Returning for a third iteration, “The Disney Holiday Singalong” features more music and magic just in time for the holidays. The one-hour festive musical event includes star-studded performances, animated on-screen lyrics, more favorite Disney melodies and classic holiday songs.
An aspiring songwriter who ekes out a living by composing music for commercials, can no longer bear the many compromises that line of work demands and decides one day that enough is enough. As he reminisces about his college years, he leaves the city for his hometown.
Two years after a harrowing rescue from Hurricane Katrina, music legend Fats Domino headlined a 2007 benefit concert for New Orleans hometown, performing hits to an adoring audience. The special captures Domino's triumphant return to the stage and provides an up-close, biographical look at Domino's storied career.
Two years after the tragic sinking of a fishing boat that shook a small seaside town, the members of the rondalla, a traditional music band, decide to get back together in the endeavour to recover their enthusiasm and leave the grieving behind.
Sharleen Spiteri takes a dive into the BBC's music archives for a look back at some of Texas' greatest appearances on a selection of programmes and live events from across their career.
An experimental cross-over music film, connected to the conceptual music album EASY ALICE. Both creations reflect on sovereignty, isolation, seclusion, schizophrenia, gender balance and the desire for detachment. It researches the encounter between the world of Kafka, Alice in Wonderland, PJ Harvey, Eminem and Nietzsche. The movie script is based on diverse interviews with iconic figures as David Bowie, Paolo Pasolini, Donald Trump, Prince, Grace Jones, Leonard Cohen and Roy Cohn.
The film is an unprecedented and exclusive testimonial of Maria Bethânia from director and screenwriter Carlos Jardim, interspersed with rare footage of rehearsals and concerts by the singer throughout her 57-year career. Actress Fernanda Montenegro narrates five texts by authors such as Ferreira Gullar and Caio Fernando Abreu about Bethânia's importance on the Brazilian cultural scene.
Young Irish lad Tommy O'Day lives in a poor section of New York's Lower East Side, and is blessed with a beautiful singing voice. After an argument with his father, who accuses him of stealing the family's life savings, Tommy leaves home and gets a job singing in a cabaret. He is successful and soon lands the lead in a Broadway revue. On opening night, just as he is about to go on stage, he receives word that his mother, who he has not seen since he left home, is dying and wants to see him.
A simple girl is seduced by a wealthy young man who leaves her pregnant. She works as a singer but her son dies, then the young man regrets what he did and marries her after many conflicts with the owner of the nightclub where the girl works.
This segment involves a pop-up book trip through the Brazilian state of Bahía (spelled Baía in the film), as Donald and José meet up with some of the locals who dance a samba and Donald pining for one of the women, portrayed by singer Aurora Miranda.
Nick Koenig, aka Hot Sugar, is in a hot mess. Considered a modern-day Mozart, the young electronic musician/producer records sounds from everyday life—from hanging up payphone receivers to Hurricane Sandy rain—and chops, loops and samples them into Grammy Award–nominated beats. He’s living the life every musician dreams of, complete with an internet-phenom girlfriend, rapper/singer “Kitty.” But when she dumps him, Hot Sugar is set adrift. Fleeing to Paris, he tries to regroup, searching for new sounds and a sense of self. Filmmaker Adam Lough mixes scenes of Hot Sugar at work on his vintage recording devices with surprising soul-searching reflections he offers to the camera. As tweets and posts about the broken couple blow up on the internet, Hot Sugar’s road trip presses onward, revealing even more exotic layers of the man and his music. Fun and flash, this lyrical journey offers audiences a fascinating peek into a modern artist’s creative process.
Mona and Carl Johan are having a hard time. They are going to get married, but then Carl Johan is called up to report to the barracks on the wedding night. Carl Johan doesn't want to and goes to the barracks to tell them about it. Mona wants to meet Carl Johan and also leaves, just as Carl Johan is leaving the barracks again. Mona accidentally becomes a hussar and then the riding master's attendant. It is not easy being a woman in the army. After a series of complications, the truth comes out.
Americans come west to California in the hope of peaceful settlement. Roy and Gabby sing a duet: "We're Not Coming Out Tonight." Other songs include "Sundown on the Rangeland" and "Ride on Vaquero."
Flicka reflects on her life as a child, mother and singer, and we learn about her through the experiences of colleagues Renée Fleming, Susan Graham and Jake Heggie and in conversations with her family. In archival footage of performances from stages around the world, we celebrate her talent as one of the best mezzo-sopranos in the repertoire. During the journey, we try to answer the question, “Why does everyone want to be in the room with Flicka?” Quickly one realizes it’s because, from family to friends, colleagues to opera fans, and those whose lives she touches in her community, all feel she is a hero, friend and mentor.
Ludwig van Beethoven headed for Symphony No. 9 literally his entire life. As early as the 1790s, he had an eye on Ode to Joy, perhaps the most well-known poem by Friedrich Schiller, written on the threshold of the French Revolution (1786). In his mature and, in particular, later years, the deaf composer with an acute ‘hearing vision’ increasingly distanced himself from conventional forms and genres and wrote parts beyond the possibilities of instruments of his day. He nurtured the idea of a symphony with a choir for at least several years. The history of the Ninth’s interpretations includes 200 years of staggering revelations and lingering stagnation. Performed by the musicAeterna orchestra, choir, and guest soloists under the baton of Teodor Currentzis, Beethoven’s opus magnum acquires the original poignancy and energy of a recent discovery.
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