews with men who served aboard it bring the exciting story of the vessel to life in this dramatic documentary. In service for 47 years, the Midway saw heavy action during the Vietnam War, and its hair-raising missions to rescue downed pilots were legendary. After Vietnam, the Midway, now berthed in San Diego, participated in numerous operations, including the Gulf War.
Free and easy Garrett Cope loves Katherine Gresham, but his rival, Henry Miller, who is really Heinrich Mueller, a World War I German spy, gets rid of Garrett by having him arrested for the murder of Pembroke Van Tuyl. While Garrett is in prison, Katherine marries Mueller, but Sidney Dundas, knowing that the German actually committed the crime, finally confesses, and Garrett is freed. Meanwhile, Mueller takes Katherine to a remote island called No Man's Land, which he uses as a base for blowing up Allied ships.
Strategical factory should be evacuated. The movie shows how destinies of those working on the factory and their families are being broken. And yet - they have no choice, but to live.
Three pilots are best friends and good fighters. During the WWII they are taking an oath to refrain from love until the end of the War. But soon they meet three women-pilots. One by one they give up the oath, and all three fall in love.
This animated short by Claude Cloutier is a pictorial account of an attack on Canadian soldiers during WWI. On the edge of the battlefield, recruits are dreading the order to attack. At the signal, a young soldier leaps into a hell of fire and blood where the earth engulfs both the living and the dead. Blending archival images and Cloutier’s hypnotizing brushstroke, the film is a dazzling illustration of the futility of war.
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