In the First World War, alongside the men fought an army of animals. Mules, oxen, dogs, horses, pigs, pigeons were used for moving units and materials, communications, and for the support of the troops. The forced cohabitation with men closer to each other in a possible fate of death and suffering: officers and enlisted men had the opportunity to give and receive affection, but also to deal with beings weak and completely dependent on their . Animals in the Great War offers an unconventional story of dramatic conflict, through letters, diaries and photographs taken by the fighters, and collected in the book that Lucio Fabi has derived from his research, The good soldier mule (ed. MURSIA). A documentary rebuild memories, stories, episodes of real life relationship, in and out of the trench, between humans and animals, including incredible moments of absolute serenity and tenderness, alternating the background of one of the most tragic periods in modern history.
When their commanding officer is killed by the invading forces in a border standoff, two Indian soldiers must cross the Line of Actual Control unarmed, in order to save their battalion.
Intelligence-diversionary group of athletes who know how to shoot snipers, run, jump, feel free in the water and under water, to withstand the monstrous load of hand-to-hand fights, will be able to reach the goal only going together, passing the task as a relay. Seven of them. Among them is a girl swimmer. It will be the most difficult, the last stage of the journey. The plot is based on the real facts of the great Patriotic war.
The story of the Northern Ireland Troubles through the unflinching testimony of two men who played key roles on opposite sides of that bloody conflict. Nearly ten years ago the two paramilitary leaders told their stories on condition that they could never be revealed while they were still alive. The stories told by the Irish Republican Army's Brendan Hughes and Ulster Volunteer Force's David Ervine tell us of the motivations of the participants, the planning of campaigns of violence, the misery of a hunger strike, the tracking and killing of informers and the duplicity that ended a conflict that had lasted too long. It is also a narrative of the fate of combatants when their wars are over.
Personal videos from the phones, camcorders, cameras and GoPros of Ukrainian soldiers are woven into a surreal journey to the frontline of the war with Russia. The film shows a bizarre world whose laws are quite different from what we are used to. The behaviour is different, the relationships unfold differently and the humour takes on different notes. The heroes wake up and fall asleep, rejoice and cry, always feeling that the recording may end at any moment.
During the WW2, a German filtration camp "Hope" was organized in the occupied territory, where they conduct experiments on children. Twins are considered to be of special value - the most valuable material for experiments. And when one of the twins escapes from the camp, the Germans raise the alarm, trying to find the escaped boy. This complicates life and the inhabitants of the nearest village, and partisan detachment, and even the local police. In the center of the development of events is the life of little Petya and the touching love story of a young couple - the police officer Andrei and the daughter of the headman Nina. Heroes time after time face the death of loved ones, confrontation, distrust and deceit. Those who yesterday were friends become the most dangerous enemies, and those who yesterday would not have been given a hand, will be revealed from a new side.
After a tumultuous arrival and subsequent stay in Da Lat for military training, Luan returns to Saigon a Major in the Presidential Special Forces. He and Thuy Dung continue their relationship. News that Ngo Dinh Diem is opening the Ban Me Thuot's Highland Economic Fair attracts many intelligence and security organizations, whose political purposes vary.
As the Germans invade Poland Jewish Ruth and her mother are trapped by the oncoming Nazis. When they are loaded onto a truck for transportation to a ghetto, Ruth is told by her mother to jump from the truck at the first chance and to make her way to relatives in Warsaw. While the war progresses Ruth tries to survive and grow up.
In 1944, in eastern part of China, U.S.Army Major Baldwin and his volunteer team of demolition engineers are left behind the retreating Chinese forces. Their task is to slow down the Japanese advance into eastern China by blowing up bridges, roads, airfields and munitions dumps. They start by blowing up an American airfield and ammo dump. They receive the order to destroy a vital bridge over a mountain pass.The team uses a few army trucks to move around. At the bridge, they encounter a Nationalist Chinese Army unit in charge of guarding the bridge. Thanks to an American soldier who speaks some Chinese, Major Baldwin requests the permission, from the Chinese commander, to blow up the bridge.The Chinese colonel agrees but asks the American Major to do him a favor by also destroying a munitions dump located at some distance away.He also requests that Madame Sue-Mei Hung, the widow of a Chinese colonel, be transported by the American demolition team to the nearest major town.
Candlelight in Algeria is a 1944 British war film directed by George King and starring James Mason, Carla Lehmann and Raymond Lovell. This drama follows the exploits of Eisenhower's top aide, Mark Clark, and other important Allies as they journey to an important meeting held on Algeria's coast. The precise location of this vital secret gathering is upon a piece of film which must not fall into enemy hands
Norwegian war drama. The old sea-captain retires, but the next day German WWII occupation of Norway begins. He then kisses his wife good-bye and is off to Army HQ. There he finds a lack of leadership and morale that offends him. They even laugh at him and his out-dated uniform and officer-rank. Secondloitnanten then finds and leads his private troop of volunteers against the German attack. The movie tells the story of a man that refuses to give up, even when everybody else leaves. He will fight for the country he loves and do his duty.
Atanes Ghambaryan, resident of Armenian border village, after the captivity during the World War II, turns up abroad in Turkey and dreams of returning to his homeland. During one of night patrols, border guard Armen who is in love with Ghambaryan's daughter Seda, recognizes him on the other side of the river Araks.
Filmed and directed by the Iraqis themselves -- thousands of them, from all walks of life, all over their country. The producers, who distributed more than 150 digital video cameras across the country, condensed more than 400 hours of footage into an unprecedented, and startling, look at life in a war zone. It's a new genre of filmmaking.
Germany, Baltic Sea coast, May 1945, a few days before the end of World War II. A small Soviet patrol arrives at an isolated house where an elderly baroness gives shelter to a group of orphan girls and a boy who is determined to continue the fight.
The action takes place in the autumn of 1942, when German army was approaching Stalingrad and a group of Belarussian partisans decides to make a disruption in the rear of German's troop trains. Having found themselves without equipment, they send the young Mikhas to mechanic Bugreev. He is accompanied by Sazon Ivanovich, who is also cooperating with Germans - by the secret task of partisans. They come to the lodge, where equipment is hidden, build a fire and start to clarify explosive. Sudden arrival of Germans crushes the heroes' plan.
Shot on the streets of Kabul, Granaz Moussavi’s (My Tehran For Sale) outstanding new feature is in the tradition of the great child-centred works of the 1980s when filmmakers such as Kiarostami, Panahi and Amir Naderi (to whom this film is dedicated) were putting Iranian cinema in the forefront of world production. 9-year-old Hewad is an irrepressible, street-smart kid who is energetically working every angle, hustling everything from pomegranate juice to amulets to protection from the evil eye. His real ambition is to be a movie star, and this comes a step closer when he meets an Australian photographer. But in a city where every family has a member who has been “martyred,” the streets are as perilous as they are vivid. Australia’s recent involvement with Afghanistan has been mixed, to say the best. The deeply-felt humanism of this film might just be our most effective contribution to that troubled country.
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