After years of hopeful struggle, waiter and aspiring singer-songwriter Al Stone is on his way. He gets his huge break on a magical night when his song wows big-time producer Louis Marcus and gold-digging showgirl Molly, whom Al fancies. Broadway success and marriage follow, but sure enough, hard times are on the way.
The movie is a love story between Adil and Vera who didn't have a good impression towards each other initially, until they are forced to work together on college project, and start to get really close to each other. It turns out that Adil is trying to get back up after being dumped by his girlfriend Mel, so Vera suggests that he joins a busking competition to win back Mel's heart. But as they spend more and more time together, Vera starts to develop feelings for Adil.
Grammy® winner singer-songwriter Olivia Rodrigo takes a familiar road trip from Salt Lake City, where she began writing her debut album “SOUR,” to Los Angeles. Along the way, Rodrigo recounts the memories of writing and creating her record-breaking debut album and shares her feelings as a young woman navigating a specific time in her life. Through new live arrangements of her songs, intimate interviews and never-before-seen footage from the making of the album, audiences will follow Olivia along on a cinematic journey exploring the story of “SOUR.”
Daughter of a private eye falls in love with father’s playboy client. Pretending to have a busy love life, she makes him jealous and he also starts to love her. When father discovers the affair he asks the Playboy to leave his daughter not knowing she’s pregnant.
In 1898, composer Sid Barnett manages to get his sweetheart, Adeline the beer-garden singer, to sing the lead in his new Broadway operetta; this infuriates Elysia, the erstwhile star. But Sid frets as Adeline spends increasing amounts of time with the dashing Major Day.
An examination of the life and legacy of Sly & The Family Stone – the groundbreaking band led by the charismatic Sly Stone – that captures the band's reign while shedding light on the burden that comes with success for Black artists in America.
Based on the Émile Zola same name novel. The life of Nana, a French prostitute of the 19th century. The film includes numerous musical acts performed by Irma Serrano.
Mary-Kate, Ashley and their friends are all excited about the big school dance. Unfortunately, Mary-Kate doesn't have a date yet, and Ashley is nervous about her decision to run for Queen of the Dance. Join the girls as they put on their best outfits and get ready to party because you're invited to dance the night away with Mary-Kate and Ashley.
Mr Jiš managed to give his first script at Barrandov. Already in the preparatory phase, he discovers with horror that the filmmakers have completely bypassed his intention - instead of a probe into the life of a contemporary village, they are preparing a spectacular musical show, which they are convinced will be a hit with the audience. The very first shots speak volumes. An elegiac arrives in the village of Lipovec and is greeted with singing and dancing by all the local officials and ordinary citizens, as this coveted expert is to help them increase their hectare yields with his progressive methods. The filming continues in a similar vein, and the newly minted screenwriter can't help but wonder...
His unforgettable scores are an essential part of some of the most beloved movies of our time, over a career that spans decades. See and hear maestro John Williams' own story, with insights from filmmakers, musicians, and others he has inspired, complete with rare behind-the-scenes looks at the making of movie history.
Part of Tutto Verdi series - La Traviata (2007) Parma. 'La traviata' ('The Fallen Woman') is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on 'La dame aux Camélias' (1852), a play adapted from the novel by Alexandre Dumas, fils. The opera was originally titled 'Violetta', after the main character. It was first performed on 6 March 1853 at the La Fenice opera house in Venice. Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, "c. 1700". It was not until the 1880s that the composer and librettist's original wishes were carried out and "realistic" productions were staged.
Chiaki is an aspiring conductor who faces the challenge of leading an orchestra which is made up of substitutes. Nodame gives her support to her beloved as she works hard towards achieving her dream to pass a promotion exam at their music conservatory. Will Chiaki be able to revive a broken down orchestra and launch his musical career? What will become of Nodame and Chiaki's relationship?
The movie starts with Braulio Peláez (Pedro Infante), a schoolteacher, having just fallen off his horse, representing the situation he and his family are in. The next scenes introduce the viewer to his family and their poor financial and social situation. As Braulio stumbles around looking for his glasses, he causes a famous film star, Alfonso de Madrazo (Rafael Alcaide) to crash his car. Braulio offers him to eat at his house as an apology. Braulio's sister and mother, big film fans, immediately recognise Alfonso and attempt to get him to bring the girl, Luisa Peláez (Irma Dolores) to Mexico City to become a film star. Alfonso agrees and tells them to come to the capital.
Football captain Cristóbal discovers that his neighbor and classmate, Mariana, has changed a lot over the summer. Meanwhile, Luli is still as vain as ever and overshadows her poor brother, Fernando. As a new year begins at High School Mexico (HSM, initially interpreted), the school has announced a "Battle of the Bands" contest hosted by Jesse & Joy. Working against the clock and with limited resources, Cristobal, Mariana, and a few of their peers unite as a band. In a desperate effort, Luli dares the impossible task of separating Cristobal from his friends. But only one band will be the winner; the one who understands that teamwork, personal development, and hard work will not only make them better artists but also better people.
This 2003 performance of Georges Bizet's 19th century opera Carmen was produced and directed by filmmaker and stage director Franco Zeffirelli, best known to many for the Academy Award-winning big-screen adaptation of Shakespeare's Romeo and Juliet. Shot at the Arena di Verona, the production features Marina Domashenko in the title role and music by the Orchestra of the Arena di Verona under conductor Alain Lombard.
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