Razzle Dazzle follows the eager members of "Mr. Jonathon's Dance Academy" who, with their unique dance routines, compete for Grand Final success at Australia's most prestigious competition. Amidst parental politics, petty rivalry, creative controversy and the hysterics of pushy stage mothers, the film takes you behind the glamor and the glitter to a world where, sometimes, winning is everything!
From the song he refuses to perform to his admiration for Drake, a songwriting legend reflects on his lyrics and longevity with candour and humour. At 80 years young (and currently recording another album), Gordon Lightfoot continues to entertain and enlighten. Personal archive materials and studio sessions paint an intimate picture of an artist in his element, candidly revisiting his idealistic years in Yorkville's coffeehouses, up through stadium tours and the hedonistic '70s.
Set in pre-World War II Zagreb, the story is seen through the eyes of 6-year-old Perica Šafranek (played by Tomislav Žganec). A dandy from Zagreb, Mr Fulir (played by Relja Bašić), starts flirting with Perica's mother during a family picnic. At first, Perica's father doesn't notice anything, but wants to marry off Perica's aunt, so he invites the man to their residence. After multiple rendezvous, Perica's father becomes aware of Fulir's attempts to seduce his wife.
A brunette Lana Turner stars in this live song and dance performance of "A Great Lady Has An Interview" to celebrate MGM's 30th anniversary on "The Ed Sullivan Show". The song was previously performed by Judy Garland in the 1945 musical film "Ziegfeld Follies".
A boy named Charlie Rockit needs $50,000 to fix his aunt and uncle's tractor engine, so Chuck E. and friends go to the Galaxy 5000 to win it in a race.
The Count Di Luna believes that his younger brother was murdered years before by a vengeful gypsy but still hopes that he may be alive. When he attempts to court the beautiful Leonora, he is enraged to discover that she has a lover – the troubadour, Manrico. Manrico and the Count duel, and afterwards Manrico reveals to Azucena, the woman he believes to be his mother, that when he had the opportunity to kill the Count he felt something holding him back.
Elmer Fudd is again hunting rabbits - only this time it's an opera. Wagner's Siegfried with Elmer as the titular hero and Bugs as Brunnhilde. They sing, they dance, they eat the scenery.
A poor orphan boy runs away from the children's home and sets up his lonely fatherly friend with his youth welfare officer. As a result, nothing stands in the way of our hero's adoption.
This elegant romance is the least-known work of the mature Giacomo Puccini . The story concerns a kept woman who defies convention to chase a dream of romantic love with an earnest, if naïve, young man. This Met Opera production features the dynamic soprano Angela Gheorghiu and Frenchborn tenor Roberto Alagna performing the roles of Magda and Ruggero, it blooms into its rightful place in the glorious Puccini canon. La Rondine (The Swallow) was commissioned by Vienna s Carltheater in 1913. Due to the impending outbreak of World War I, premiered in 1917, at the Opéra de Monte-Carlo with Gilda Dalla Rizza and Tito Schipa. Set in a Parisian salon, it is the story of Magda, the glamorous mistress of wealthy banker Rambaldo. Her yearning for romantic love compels her into the arms of the ardent and adoring young Ruggero.
Broadway: The Golden Age is the most important, ambitious and comprehensive film ever made about America's most celebrated indigenous art form. Award-winning filmmaker Rick McKay filmed over 100 of the greatest stars ever to work on Broadway or in Hollywood. He soon learned that great films can be restored, fine literature can be kept in print - but historic Broadway performances of the past are the most endangered. They leave only memories that, while more vivid, are more difficult to preserve. In their own words — and not a moment too soon — Broadway: The Golden Age tells the stories of our theatrical legends, how they came to New York, and how they created this legendary century in American theatre. This is the largest cast of legends ever in one film.
The 50th anniversary of the Barrandov studios was celebrated with a spectacular show: many directors and other important people gathered in the expensive decorations of the Variety Theatre auditorium (built for the Circus Humberto series). They smiled and showed well-deserved relaxation after a job well done in managing socialist cinema. Vladimir Sís interspersed this with excerpts from films, mainly his own and also a little of others who had worked on the "Hill of Dreams".
For decades, Barbara Dane lent her stellar singing voice to social-justice movements in the Bay Area and beyond, garnering an impressive FBI file along the way. Deeply respected by fellow luminaries in folk, blues and jazz, Dane built a far-reaching legacy with music, activism, and love. As Maureen Gosling’s celebratory portrait reveals, early solidarity with those suffering racial and economic injustice sparked Dane’s passion to use her talent to sustain marginalized people. Rather than chase stardom, she followed her own maternal instincts to root herself and her family among generations of activist performers. Bonnie Raitt, Jane Fonda and other notables attest to Dane’s unique way of shaping and being shaped by tumultuous social revolutions from the 1950s on. Nearing 90, Dane triumphantly tours with piano virtuoso Tammy Hall to celebrate a life of staying awake and connected, true to her ideals. One star among many illuminates so much.
A look at the roots of the historic music scene in L.A.'s Laurel Canyon featuring the music of iconic music groups such as The Byrds, The Beach Boys, Buffalo Springfield, and The Mamas and the Papas.
The musical group "Flor de Lis y los Dos del Orinoco" tours the fairs of the towns with their repertoire of old melodies. They arrive in Torremolinos and settle in a camping site. There they meet Johny, a cheeky "go-go boy" who lives off the land and, if possible, from foreigners. He joins them and turns them into a beat band. They dress like hippies and sing in English. Their new stage name is "Los Hippy-Loyas", and they present themselves to the public as a pop group from Liverpool. Their new life leads them to the most unusual adventures.
The film tells the story of a young girl who secretly becomes an actress behind her brother's back. Mehmet runs a coffee house in one of Istanbul's suburbs. Mehmet, who is engaged to Ayşe, the daughter of grocer Hatice, cannot manage to come up with the required dowry. Mehmet's mother, Fatma, works as a seamstress at a theater. Mehmet's sister, Zeynep, decides to help her brother collect the dowry. To do so, she starts working at the theater with her mother. At that time, a big musical is being performed at the theater. Shortly before the musical, starring Erol and Meral, is set to premiere, Meral announces that she is leaving the show. Erol and the theater owners listen to Zeynep's voice and like it. As a result, they decide to cast Zeynep in the lead role. However, this situation must be kept secret from Mehmet.
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