0:00 Trust
0:59 Show me what you got
4:35 Pollution
9:10 Counterfeit
14:22 Thieves
20:06 Nobody loves me
25:07 DANCE?
28:18 Stuck
35:16 Faith
38:30 Jump around 41:33 Limp Bizkit & Korn • All In The Family
Atwa takes care of his little brother until he completes his education. Atwa works in a factory and has physical strength, which he exploits by working as a pimp on Imad al-Din Street. Rawhiyya, who lost her entire family at the hands of the British occupation, recognizes him. Atwa works as a spy for one of the princesses to convey news of the guerrillas, and Rawhiyya leaves him. When you know that.
U2 bring their stadium-filling rock to Abbey Road Studios to perform exclusive versions of classics like With or Without You, Beautiful Day and One, alongside new music from their latest album Songs of Experience, accompanied by a live orchestra and choir.
This was one of the most emotional evenings in Met history—the night Leontyne Price bid farewell to opera. Aida is the role that inspired audiences around the world to acclaim her as the greatest Verdi soprano of her time. And this telecast shows why: the famous soaring phrases that seemed to never end, the shimmering top to her lustrous voice, undimmed by the years. But most of all, there is the ennobling heart and soul Price lavished on every performance—captured here forever. With James Levine conducting the Met orchestra, chorus, and ballet.
Tom "Killer" Dane kills Jeff's friend, who then pursues him. Jeff and Dane are look-alike half brothers, which allows Dane to make a raid dressed like Jeff. Jeff is arrested, but before Dane's henchman can organize a lynch mob, Fuzzy breaks him out and Jeff heads after Dane again.
Deemed "too ambient for broadcast" by MTV's AMP, Thaemlitz' first video "Silent Passability (Ride to the Countryside)" contrasts cinematic footage from drag performances in upstate New York with highly processed digital audio from his CD "Couture Cosmetique" (US: Caipirinha/Japan: Daisyworld, 1997). Thaemlitz is known for his fusion of computer synthesis techniques with non-essentialist transgenderism as two methodoligies which appropriate and critically recontextualize cultural signifiers, whether they be audio sources or gender constructs. The audio for "Silent Passability" deals with fears of violence while travelling in 'passable' drag between safe zones, and Thaemlitz' unsettling compulsion to remain silent in such circumstances so as to avoid confrontation. Antithetically beatific images from the transgendered stage question posturing as a means for alieviating and/or concealing such oppressive circumstances.
Filmed on location in seven different states during 1980-1981, America’s most loved and original music genre is the subject of “That’s Bluegrass”. This care-free, fast-moving documentary lovingly examines our home-grown musical heritage from the simple front porch fiddler to famous Nashville recording stars, listening in as accomplished amateurs do some “pickin and grinning” at outdoor festivals and play songs handed down from generation to generation.
Documentary about Maria Bethânia, at the very beginning of her career as a singer, when she arrived in Rio da Bahia to replace Nara Leão in the show Opinião. Bethânia's appearance, at that time in southern Rio, was a cultural shock that shook the city. The film also contains scenes of her daily life and meetings with other musicians.
This is a true story about the relationship between a mother and her daughter, and their struggle to make it to the top in the music world. It is about hopes and dreams... about relationships and about growing up.
A live album by American rock band Nirvana, the album features an acoustic performance recorded at Sony Music Studios in New York City on 18 November 1993, for the television series MTV Unplugged.
A biographical film that dramatizes the life of Jean-Philippe Smet, better known by his stage name Johnny Hallyday, a French rock and roll and pop singer and actor.
During an air trip, Prince Tancredi, a well-known abstract artist, gets to know air hostess Judy and is charmed by the young woman. When he asks her to pose for him Judy accepts. Following a few negative remarks on her part about his work Tancredi is driven to question himself artistically. Now, Judy has to leave but she promises to see Tancredi again, which they do. Their mutual attraction soon turns into a burning passion.
Crossover! All the stars of the 80s Israelian Mizrahi Music were brought. He is a rising star at the underground Mizrahi scene, She is an international model. Can they overcome the cultural and social differences in order to live in harmony?
Director Charles Burnett (Killer of Sheep, My Brother's Wedding, To Sleep with Anger) presents a tale about a young boy's encounter with his family in Mississippi in the 1950s, and intergenerational tensions between the heavenly strains of gospel and the devilish moans of the blues.
All too often, every great female rock musician has to answer a predictable question - what is it like being a girl in a band? For many, the sight of a girl shredding a guitar or laying into the drums is still a bit of a novelty. As soon as women started forming their own bands they were given labels - the rock chick, the girl band or one half of the rock 'n' roll couple. Kate Mossman aims to look beyond the cliches of fallen angels, grunge babes and rock chicks as she gets the untold stories from rock's frontline to discover if it has always been different for the girl in a band.
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