Sparked by the fragile frustration of navigating through any single thing that hangs by a single thread. We all know what it means to introduce. We all know what it means to move on and a lot of us know what it’s like to stay on the line.
For many years the great Emir of Bukhara has not known happiness - he has lost the taste to delightful khalva, and now life is as sour as a lemon for him. The house of poor pot-maker Shir-Mamed, however, is full of happiness - his little son Hodzha Nasreddin has been born. Rumours have spread about his unusual abilities - maybe he will be able to make the Emir happy again?
In 1984, Midnight Oil released their iconic record Red Sails in the Sunset. They embarked on a relentless tour around the nation performing raw and electrifying music that reignited the imagination of young Australians. That same year, their lead singer Peter Garrett committed to run for a Senate seat for the Nuclear Disarmament Party. With the mounting pressure of balancing the demands of music and politics this is the year that would make, but nearly break, Australia's most important rock and roll band. Thirty years in the making and featuring never seen before seen footage of the band on and off the stage, Midnight Oil: 1984 is the untold story of the year Australia’s most iconic rock band inspired the nation to believe in the power of music to change the world.
PROJECTIONS is about when we fall in love with someone unknown and we do everything we can to really get to know that person. For our protagonist, this approach will be to write a script for a young actress who plays an old Hollywood star with whom he is in love and doesn't really know anything.
Feature compilation of four Biffle and Shooster comedy shorts--"The Biffle Murder Case," "Imitation of Wife," "Schmo Boat" and "Bride of Finklestein"--plus five additional songs and sketches.
Common sense says you can't make a living in America playing avant-garde improvisational jazz. But Ken Vandermark does it anyway. Among musicians, Vandermark's work ethic is almost mythic. The Chicago reed player has released over 100 albums with nearly 40 ensembles, spends over eight months per year on the road, and lives every other waking moment composing, arranging, performing—and trying to discipline his two hyperactive canines. Though Vandermark was the recipient of a 1999 MacArthur genius grant, he still spends most of his life in smoky clubs and low-budget recording studios, hoping people will plunk down hard-earned cash to hear his wholly non-commercial music. Following the artful cinéma vérité style of the internationally acclaimed Sheriff (Work Series #1), Musician (Work Series #2) forgoes all interviews and voice-overs. It is a fly-on-the-wall time capsule that expertly captures every subtle sound and texture of this most American of art forms.
Musical version of the Robert Louis Stevenson story about a doctor who conducts an experiment on himself that results in his bringing out the dark, murderous side of his inner self, "Mr. Hyde".
¡Tango! follows a formula established by Carlos Gardel with films such as Luces de Buenos Aires (The Lights of Buenos Aires, 1931) in which a melodramatic story is interspersed with tango songs. However, the film had less dialog and more music, making it more like a musical revue. This format would be copied by many subsequent films. The plot is derived from tango songs. Many of these songs tell of the seduction of an innocent slum girl by a rich man who promises her a glamorous life, but who abandons her when her looks fade. The stylized and sentimental plot of ¡Tango! revolves around a young man who is abandoned by his girlfriend for an older rich man and is heartbroken. The film follows his misfortunes.
The Police Reunion Tour was a 2007-2008 worldwide concert tour by The Police, marking the 30th anniversary of their beginnings. At its conclusion, the tour became the fourth highest grossing tour of all time, with revenues reaching over $340 million. The tour began in May 2007 to overwhelmingly positive reviews from fans and critics alike and ended in August 2008 with a final show at Madison Square Garden.
Sophie and Paul (an aspiring musician) can't pay their London rent and turn to friends and family for support. Over the course of a summer, things go from bad to worse: The couple lose everything and find themselves lost in the underbelly of life on the streets. Though frustrated, their good humour and positivity land them odd jobs and a temporary shelter.
Geri Ashur’s Me & Stella traces the life of blues musician, folk singer, and composer Elizabeth Cotten—and her guitar, Stella—who is best known for writing the folk standard “Freight Train.” After spending her early teenage years writing songs and playing the guitar, Cotten put her musical career on hold for three decades. Encouraged by the very musical Seeger family, for whom she worked as a maid, Cotten started recording and became a star in the 1960s burgeoning folk revival at an age when most people are contemplating retirement.
The strange co-existence of acceptance and rebellion, the collision of space and time, tell us that at the very moment the message is given, fertilisation takes place. We are, as it were, inside biology, the very act of conception. This coming to life in gradual stages takes us to the heart of the process of creating art; the message is no longer an abstraction, it is reality. Rather than something finished, isn’t what we call nowadays conceptual art the portent of a new art, the Annunciation of an art yet to be born?
More than 50% of transgender boys have attempted suicide. Through two life stories, directors Lexie and Logan unravel why their community is particularly vulnerable to living and dying quietly.
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