"Three Tales" is a video music work by American composer Steve Reich and video artist Beryl Korot. It is set in three "Acts", each depicting a technological advance of the 20th century and its negative implications on humanity: the dirigible airship Hindenburg and its explosion; the Atom Bomb and its testing on Bikini Atoll; and Dolly the sheep, first successful genetic cloning of a mammal.
The mismatched couple hosts a holiday-themed variety hour featuring skits, bits and musical visits from Ashlee Simpson, Brian McKnight and the guys from 98 Degrees, who join Nick for a rendition of “I'll Be Home for Christmas.”
The untold story of Bobbi Kristina Brown is one of adventure, dreams, conflict, perseverance, faith, friendship, and love — a love between mother and daughter. A love often interrupted by success, emotional upheaval and drug addiction but an unshakable,
An eccentric musical comedy based on the tale of Korney Chukovsky.
In Africa, monkeys fell ill. This news was reported to Dr. Aybolit by the monkey Chichi, who escaped from the robber Barmaley.
Aybolit and his assistants — Chichi and the dog Avva — are in a hurry to save the monkeys from the disease. But Barmaley and his robbers are trying to stop them. First, they capture the doctor’s ship at sea and throw Aybolit, Avva and Chichi into the water, but they swim to Africa.
In the year 2032, the legendary idol unit "7th Sisters" suddenly retired from the industry and disappeared. That was the end of the idol industry... until two years later, when a young glory-seeking employee is appointed to be the leader of Tokyo's next generation idol studio, "777 (Three Seven)," commonly referred to as Nanastar. However, the city continues to believe that idols are a thing of the past, and Nanastar is no exception. Their slump continues, but one day a mysterious and beautiful female manager approaches you and says, "If the idols of the past are gone, we'll just have to make new idols! True "sisters" linked by powerful bonds!" The story of the idols of the future, the Nanastar Sisters, will now unfold.
STREET DANCERS: They're bold and they're bad; they're breakers — freestyle dancers who know a mean beat as well as a mean street. STAGE DANCERS: Grand and graceful gypsies — polished performers who are passionate about their art and the theater. When the choreographer of a troubled Broadway-bound musical brings the two groups together to energize his show, the results are less than successful. The professional dancers rebel when the street-wise breakers invade their turf — the theater. Tempers explode and the opening of the show is threatened. The exciting dance sequences, including the grand finale, were choreographed by Beat Street's Lester Wilson.
Through an oral history format of in-depth interviews and archival footage, RIOT ON THE DANCE FLOOR bring to life the gritty story of City Gardens, one of New Jersey’s most infamous clubs and its larger than life promoter, Randy Now. Featuring the stark and iconic photography of Thrasher Magazine’s Ken Salerno, the film chronicles the rise of several different music scenes in a venue for underground music that traversed the entertainment spectrum; from the comedy of Henny Youngman to Nine Inch Nails, New Order to Nirvana. It is the story of musical champions, underdogs and how hoards of misfit kids found an unlikely home and above all, the freedom and liberation of having complete creative control. - IFF Boston
The setting is a small town in 1870s Pennsylvania. Sally Waterson and her father have stopped in town with their traveling medicine show, but when their wagon catches fire, they find themselves stranded. They're taken in by Mrs. Cortlandt and her grandson, Peter, who is trying to set up a pipeline that will supply oil throughout the state. Sally and Peter soon fall in love and marry. Neither their marriage nor Peter's pipe dreams flow too smoothly.
Headlined by Dawn Upshaw, Lorraine Hunt Lieberson and Willard White and orchestrated by the Berlin German Symphony Orchestra, this Nativity oratorio from composer John Adams tells the magical story of the birth of Christ. Conducted by renowned maestro Kent Nagano, this moving experience draws on both Old World and New World sources to re-create this influential story, highlighted by Adams’s trademark minimalism and melody.
Spectacular! Opera in three acts. Filmed at a series of outstanding performances at the Teatro Real de Madrid in December 2016, this recording will especially delight lovers of Wagnerian music drama with its faithful reflection of the grandiose staging of Alex Olle, a member of La Fura dels Baus, whose earlier productions have attracted widespread attention. A conductor equally at home in Monteverdi, Boulez, Praetorius and Schumann, Pablo Heras-Casado can rely on a cast totally committed to this breathtaking musical hurricane!
In the guest-house of sister Klivia, the inhabitants are very cheerful and good-hearted persons whose open communal lifestyle is contrasted with the life of somewhat nasty and complaining neighbour Mr Boordevool. Boordevool has spent ages looking for reasons to shut the guest-house. One day a girl from the guest-house meets a nice young guy Gerrit. Sister Klivia lets Gerrit stay regardless of him being a thief. Will that give a chance to the insinuations of the neighbour?
Beyond her enormous stage presence, Dalida (1933-1987) was an exceptional musical phenomenon: she was convincing in the most diverse genres, from chanson to disco to world music and Schlager, and sang in a total of twelve languages. Like hardly any other artist, she adapted to her respective audience and was thus able to achieve worldwide popularity. This show revisits her greatest hits and thus becomes a musical border crossing and voyage of discovery that will bring us closer to Dalida in all her musical and linguistic facets for the first time.
This puzzling experimental film is written and directed by Raymond Rouleau, who uses effects like changing color tones and masks to put across a drama within a dance drama. The set is a sound stage and the actors in this film are dancers on the stage, performing a mime-ballet derived from one particular legend. Both the enacted legend and the actual events affecting the dancers are parallel. The lead dancer Isa (Ludmila Tcherina) is still nursing her wounds after her first love left her to stand alone at the altar. Now one of the dancers wants to expand his relationship with Isa -- and soon after, the cad who jilted her suddenly shows up again. Tragedy follows closely behind.
In the days leading up to Partition, a Hindu woman is abducted by a Muslim man. Soon, she finds herself not only forced into marriage, but living in a new country as the borders between India and Pakistan are drawn
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