Three colours, three moods, three registers. And yet Puccini conceived this triptych as a whole from the outset. He interweaves these three one-act operas, from Il tabarro, a drama of passion set on the quays of the Seine in the early 20th century, to Gianni Schicchi, a burlesque farce set in medieval Florence, and Suor Angelica, a mystical tragedy set in a 17th-century convent.
When a 13-year-old girl befriends a defiant antisocial child of the streets, the mismatched runaways set off to the Big Apple to find their own adventure.
The theft of a pearl necklace and subsequent murder took place at the Tartaros cabaret. All this could compromise the minister, who is an admirer of the singer Clara. The real culprits must be found as soon as possible...
Singer-songwriter Paul Simon had been on the cutting-edge of pop music throughout most of the 1960s and the '70s, first as half of the seminal folk-rock duo Simon & Garfunkel, and then as a well-received solo artist. But the rise of 1980s rock and new wave saw a decline in Simon's commercial success, and the singer responded by experimenting with different musical styles--most notably, world beat--that culminated in his adventurous 1986 masterpiece GRACELAND. The album's fusion of American folk-rock songwriting and buoyant South African rhythms not only broke new ground in pop music, but became Simon's biggest-selling solo record. This episode of the CLASSIC ALBUMS series examines the making of Simon's groundbreaking work through interviews, behind-the-scenes footage, music videos, and live performances of album tracks such as "Boy in the Bubble," "Diamonds on the Soles of Her Shoes," "You Can Call Me Al," and "Under African Skies."
Passion, jealousy and betrayal take center stage at Londons Royal Opera House in a spectacular production of the worlds most popular opera. Bizets Carmen is packed with some of the best-loved and memorable music in all of opera. In this characteristically vivid and vibrant stage production by Francesca Zambello, beautifully filmed in 3D by Julian Napier, Seville is brought to life with ranks of soldiers, crowds of peasants, gypsies and bullfighters as well as a magnificent horse, a donkey and even some chickens! This spectacular RealD and Royal Opera House production features a supremely talented cast, gripping drama and Bizets energetic and passionate score. It is truly a musical event to remember!
A look at the life of activist, musician, and cultural icon Kathleen Hanna, who formed the punk band Bikini Kill and pioneered the "riot grrrl" movement of the 1990s.
The hero Siegfried reforges his father’s shattered sword, embarking on a quest for the greatest prize of all – the love of the valkyrie Brünnhilde, who lies trapped in a ring of fire. Siegfried is the third opera in Richard Wagner’s four-opera cycle Der Ring des Nibelungen. Wagner broke off composition at the end of Act II of Siegfried to write Tristan und Isolde and Die Meistersinger von Nürnberg, returning to Siegfried seven years later. Longborough Festival Opera, known as the British Bayreuth, calls on renowned Wagnerian Anthony Negus to conduct and Amy Lane to stage this new production of Siegfried in the bucolic English Cotswolds.
The Silver Clef fundraising committee was founded in 1976 by musicians and managers from across the British music industry, who wanted to honour and award music artists whilst raising funds for Nordoff Robbins. The event went on to become the annual Silver Clef Awards and Lunch, an important date in the social and business calendar of the music industry, with even members of the Royal Family attending as guests of honour. The lunch is also the flagship event in the highly respected and well-known diary of fundraising events put on by Nordoff Robbins. The Silver Clef initiative eventually expanded to the USA, where members of the music community there arranged the first American Silver Clef Award Dinner and Auction in 1989. The funds from that event benefited the Nordoff Robbins Centre for Music Therapy based at New York University. In 1990 a concert was devised to raise money for the Nordorff Robbins music therapy centre, it was held at Knebworth park on the 30th June 1990.
Leningrad, one summer in the early eighties. Smuggling LPs by Lou Reed and David Bowie, the underground rock scene is boiling ahead of the Perestroika. Mike and his beautiful wife Natasha meet with young Viktor Tsoï. Together with friends, they will change the destiny of rock’n’roll in the Soviet Union.
On a splendid night, as elegant individuals lose themselves in dance in a ballroom, a rumor is born that one of the guests is HIV positive. Unprecedented fear and suspicion follow, with fallacies about HIV infection close up on its heels.
The most successful Mexican pop group in decades returns after a successful tour of the United States, Colombia and Brazil to share not only their greatest hits, but an intimate, behind-the-scenes look at what the RBD reunion means to them.
Superstar a capella group Pentatonix is struggling to find inspiration for their annual holiday album, and the clock is ticking. To make matters worse, their well-intentioned but misguided manager mistakenly locks them in a magic mailroom. But with the help of some Disney magic, we’re soon on a whirlwind tour around the world, discovering holiday traditions and inspiration from Pentatonix fans all around the globe: from Tokyo to Grenada, Ghana to Mexico and Iceland.
It is the New Year's Eve and the employees of an Economics Institute are ready with their annual New Year's entertainment program. It includes a lot of dancing and singing, jazz band performance and even magic tricks. Suddenly, an announcement is made that a new director has been elected and that he is arriving shortly. Comrade Ogurtsov arrives in time to review and disapprove of the scheduled entertainment. To him, holiday fun has a different meaning. He imagines speakers reading annual reports to show the Institute's progress over the year, and, perhaps, a bit of serious music, something from the Classics, played by the Veterans' Orchestra. Obviously, no one wants to change the program a few hours before the show, much less to replace it with something so boring! Now everyone has to team up in order to prevent Ogurtsov from getting to the stage. As some of them trap Ogurtsov one way or another, others perform their scheduled pieces and celebrate New Year's Eve.
Kató Kelemen is asked by her father to go to his office and welcome an important business partner of his. When Mr. Andersen arrives he assumes Kató is a secretary and instructs her to deliver a letter. He's about to travel to Venice with his nephew who he has never met before. Since Kató falls in love with Andersen at first sight, she decides to dress like a boy and pretends to be the nephew.
Crenshaw's music has roots in classic soul music, British Invasion song craft, with influences from Burt Bacharach and Buddy Holly. Crenshaw is a noted guitarist who uses offbeat chord progressions and concise solos. He is best known for eponymous first album included the US hit "Someday, Someway".
Based on the play A Midsummer Night's Dream by William Shakespeare, a choreographic film by Jean-Christophe Maillot. Gorgeous dancing – and wildly imaginative sets and costumes – bring to vivid life the ecstatic, elegant eroticism in Shakespeare‘s classic fantasy. Recorded at The Grimaldi Forum Monaco, 2009.
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